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Misogyny In Othello Analysis

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Misogyny in Shakespeare’s Othello
The tragedy of Othello is one of the great literary works from the late playwright William Shakespeare. The play, written in 1603 during Shakespeare’s tragic period, consists of five acts. The backdrop of the tragedy centers around the cities of Venice and Cyprus when the Venetians are at war with the Turks. The play follows the story of the Moorish general Othello (who is black) and his scandalous marriage to a white Venetian woman, Desdemona. Othello’s ensign, Iago, cleverly deceives Othello that his wife is cheating on him, intending to break the Moor’s marriage apart. Sadly, Iago successfully persuades Othello that Desdemona is committing adultery with his lieutenant, resulting in the tragic event of many deaths at the end of the play. In the tragedy of Othello, Shakespeare uses conversation between Desdemona’s character and her husband in order to highlight innate misogynistic behavior in Othello’s personality. Othello seems to have at least a small ounce of respect for his wife, saying that he loves “the gentle Desdemona” (1.2.25); however, Othello sets the matter straight when saying that his love for her is circumstantial. Shakespeare emphasizes this when Othello says that Desdemona “wished that heaven had made her such a man” (1.3.164) like him, implying that Desdemona’s idolization of Othello is the foundation their love for each other is built on. Fortunately for Othello, Desdemona vows that she will “due to the Moor my lord”

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