Maryse Condé's Crossing The Mangrove

One crucial formalist element the author incorporates is the use of point of view. The way the story is told allows the reader to have an exceptional grasp on the meaning. The story’s layout follows the second-person point of view, which gives the opportunity for the author to address the readers directly, rather than just illustrating her own experiences with culture. Throughout the story, Ng redundantly uses the word “you” instead of “I”, for instance when she mentions, “Take pleasure in the surprise on people’s faces when you say, ‘My name is Mackenzie Altman’” (931). The main reason the author chose to peruse a second-person point of view is that she wanted the reader to be able to connect with the story on a personal level.

The point of view changes during the book from the perspective of Claire,Tomás,Autumn, and Sylv. The point of view in the novel can put into perspective what each character was feeling during the shooting. This can really develop the theme of the story because each character knows firsthand how every action can impact someone in the greatest of ways since they each played a part in Tyler’s decision. Since the reader felt how the events in the book impacted each character, they can better comprehend the theme of the novel. Also because the readers can relate to the feelings and actions of each character, they can connect to the novel in general which is key to understanding the text. One of the biggest things to understand in this book is that everyone (including the reader and the characters) has their own interpretation of events of This is Where it Ends which means that point of of view is extremely important for understanding the theme of this novel. Point of view is crucial in this book to grasping the theme because all of the characters views throughout the story add up to form the basis of the theme of this book.

Point of view is important in any novel. It allows readers to see and understand the events and characters in a novel. Depending on who is speaking, point of view can drive the plot and convey the thoughts of the characters in a story. In the novel, The Brief Life of Oscar Wao by Junot Diaz, point of view plays a crucial role in narrating the life of the lonesome outsider, Oscar. The novel is narrated in first person, but Diaz chooses to disclose who the speaker is until later in the book. As the story progresses, there are clues that hint to the reader who the outside source narrating Oscars life is. Diaz uses Yunior to narrate a majority of the novel. This point of view lets the readers understand the Dominican culture through Yunior’s commentary and perspective. It also gives an outside perspective on Oscar which helps build Oscar as a character. Instead of using an omniscient third person or generic first person point of view, Diaz uses multiple characters to narrate the story. This ingenious idea gave the story a more personal and up close look at not only the life of Oscar, but also the lives of his sister, Lola, and his mother, Beli.

Sean Covey an author and motivational speaker once stated, “Seeing things from a different point of view can help us understand why other people act the way they do. We too often judge people without having all the facts.” Authors like Sean Covey understand the power of point of view and use it to help the readers to relate to the characters in stories. For instance, Sandra Cisneros in her short story “Eleven” and O. Henry in his short story “The Skylight Room” effectively utilize more than one point of view in their stories to connect the readers with the characters. In “Eleven” Rachel, a young girl, describes how her teacher forced her to wear somebody else’s sweater on her birthday. Through the application of first and second person point of view, Cisneros creates in the readers a feeling of sympathy for Rachel. Likewise in “The Skylight Room” O. Henry uses first and second point of view to help the reader understand the difficulties of Miss Elise Leeson, who slowly starves as she struggles to earn enough money to pay for her little room. Also, O. Henry writes in third person point of view in order to make his facts and information believable. Both Cisneros and O. Henry write in first and second person point of view to draw the readers into the story and connect them to the characters; however, O. Henry includes third person point of view in order to make it more reliable than Cisneros’s story.

A point of view is a position in which the story is being told, but did you know that there is two point of views in The Three Little Pigs and The True Story of the Three Little pigs? The two stories have views changed by how the author tells them. In the story of the pigs it’s in third person, but in the wolf’s view he just wants sugar and see’s them as a snack so it’s first person. The story of “The Three Little Pigs” and “The True story of the Three Little pigs” have different point of views that help the readers understanding of the wolf.

In addition, Chiger utilizes point of view to present her own thoughts and experiences, further pushing the themes. The whole book is written in first person, meaning the author is narrating and explaining everything.

Point of View: For the most part, the point of view is altered for each chapter. However, the book is mostly in Willow Chance’s point of view. Since the point of view alters, different character’s insights are revealed and the reader can have a better understanding of how people feel about the conflicts and other events in the novel.

