Miss Brill Commentary

The heroine, Mrs. P, has some carries some characteristics parallel to Louise Mallard in “Hour.” The women of her time are limited by cultural convention. Yet, Mrs. P, (like Louise) begins to experience a new freedom of imagination, a zest for life , in the immediate absence of her husband. She realizes, through interior monologues, that she has been held back, that her station in life cannot and will not afford her the kind of freedom to explore freely and openly the emotions that are as much a part of her as they are not a part of Leonce. Here is a primary irony.

F Scott Fitzgerald’s “Bernice Bobs Her Hair” is another one of his more well-known works. This short story is the tale of Bernice, a young girl from the Midwest who is under increasing societal pressure to change. However, when she takes her changes too far it. The plot and the actions of the characters reveal the theme of the double-edged nature of change.

In the short story “Miss Brill” the protagonist, Miss Brill, is a lonely and isolated woman who likes to spend her Sunday afternoon’s in the park observing everyone around her and listening to their conversations without them knowing. We can infer that Miss Brill has created her own fantasy world to escape the harsh reality of her own life. At the end of the story the audience can come to the conclusion that Miss Brill experienced an epiphany that will change her life.

The tragedy of the story rests in that she does not see herself as this. She describes some of the other people in the park as "... they were nearly always the same, Sunday after Sunday, and - Miss Brill had often noticed - there was something funny about nearly all of them. They were odd, silent, nearly all old, and from the way they stared they looked as though they'd come just come from dark little rooms or even - even cupboards!" (Mansfield 259), this is exactly what she is. Not only does this

The lives of Suitcase Lady and Curley’s wife are full with feelings of loneliness and seclusion, eliciting feelings of pity in those who are reading. Curley’s wife lived during a time in which women had little rights and were considered to be the property of their husbands. The men on the farm would not allow her to talk to them as they feared how Curley would react to his wife talking to men other than himself, “I seen ‘em poison before, but I never seen no piece of jailbait worse than her. You leave her be (24).” George’s words perfectly describe the mentality of the men on the ranch towards Curley’s wife, they viewed her as a trap and piece of jailbait simply because she was a woman who wanted to talk to someone. Living on a ranch with only men who refused to acknowledge her because of her marital status was deeply troubling to both Curley’s wife and the readers, “Think I don’t like to talk to somebody ever’ once in a while? Think I like to stick in that house alla time? (55).” Similarly, Suitcase Lady is immensely isolated because comparable to

In the short story “Lamb To The Slaughter” written by Roald Dahl, the protagonist Mrs. Maloney, shows change in many aspects of her life. These aspects include her overall feelings toward her husband, main motivations to keep living and moving forward, social status, and her outward appearance. By undergoing these changes, Mrs. Maloney can be identified as a dynamic character.

Becky and Amelia’s values are determined by their similarities to Miss Swartz, and they both reflect aspects of what Miss Swartz represents; they are not true opposites. These three female characters, then, form a continuum of moral corruption. Lucinda Roanoke, Trollope’s woman from abroad, has a dangerous interiority that makes her much more than a representation. The implications of her interiority create the need for Lucy to be a truly good girl. This change from seeming good to being good creates a true dichotomy between Lucy and Lizzie.

In “Miss Brill,” Katherine Mansfield utilizes Miss Brill’s thoughts and actions and the surroundings to characterize Miss Brill as a lonely character. Mansfield immediately introduces Miss Brill with a very odd scene that shows her conversation with the fur coat. This quickly and effectively establishes the type of person Miss Brill is. As a result, Mansfield suggests that Miss Brill is a lonely and an “abnormal” person to illustrate to the audience how society treats those who are not considered “normal” through the later actions of a young couple.

