Both Richard Donner’s 1985 adventure comedy The Goonies written by Steven Spielberg, and Rob Reiner’s 1986 coming-of-age drama Stand By Me based on Stephen King’s novella The Body, portray several characters to be misfits in society. The Goonies follows the story of a group of misfits on a treasure hunt to save their home from foreclosure and Stand By Me is a writer’s recount of the death of a friend and a boyhood journey to find the missing body of Ray Bowers. Narrative perspective, sound, characterisation, camera angles, and symbolism, contribute to various themes which Donner and Reiner exploit to evoke supportive emotion for misfits.
In diverse methods, both directors seek to engender support for their misfits by the pursuit of their stories through differing perspectives. Donner refrains from applying narration and solely relies on dialogue, conversely, Reiner reveals elements of his characters through the eyes of Gordie Lachance, in first person narration. The lack of narration in The Goonies allows a viewer to experience the journey of the misfits through a neutral and an unfiltered perspective. Donner exposes his viewers to the perspective of several characters, which provides him the opportunity to create characters which relate with the numerous circumstances and personalities of viewers. The connection a viewer feels towards a character, lulls them to view matters similarly. Dissimilarly, first person narration provides Reiner the opportunity to immerse his
In the world, society teaches people to fear the unknown. Tim Burton uses many techniques to show a misfit character and would agree that there are many misfits in the world. In Burton’s films he shows that those misfits are looked down on and shamed upon. In Burton’s films he uses the style elements of misfit protagonists and snobby antagonists to convey to the viewers that society wrongly teaches people to fear the unknown.
It is an experience of a lifetime to read a story in a book and watch the movie. The book and movie, The Outsiders, share many similarities and differ in equally many ways. S. E. Hinton narrated the Outsiders, and this high-quality narration was equally translated to the movie (2). However, they seem to vary in so many ways. This write-up examines the similarities and differences between the book and movie, The Outsiders, in terms of the plot, characters, setting, style, and theme.
Although released over 17 years ago, Rob Sitch’s comedy The Castle remains an incredibly popular film that portrays an ‘Aussie Battler’ family, the Kerrigans, in suburbia. Film writer Ian Craven states that the Kerrigans possess “the qualities of a simple good-heartedness family, with human decency and dignity”, all of which can be easily recognized by the audience throughout the film. The Castle takes a satirical look at Australian suburbia in order to manipulate traditional stereotypes, gender constructions, themes, identities, ideologies and cinematic techniques as a means of altering the positioning of the audience.
In the visual text Stand by Me directed by Rob Reiner an important theme is growing up, Maturing, experienced new emotions, and the importance of friendship.These themes are portrayed by four young boys.thourgh their risky mission they have unlifted.Rob Reiner using a variety of techniques to show their experience that led them through a life-changing and metaphorical journey.
Harold and Maude, a movie directed by Hal Ashby and released in the 1970’s, did not receive much attention and popularity when first released. Since the movie depicted obsession with suicide through a 20-year-old character Harold, the movie received backlash because during the 1970’s there were high rates of suicides among teenagers and college students. However, over time college students found the movie very entertaining, therefore bringing the movie into the lights and making it a cult hit. In Blue Velvet, a neo-noir mystery film directed by David Lynch and released in 1986, received a variety of critical responses from a wide range of audience, but this movie’s unique style earned Lynch his second nomination for Best Director. The idea of innocent getting caught in a web of evil is portrayed through the character Jeffrey Beaumont, who first encounter’s a severed ear in a grassy abandoned field. In this paper I will compare and contrast these two movies that include key actors Bud Cort, played as Harold, and Kyle MacLachlan, played as Jeffrey and include a few key points that have made these movies enjoyable to watch.
With their contemporary representation of indigenous people and the issues they face today, Jeff Barnaby’s Rhymes for Young Ghouls and Chris Eyre’s Smoke Signals are films that try to fracture the stereotypical Indian image that has persisted since the beginning of the Hollywood industry. Written and directed by Native American filmmakers, both stories comment on the condition of indigenous people in and outside the United States by confronting topics on poverty, death, drugs, alcoholism, and parent abandonment. While released almost a decade apart from one another, both cinemas follow the similar stories of their protagonist as they try to deal with these problems by trying to understand themselves and the obstacles in their respective
The two dramatic texts, the drama Away by Michael Gow and the film stand by me directed by Rob Reiner explore many types of discoveries were presented and explored by the author and director. Discovery in these texts is the action or process of finding or being found. Stand by me is about four Oregon boys decide to go see the body. On the way, Gordy, Vern, Chris and Teddy encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives. Whereas away is a play written by the Australian playwright Michael Gow. First performed by the Griffin Theatre Company in 1986, it tells the story of three internally conflicted families holidaying on the coast for Christmas, 1968. This play focuses on three families embarking on their summer holiday at the end of the year. The families are seen a cross section of the Australian community at the time and they aspirations and attitudes.
