How Is Editing Different From Classical Cinema

The efficacious nature of films owes its prominent properties to the array of editing techniques. In the aforementioned films , editing techniques stabilizes the movie and

In Hollywood film women 's roles have varied quiet considerably between genres, geographical placement, and period settings. These factors contribute to the different representations of women 's roles in the film they are present in. The roles are diverse going from the traditional maternal role to that of manipulative murderer. Women 's roles in movies can be almost equal to the male roles, and the co-stars are not given the majority of the acclaims just because they are male. Society has set certain standards that women are supposed to follow. The most common image of women is that they are very passive and try to avoid conflict in any situation. More and more in society women are breaking down the social barriers that confine them to their specific roles. The films Rear Window and Resident Evil show women in roles that are untraditional for our society. These two movies help to show how women are rebelling against social norms and that they are taking more active and aggressive roles. In film noir’s we can see women represented as the femme fatale, a woman whose mysterious and seductive charms leads men into compromising or dangerous situations. In action movies we see the heroine who is strong both physically and mentally, and has the ability to use weapons. Women seem to be more trapped than men because they are supposed to live up to society’s standards dealing with beauty and size, which are more physical characteristics. These specific guidelines have been set by

With the photographs she takes of herself, she impersonates various characters and shows us the numerous roles women play in our world. In her pictures she depicts women as housewife, sex symbol, lover, victim, monster and more, and causes us to reflect upon how we perceive women.

Gender roles have been, and unfortunately still are, evident in our everyday lives for quite sometime. Women are often portrayed as sexual objects, or delicate individuals; a body with no brain or strength. These traits are easily found within many novels and movies- old and new. In Alfred Hitchcock’s films, Rear Window and Strangers on a Train, Hitchcock begins his films representing women with the same characteristics as stated above. They are very stylish, attractive and presented as second-class individuals to males. But after examining these two films, Hitchcock does something that many directors in his time would not have dared to do. By making the women the heroine and arguably the protagonist of the storyline, Hitchcock proves to

For example, in Edward Burton uses flashback to show Pegs past life when she first met Edward. This gives us more information about the overall story. In “Frankenweenie”, Burton uses Editing to film the movie in black and white to make it seem like a classic movie. For example, when Burton was growing up many classic movies were filmed in black and white such as: to kill a mockingbird and night of the living dead. This makes viewers feel like the movie is older than is actually is and even makes it feel like a classic movie. Editing is important because it make the film flow

During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that,

Over the many years of filmmaking, there is no doubt that classical Hollywood has made an interesting name for itself. The classical Hollywood style has become quite predictable in relation to film narrative because of their unique filmmaking choices using devices like continuity editing, three-point lighting, centered framing, and musical scores. When we think of a classic Hollywood film, we usually imagine a story with a happy ending. A phenomenal film that performs all these functions

Humans have the tendency to romanticize many aspects of our society, be it wars, relationships, or histories. However with this romanticism, comes ignorance, of most negative aspects of truth and reality. This nostalgic ignorance and apathy towards those negatively affected by generally romanticized events is the central theme of Vittorio de Sica’s neorealist work The Bicycle Thieves. This argument is created by accurate incidental music, stark contrast in shots, and fluid, human camera tracking throughout the film.

Women’s roles in movies have changed dramatically throughout the years. As a result of the changing societal norms, women have experienced more transition in their roles than any other class. During the period of classical Hollywood cinema, both society and the film industry preached that women should be dependent on men and remain in home in order to guarantee stability in the community and the family. Women did not have predominated roles in movies such as being the heroin. The 1940’s film Gilda wasn’t an exception. In Gilda, the female character mainly had two different stereotypes. The female character was first stereotyped as a sex object and the second stereotyped as a scorned woman who has to be punished.

Later in the decade, more films were made from an actual woman’s point of view, rather than the way a man might perceive or see a woman. Alice

By making small but significant changes to the conventions of cinema, the artificiality of the

	Another fine example of neorealism is The Bicycle Thief (1948), written by Cesare Zavattini and directed by Vittorio De Sica. The narrative of this film unfolds in post-W.W.II times. The film is a portrait of the post-war Italian disadvantaged class (the majority) in their search for self-respect. It is a time of struggle for the Italian people, amplified by a shortage of employment and lack of social services. In the first scenes of the film, these conditions are evident as Antonio Ricci (Lamberto Maggiorami) meets his spouse Maria (Lianalla Carell) on his way back home. We see the "men" arguing at the employment "office" as the "women" argue about the shortage of water. Although the director's

Since most neorealism films is associated with the postwar reconstruction of Italy, filmmakers like Rossellini in the 1950’s, are considered different because of their directing styles (Italian film in the light of neorealism, xiii). “The rules governing neorealist practice would include location shooting, lengthy takes, unobtrusive editing, natural lighting, a predominance of medium and long shots, respect for time and space, use of contemporary, true-to-life subjects, an uncontrived, open-ended plot, working class protagonists, a nonprofessional cast, dialogue in the vernacular, active viewer involvement, and implied social criticism (pg.22, Italian film in the light of

The Cutting Edge: The Magic of Movie Editing is a documentary about the art of film editing and the immensity of the job an editor is given. The reasoning of the film is to show the impact editing truly has on movies and our emotional attachment towards them. This documentary shows clips from different films to prove to it’s viewers the substantial effect editing has. Directors and editors speak out about the significance of editing, something not many viewers know nor think about.

The use of editing is very common in Tim Burton films, especially flashbacks. In the movie, “Charlie and The Chocolate Factory,” it is frequent to discern flashbacks of Willy Wonka’s past. Scenes were displayed to express and explain Wonka’s feelings and why the factory exists. In the flashbacks, it shows that Wonka’s father was a dentist, and the young Willy Wonka’s love for sweets, which caused a complication between them. His love for sweets led him to create a factory that manufactured different unique products. In another movie called “Edward Scissorhands,” shows the old Kim telling a story about Edward Scissorhands to her granddaughter. To sum up, the majority of the movie was basically a flashback of Kim’s past. Also, in Kim’s story,