Miss Brill often finds herself personifying this fox fur, giving it gendered pronouns as opposed to objective pronouns. This indicates how the fur seems to be the only companion or friend that she has, and that she projects her loneliness onto this fox fur. The style of Mansfield’s writing shows that Miss Brill deeply cares about this fur, showing some of Miss Brill’s internal monologue as she takes the fox fur out of its box that afternoon. In the park, Miss Brill finds herself listening in to people’s conversations, as she feels like she can be a part of their lives this way even if it was just for a moment. The deep isolation and loneliness that Miss Brill experiences causes her to long for human connection -- though she never figures out how to achieve it. Also, it is interesting to see how Miss Brill describes the other elderly people in the park around her. She observes that they looked as though they had “just come out from dark little rooms or even — even cupboards!” This is significant because she compares them to her fox fur, which is something that she keeps in a cupboard until she is ready to leave her house again. She makes this comparison between the other elderly people at the park, however she does not make this connection to herself. This could show how Miss Brill separates herself from the other elderly people, because she longs for

She pays attention to the smallest details. "Wasn’t the conductor [of the band in the park] wearing a new coat, too? She was sure it was new. He scraped with his foot and flapped his arms like a rooster about to crow… Now came a little ‘flutey’ bit—very pretty!—a little chain of bright drops. She was sure it would be repeated. It was; she lifted her head and smiled" (98). Even if she’s only an observer, Miss Brill is an involved observer. She draws enjoyment from simply being in the park atmosphere. However, her enjoyment is more than a passing mood. It’s actually an indication of a deeper emotion—a kind of happiness. This becomes clear after Miss Brill has paid close attention to several small exchanges between people at the park. "Oh how fascinating it was! How she enjoyed it! How she loved sitting here, watching it all!" (99). That Miss Brill does not actually participate in anything is clear to the reader, but not to her. Vicarious involvement in other people’s lives seems to be fulfilling for her, even though there is no actual interplay with others. The most telling evidence that Miss Brill is happy (and that her happiness is based on a false impression) is when she comes to the conclusion that she’s somehow needed at the park. "No doubt somebody would have noticed if she hadn’t been there; she was part of the performance after all… Miss Brill nearly laughed out loud" (100). This realization eventually moves Miss Brill to

The details as told, seem to be coming directly from Miss Brill at times. The narrator gets us settled into the park with Miss Brill and tells us that she sees those around her as “odd, silent, nearly all old, and from the way they stared they looked as though they’d just come from dark little rooms or even-even cupboards!” This tells me that Miss Brill sees herself differently than she sees others, not odd or funny. She is a part of all this life and activity at the park! An actor in the grand play and “somebody would have noticed if she hadn’t been there.” She really loved to be out with others and thought that she was very much a part of the world and not apart from it. Don’t we all feel this way? Some people are truly introverted and care little of interacting, but I think the majority of us strive to become part of the world and at times feel like this life is one big drama and we have a big part. Our role might only be important for one scene, but we feel like the leading man or woman at times. The narrator leads us to what appears to be a fitting climax; a crescendo of music and song, with all players involved. Miss Brill’s dreams of this were quickly shattered. The comments by the young people, “Why does she come here at all-who wants her? Why doesn’t she keep her silly mug at home?” leaves Miss Brill with the cold realization that she is in fact like the odd, old people that she watches in the

Miss Brill is a single woman, probably in her mid to late fifties. She lives alone in a very small space without even a cat or bird. She has a collection of vintage clothing. Her physical appearance is only alluded to in the 18-paragraph short story by Mansfield, but in reading about a day in her life, one has the impression of an intelligent, sensitive

This quote leads you to the imagining Miss Brill goes through. I just picture her putting on this fur, playing dress up and becoming part of this whole other life every Sunday.

Mansfield created the story with the intention of allowing it to be open for various interpretations; though she includes specific detail concerning the characters Mansfield does not elucidate them in a manner that clearly defines their personalities. The story, like the budding rose, is one that never peaks to maturity, but rather remains in the developing stage because of its ambiguities which cause it to be discussed and interpreted in many varying ways.

Katherine Mansfield’s short story, Miss Brill, is a well-written story of an elderly, unmarried woman in Europe. In Miss Brill, Katherine Mansfield uses stream-of-consciousness point of view to show alienation and loneliness, appearances and reality, and Miss Brill’s perceptions as she attempts to make herself fit in with the park goers. Miss Brill is an older lady who makes a living teaching English to school children and reading newspapers to an “old invalid gentleman” (Wilson 2: 139). Her joy in life comes in her visits to the park on Sunday where she is notorious for “sitting in on other people’s lives” (Wilson 2: 140). It is there that her ritualistic, monotonous journey that Miss Brill refers to as a “play” takes place.