Throughout history, many authors have created award-winning novels which have been deemed worthy for a film adaptation. With a variety of these adaptations, the film directors attempt to capture the messages that were portrayed in the book and faithfully develop each of the book’s characters. Moreover, two certain books which were favored for their loving characters and encouraging themes are True Grit by Charles Portis and The Outsiders by S. E. Hinton. While the 1968 western novel by Portis follows a young girl, who goes on an adventure in pursuit of avenging her father’s death, the 1967 novel by Hinton, categorized as young adult fiction, encompasses the life of a young boy and his misadventures living in a small town as a “greaser.”
Bart Layton built this doc not from one perspective, but from a collection of them. Some stories, like “The Imposter” need a panoptic approach to connect the audience to the film. The themes of manipulation, identity and love are the main themes conveyed by Layton. These themes are communicated through sounds and visual imagery.
The film ‘Boy’ (2010) uses a range of techniques to construct an effective mise-en-scene. Taika Waititi (director) has been able to create aesthetically pleasing scenes to communicate to the audience about the setting, characters, story and themes. The sequence at the beginning of the film is an appropriate example of the good use of mise-en-scene.
Some of the most common themes in contemporary biographical films revolve around social life as well as the accompanying problems that living in today's society entails. By making connections to individual personal lives, these films help most people make sense of the world in which they live. In this regard, this paper focuses on the film, The Pursuit of Happyness outlining various cultural issues as well as problems faced by the starring; Will Smith playing Chris Gardner in the movie. Moreover, the paper discusses how such factual films reflect and create popular ideas about social problems.
In my essay I am going to reference two films, Edward Scissorhands (1990) and Vincent (1982), directed by Tim Burton. Edward Scissorhands, is Tim Burton’s take on the Frankenstein story. We can clearly see the influences that have appealed to Tim Burton in the classic Frankenstein (1931) was not the character’s monstrousness appeal but the sense of sad sorrow that audiences sympathized to in Boris Karloff’s performance. Whereas in Tim Burton’s vision, we see a “Special” character as the Frankenstein Monster, in the similar way that we call people with disabilities Special. And then we have Vincent, a short stop-motion animation. The short film itself is an entertaining aspect of a suburban boy named Vincent who recites Edgar Ellen Poe and categorizes with Horror film star, Vincent Price. With similarities to Edward Scissorhands, the main character is a chance for Tim Burton to represent himself on the screen as a tortured boy, outsider and artist. I am going to discuss how cultural and psychological concerns are represented through characterization, art direction, cinematography, and sound. I will support my discussion by analyzing a reflection on both the similarities and differences between the two films, and whether a distinctive “Burton” signature (aesthetics, cultural and psychological concerns) is evident.
The movie that I have chosen is a classic film from 1988 called Heathers. Heathers is an American cult black comedy film written by Daniel Waters and directed by Michael Lehmann. The film portrays four teenage girls—three of whom are named Heather—in a clique and a teen named Veronica Sawyer who desperately wants to fit in, as well as a crazy and unstable boy named J.D that plans to ruin it all. The focus of this essay will be on three characters. Analyzing their internal and external battles, as well as their social interactions with loved ones and other members of their fictional society.
Paul Hackett, protagonist of the 1985 film “After Hours,” becomes engulfed in a life he is very unfamiliar with, for a single night. Hackett is known to live a very ordinary, rather banal, life, in which he is the victim of a dull, lackluster reality. As his life becomes more and more dreary, he allows himself to take a night out, joining a couple of women in the next town. As the night goes on, Hackett continues to recognize the peculiarity within the people he acquaints himself with, such as Marcy, the quirky woman who invited him to the get-together. Marcy introduces Hackett to a group of people who, to his surprise, is just as atypical as everyone else. To make this all the more odd, and even partially terrifying, is the fact that this
I live in a society of “misfits”. Money is everything in the society I live in. Good hearted people are never shown to have as much value or worth as those with the biggest banks. In many ways people who fight the hardest to win, ends up coming up short due to the price tags. I constantly feel like I am in the middle of these battles. I was never a fan of conformity, it always made “different” bad, I don’t agree with that, the world needs mavericks.