The Cutting Edge

The efficacious nature of films owes its prominent properties to the array of editing techniques. In the aforementioned films , editing techniques stabilizes the movie and

The creation and consumption of films are a common favorite pastime for many people and have been for hundreds of years, but while some films can seem deceptively simple, many elements go into creating a scene, much less an entire movie. Directors use these elements which include, but are not limited to style, mood, composition and special effects to create a product that we often don’t acknowledge without looking deeper into the film. These components together are called Mise en Scène (Ebert). Of course, film can be enjoyed leisurely but there are so many more aspects of film to be explored and analyzed such as the composition of camera movement, lighting, color, sounds and music. In this case, I chose to analyze the “Redrum” scene from the renowned film, The Shining directed by Stanley Kubrick. In this scene, Danny Torrence, a five year old boy wanders around his mother’s room with a knife in hand, muttering the word “Redrum” over and over again before scrawling it across the door. I feel that a lot of this scene’s mood and style relies heavily on the camera work of the scene, the lighting and colors, and the music incorporated into the segment.

Almost every piece of cinema seeks to give the viewer an understanding by intricately assembling shots in a coherent, and a sometimes muddled, manner; the techniques used in editing places various shots in purposeful sequences, to emphasize certain relationships between shots. The shots can be arranged smoothly and logically, or shift abruptly from shot to shot; different methods of the aforementioned arrangement of shots are utilized in either discontinuous or continuous editing. Sherlock Jr. and The War on Drug’s music video “Holding On”, are two motion pictures that offer spatial relations, by applying techniques of both continuous and discontinuous editing.

Over the many years of filmmaking, there is no doubt that classical Hollywood has made an interesting name for itself. The classical Hollywood style has become quite predictable in relation to film narrative because of their unique filmmaking choices using devices like continuity editing, three-point lighting, centered framing, and musical scores. When we think of a classic Hollywood film, we usually imagine a story with a happy ending. A phenomenal film that performs all these functions

I never gave much thought into what it takes to shoot, direct, edit, and complete a motion picture. Sure, it may sound fun, but after this assignment, it felt like a lot of work. There are quite a few specialized groups that put together the films that we enjoy in our movie theatres. No wonder why it takes months and even years to edit a film, these folks are making sure things are done and synced correctly! The following essay will identify information pertaining to film and importance for their audience so the person or persons watching can have an understanding of what it is they are viewing. A story that has no meaning or becomes very confusing in the details that are presented does not make a good film.

There are various elements that contribute to the significance of a film. Cinematography, is one important element in which the camera is used to capture visual images through a number of other controllable elements such as; camera lens, framing, scale, movement etc. Editing is another fundamental component of film studies in which different shots are put together in a coherent sequence in order to make meaning of a film.

Editing is all about bringing a creative force into a film. The process could mean fixing a number of things like moving things around, meaning to arrange, select, and assemble - this goes for every component in the film. What you visualize, hear, with the use of special effects all are components that are edited and added to the film in a unique way to create a good story. The movie to be analysis is the film Forrest Gump with editor, Arthur Schmidt, he won an Oscar at the 67th academy awards for best film editing. Arthur Schmidt had three responsibilities as an editor in the film, which are spatial relationship, temporal relationship, and rhythm.

It is intriguing to witness the development of technological shift in society. The newest technology has played and enormous role in media and it has a major effect on the way films and all other forms of media are originated. The style in which images, sound, and text are developed is much distinct from how it was processed many years ago. Digital Cinematography is a technique used to record and capture motion pictures as digital video images. Unlike the traditional analog film frames, digital capture provides other ways to capture motion pictures such as video tape, CD, or flash drive. With the help of digital cinematography filmmaking has become relatively easy allowing filmmakers to produce various types of films. Southpaw, an action/drama film released in 2015 directed by Antoine Fuqua is about a boxer who is subjected to a real if strenuous transformation reeling from tragedy. While movie critics found the film to be a bit cliché the viewers didn’t seem to mind. What set this film apart from most boxing movies was Fuqua’s display of masculine aggression, intense violence but yet emotional and familial drama that keeps the viewer’s tuned into the film. His inspiration for the film was influenced by the life story of Hip-Hop cultures very own rapper Eminem. The main goal was to depict a sense of reality while making the film very relatable. From the different factors within the diachronic shot such as focus, angles, sound, montage and the fascinating interpretations that

Two components that have an immense impact on the quality and caliber of a film are the editing and sound found within the film. These two aspects alone can make or break a film. In the film The Kings of Summer, directed by Jordan Vogt-Roberts, these two elements collaborate to highlight certain emotions and key moments in the film’s plot. Some of the sub-elements of these two components that can easily be identified within the film include the flashforward, the flashback, both nondiegetic and diegetic sound, semi diegetic sound, graphic matching and voice offs. Within the film The Kings Of Summer, editing and sound are methodically and tactfully utilized in order to produce a film that is both entertaining and meaningful for the audience.

I can see that people who edit videos really have a passion for it, as I do, and that will make this career worthwhile. By reading interviews by people in the industry like Mark Livolsi, I can gain a knowledge of how people who have worked in the film industry for a while feel about it, and I am pleased to hear many success stories. It seems like there’s a lot of instinct involved, and that brings a lot of creativity and possibilities into this field.

Turn on the lights, press the red button, and follow the action. Film class has boomed with ecstatic creativity. With New projects aloft and deadlines to meet, ideas erupted.

Previously, editing used to be a challenge for most filmmakers. Often, they relied on manual methods when filming to add effects to the films. Incorporating visual effects to the film was a demanding task that

Though their influence is present and effective throughout the film’s entirety, there are two scenes where their editing mastery particularly stands out. The first scene in question is in the film’s opening credits sequence, when the viewer is introduced to Champlain as he is recording his radio program “Night Talk”. He begins the show by lamenting about a recent study suggesting that three out of four Americans would rather watch television than have sex with their spouses, followed by the story of a group of teenagers stabbing an elderly woman to obtain money for drugs. This quickly turns into an impassioned rant concerning the state of American culture at the time, before Champlain takes questions from callers to the show, resulting in a number of exchanges some would surely consider unsettling. Perhaps the most important element of this first sequence is that we do not actually see Champlain on screen for a good few minutes into it. The viewer is relegated to only hearing his voice as he goes on the air and watching the film as it quickly cuts between various shots to give the viewer both insight into the process of radio production, but also an idea of what it is like to work on Barry’s show in particular. Brenner and Hutshing make the clever decision to quickly cut between shots of various equipment being utilized, along with close-up shots

When it comes to movies, many directors are good at their jobs. However, other directors are great in the art of film making. There is no doubt such statement is considered utterly subjective, but what would life be without subjectivity, for it is our differences that make us thrive against a monotonic existence. By the same token, Alfred Hitchcock and Christopher Nolan utilize their singularities to create films that for decades have impacted the movie making universe. In fact, it is their differences that provide us with a high contrast to compare and scrutinize their job and find what made them great at it.

Editing manipulates the audience’s point of view of the story. Different cuts can delineate the plot and the meaning of the images distinctively. Battleship Potemkin, directed by Sergei Eisenstein was the example of how editing created emotions to the viewers in the theatre. The editing made the sequence into a lesson of how the Soviet Union authority was pressuring the public with complete dominance of violence.