Metamorphoses
After diving deeper into the production of Metamorphoses I couldn’t help but recognize a theme of, “The Powers of Love”. The objective of the performance was to present the transitions and effects that love has on people, by staging different myths and stories. By enabling different design element and implementing special effects, the production of Metamorphoses created a visual world in which the play could unfold.
The set design was simple throughout the entire play, yet it delivered a meaningful theme to the performance. Consisting of a raised platform, fabric for acrobatics and the pool, the actors used each element of the set design to enhance the overall experience for the show goers. The best example of the
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In the story of greedy father, an adult, rather than a child played his daughter. In order to enhance the realism of the play, the daughters costume was chosen to represent the nature of a child. This costume choice was consistent with the director’s concept and accurately communicated the age and relationship of the daughter to the father. In the story of the love struck boy, a man disguises himself as an old beggar women so that he may get insight on a girl he is in love with. The beggar costume created an entirely new relationship between the man and woman and allowed the man to freely approach his love to learn of her feelings for him.
When discussing the design elements, I feel as though the element of light gets overlooked more times than not. Throughout the entirety of the performance, light played a key role in developing effects, and creating a visual reality. The first instance we saw light was in the myth of the greedy father and his daughter. In the story, the father is granted one wish; that everything he touches turn to gold. Unfortunately for the man, his wish comes true and every single thing he touches is instantly transformed to gold. In order to display this element of the play, a golden light was shined on any object the father touched, including his daughter. This light illuminated the action of the story and worked to fulfill the director’s concept. As an audience, we also saw the use of light during an actor’s important set of lines. In
During the first half of the play, I did not really notice the lights except during the scene transitions. The main reason I did not notice them is because their job during the early parts of the play were to establish the location. We were in a standard basement that had one window above the stairs, so most of the light in the room had to be coming from an artificial source, most likely a lightbulb.
The technical aspects of the production such as scenery, properties and costumes also played a keynote in the productions success. The scenery was fabulous it truly made the play. It was very realistic and extremely vibrant. Almost the entire play was performed in one setting, except for the railcar and dance scenes. The house, the main setting, was magnificent with painstakingly placed detail in every corner. All elements in the house matched wonderfully, for example the furniture, the photos on the wall, the telephone and even the trash can. Little bits of detail were everywhere adding to the beautification of the set, for example the lace decorations on the chairs, the etched glass above the front door and even the Christmas tree.
He glanced out of the window, watching the sky turning from a deep blue shade to a clear, blue, breezy morning. ‘A good day.’ He made a mental note to himself. The sun baked through the curtains, sharpening his enormous shadow. He thought of that fussy factory owner and sighed.
What does being outsider mean? Does it mean being left out of being different? People have often felt like an outsider at one point in their life, and wonder why. Are outsiders misjudged or misunderstood? These two terms meet at a crossroads, and are commonly misinterpreted. Misjudging someone is when you make a solid assumption or conclusion about them, whether it be on their looks our how they act. Being misunderstood is when someone interprets you for someone you are not. Based on both of these definitions, outsiders are simply misjudged. We can see examples of outsiders being misjudged both in literature and in modern day society.
Love in itself is a very complicated emotion, being either the driving force for a great blessing or a pressing burden. When comparing the surrealist chronicle, The Metamorphosis, written by Franz Kafka, and the down-to-earth short story Samsa in Love, written by Haruki Murakami, this idea truly takes form. The Metamorphosis is the story of Gregor Samsa, a young man who works vigorously to support his disconnected family. One morning, Samsa awakens to find spontaneously himself transformed into a giant cockroach. No longer able to support them, the roles are flipped and Gregor is now being cared for and quickly becomes a burden on his family. On the other hand, Samsa in Love transforms Kafka’s original story as in this version, Gregor Samsa
The Metamorphosis, a story written by Franz Kafka, is about the sudden transformation of Gregor Samsa into a bug. The narrator describes how Gregor’s transformation negatively affects his work, family, and social relationships; it also takes readers through Gregor’s journey of trying to regain his humanity. Throughout the story, Gregor denies his loss of humanity and attempts to preserve his previous work and family relationships because these relationships make up a great deal of his identity. Throughout his life as a bug, Gregor realizes just how much of an influence his work and family have on who he is, and life becomes difficult for him now that he is letting down both his family and his
Frank Kafka is considered one of the most influential writers of all time. Helmut Richter would agree with this statement. Richter agreed that Kafka was a very prominent figure in world literature and was amazed by his mechanics and word usage. I feel that his essay is supportive of Kafka’s writing, but also leaves out many important details in its brevity. Richter did not include Kafka’s flaws and tendencies in his essay.
The production elements of the show were magnificent. The costumes were great and helped to establish the childlike quality of the show and characters. During the transitions, the characters wore clothing that would best suit a child in play. The
The Metamorphosis by Franz Kafka is a novella that begins with an absurd concept. A man wakes up one morning to find himself transformed into a giant insect. While this concept for a story is certainly absurd, Kafka contrasts this plot with a rather dull, plain narrative. It may initially seem novel to explain a ridiculous situation in a simple manner, but this causes the novella to be quite boring.
In The Metamorphosis Gregor Samsa is forced to deal with his transformation from a human being into an insect. After his transformation Gregor is no longer able to do everyday ordinary things. He now has to depend on someone to do these things for him. His younger sister, Grete, makes herself responsible for Gregor. She takes it upon herself to make sure that Gregor is fed and his room is cleaned. This leads to the question; why does she place such a huge responsibility on herself? An optimist like Gregor who only sees the good side of people would say it is because she is a loving and caring person. That her brother’s current condition makes her feel sorry for him and
Franz Kafka’s The Metamorphosis is a masterfully written novella about Gregor Samsa, a man who devotes his life to his family and work, for nothing in return. Only when he is transformed into a helpless beetle does he begin to develop a self-identity and understand the relationships around him. The underlying theme of The Metamorphosis is an existential one that says that any given choice will govern the later course of a person’s life and that a person has ultimate will over making choices. In this case, Gregor’s choices of his part in society cause him to have a lack of identity that has made him to be numb to everything around him.
This story "The Metamorphosis" is about Gregor, a workaholic, who is changed into an insect and must then deal with his present reality. The hardest part of being an insect for him was the alienation from his family, which eventually leads to his death. In reading the short story "The Metamorphosis," (1971),one can realize how small the difference is between Magical Realism and Fantastic. This literature written by the Austrian, Franz Kafka, is often debated over.
Without light, the theatre cannot exist, that much is certain. As actors, as audience members, as technical visionaries, we are only as powerful as the light we are given. The extent to which we depend upon light in performance has changed dramatically throughout history, however, as light technology developed and expanded. In the history of performance, the artistic community is constantly victim to the limits of lighting technology, and exponentially altered by breakthroughs. From the utilization of candles and natural light to isolated light and electricity, the histories of illumination and theatre are virtually inseparable, and continue to push the boundaries of live performance.
Authors composing creations in an existentialist atmosphere are regularly sadistic in the ways they ponder. Existentialist novels incorporate bizarre concepts, but they also contain concealed pragmatic themes. In The Metamorphosis by Franz Kafka, the author utilizes existentialism and the id of mortal creatures and the theme of isolation to dehumanize the protagonist throughout the novel; thus, Kafka produces a petrifying novel.
Metamorphosis In the short story, Metamorphosis, the narrator describes Gregor’s new life as an insect. He then goes on to describe Gregor’s sister, Grete, with a reflection of Gregor’s opinion in the description. Kafka employs a number of stylistic devices including descriptive imagery, metaphors, and symbolism in the passage to describe the situation.