Authors use point of view to send a message. Using different forms of point-of-view sends different messages to the reader. By using point of view effectively, authors can invoke different feelings, emotions, and thoughts in a reader. In The Man from Mars, Margaret Atwood uses the third-person limited point of view to create the feeling of ambiguity seen throughout the short story. This point of view allows the reader to feel the same sense of mystery, danger, and fear that the main protagonist, Christine, feels towards the strange man stalking her. Because of the point of view, the story has this impact. If told from the 1st, 2nd, or 3rd person omniscient point of view, the story would be vastly different. By using the 3rd person limited point of view in The Man from Mars, Margaret Atwood allows the reader to feel same sense of mystery that the main character feels while also getting in touch with Christine's inner thoughts.

Writing from different viewpoints allows the author, Tim O’Brien, to express himself in a more comfortable manner. Written in this viewpoint, the story is read as a tale instead of an autobiography and the author becomes more distant with the story like he is looking into it rather than writing it.

Written in third person limited omniscient, and filtered predominantly through Catherine. The unknown narrator slips effortlessly into free indirect disclosure, which adopts the tone and inflection of an individual characters voice. This technique allows the narrator to intrude into the narrative to offer advice, or to foreshadow the characters. However, the narrator frequently breaks from convention and addresses’ the reader directly.

There are many elements that contribute to the effectiveness of a piece of writing. One element in particular that adds to how effective a piece of writing can be is point of view, which can determine what the reader knows and understands, and how the information given is interpreted. As a result, point of view contributes to character development and the emotional impact of a piece of writing. Marjane Satrapi utilizes the impact that point of view has in her graphic novel Persepolis. The story, which is written as a memoir, includes Marjane herself in the images, which makes the text seem to be told from more of a limited third person point of view, while the narration of the story is told in the first person. By including herself in the

Crossing the Mangrove by Maryse Condé first published in 1989, offers a fitting representation of French Caribbean history and culture. The novel stands out for its celebration of diversity and the concept of root identity throughout French Caribbean society. Condé’s novel reflects on the people living in Guadeloupe and the complex system that colonialism has created in the Caribbean. Also, it links the créolité movement from its counterpart Negritude and demonstrates how it shapes the identity of individuals living in the French Caribbean. The population of Rivière au Sel exemplifies the mixture of Guadeloupian people and how they interact with each other in a small community. Countless waves of immigrates to the Caribbean have brought African, East Indian, Europeans, Asians and other racial groups to live in close proximity to each other in Guadeloupe. In Praise of Creoleness, it explains the emergences of créolité and how it is a metaphor for a unique Caribbean identity completely separated from other movement in the Caribbean.

Narrator and POV: First person narration through the viewpoints of Claire Morgan, Tomás Morales, Autumn Browne, and Sylvia Morales

This critique "The Dialogic Narrative of `The Open Boat,'" first introduces Henry James and his idea that "A novel is a living thing." The critique then talks about Mikail Bakhtin and his emphasis on the importance of "the silenced voice," in literature. This refers to the voices of the characters in "The Open Boat." Bakhtin states that "the independent and unmerged voices that reach us despite the narrator's mediation are an intrical part of the dialogic narrative. This means that the reader must equally listen to the four characters' voices in the story along with the domineering voice of the narrator. The critique then gives the five types of discourse: Direct authorial literacy artistic narration, Stylization of the various forms of oral narration, Stylisation of the various forms of semi-literary everyday narration, Various forms of literary but extra artistic authorial speech and The stylistic individualized speech of characters. Rath and Shaw use these five types of discourse as a base to better understand "The Open Boat," along with all narrative fiction.

Part One of ‘Wide Sargasso Sea’ is told by Antoinette Cosway, more commonly known as Bertha Mason from ‘Jane Eyre’. For the first time, we see things through her eyes, through the first-person narration employed by the author. This allows us a more intimate and personal experience of the character and allows us as readers to form our own opinions about the decline into madness that the female protagonist of the story eventually suffers. However, this style of narration has characteristics that can affect what we get