Modernism Movement : High And Low Modernism

Though the start of the modernisation may trace back to the beginning of Industrial Revolution. “Modernism in the design world did not exist in a fully developed form, until well after First World War.” (Wilk, 2006) Causing the great loss of lives and other countless damage to the world, it reshaped many people’s way of thinking the world. With the inspiration of early avant-garde movement, the modernism began to emerge advocating an utopian future and shared certain core principles by various styles of modernists: rejecting the past and applied ornament; forms follow function, a preference for

"I hope she 'll be a fool — that 's the best thing a girl can be in this world, a beautiful little fool . . . You see, I think everything 's terrible anyhow . . . And I know. I 've been everywhere and seen everything and done everything." (The Great Gatsby, pg. 20) There was a loss of innocence, disillusionment and lack of faith in the American Dream. This became the movement known as Modernism. WWI was the first “total war” in which modern weapons spared no one. The casualties suffered by the participants in World War I dwarfed those of previous wars. The armed forces continued to use old tactics, but had modern weaponry that of which caused a major number of casualties. This war left American’s with a scar on their hearts, and in their minds. WWI changed the game completely, and after the massacres that occurred during the war, and the complete and utter destruction that was left behind, caused uproar in American values and principles. This was the start and basis for the Modernist movement.

Published in 1989, Modris Eksteins’ book, “Rites of Spring” argues that World War I, with Germany specifically as a catalyst, is the turning point of modernism. As Eksteins explains it, World War I was the final battle between the old world and the new, modern, world. To put it simply: England and her allies represented the old ways, while Germany and her allies represented new ways. Eksteins believed that the end of the nineteenth century was filled with urges for modernism with Germany leading the way as the “modernist nation par excellence of our century” Throughout the three acts of his novel, Eksteins continues to address how Germany, and both world wars, managed to battle the old ways of the nineteenth century and as a result continue into the twentieth century with humanity completely disillusioned as a whole.

World War I had a more profound effect on society than wars prior. With new deadly weapons, like poison gas, high death tolls, and the first occurrence of total war, shocked the world, tearing people between the modern and the tradition. Traditional society was torn down by the destruction of the war. As with most literary movements, writers reflect the world

Moreover, I explained how each image is an example for the core principles of modernism as mentioned in the overview. In brief, modernist design is innovative. Space, form and structure is based on the functional requirements. Designs became simple and without overwhelming traditional aesthetic concepts. Therefore, technology together with simpler design made the product easy to be mass produced. After the first World War, designers in central Europe intended to change the world for better through art by rejecting ornamentation as it resembled of the past generations whom withstood the unpleasant effects of war and poverty (Smith, 2005). Dormer (1993) writes that:

The mistrust of the world which is at the center of modernism can be attributed to the world wars and the psychological effect that it had on the individual. The horrors and violence altered public perceptions of life, a change that is evident within writers of the time period. The focus of writing shifted from the outward world to inner thoughts and feelings and overall representation of an individual’s stream of consciousness which are themes associated with modern text. In “Impact of Modernism”, focuses on the idea that world needed new outlets for expression and in finding them rejected the tradition that was already there with the quote, “Many modernists believed that by rejecting tradition they could discover radically new ways of making art.” (Impact) .The world no longer had the beauty it once did so a a discovery of new arts were needed. The mind of an individual became that new found inspiration and beauty that modern writers needed and for that reason it was one of the main focuses of modern

Modernism rose to prominence in the early years of the twentieth century with the “horrors of World War I” being the “catalyst” to the reformation in beliefs (Rahn, “Modernism”; Lorcher

To fully appreciate the differences and similarities between Postmodernism and Modernism, it is required to understand exactly what they are. Modernism is the term we give to the accumulated creations and activities of designers in the early 20th century, who had the theory that traditional forms of literature, religion, social organization, and most of all, art and architecture, had become outdated in the new social, political, and economic environment of a fully industrialised world. One of the main characteristics of Modernism is self-consciousness, which typically caused exstensive experimentations of form and function. The creative process of generating work was also explored, forming new techniques in design. Modernism rejected all ideology of realism and prefers to reference and parody works of the past. Postmodernism, on the other hand, is a radical rejection of Modernist design. Taking place in the late 20th century, it is a movement in art, criticism, and architecture that disputes the majority of modernist tendencies. The Postmodernist analysis of society and culture lead to the expansion of critical theory and advanced the works of architecture, literature, and design. This entire re-evaluation of the western value system of popular culture, love, marriage, economy, that took place from the 1950s and 60s, leading to the peak of the Social Revolution in 1968, is commonly referred as Postmodernity which influenced postmodern thought, as opposed to the term

‘Modernism’ is derived from ‘modo’, a Latin word which means “just now”( Philosophy Basics. n.d.). Modernism, in its broad explanation includes the different movements related to art in the Europe, initiating from the end of the 19th century till the beginning of 20th century (Design History Mashup, Philip S. , 2008). These latest European movements developed to reject the conventional arts of the previous times. The public, who showed initial controversy to the new ideas, gradually acknowledged them. A major portion of these European movements and the public and political protests were

It is the new decade after the end of world war two and modernism is a well-established

By associating Modernism and its movement with the constructivism of national identities at an international stage, Kenneth Frampton and Yukio Futagawa’s article “Modern Architecture, 1920-1945” examines International Modernization- a phenomenon pursued by emerging societies rather than in the well established colonial or industrial powers such as England and France. The article “Modern Architecture, 1920-1945” emphasizes and proposes five principal linkages: The socialist culture and industrial norm- The Weimar Republic (1923-1931), From perimeter block to open city- Holland (1915-1939), Modernization and machine form- Czechoslovakia (1918-1935), Revisionist Modernism and international stage- Paris and New York (1937 and 1939), and the diaspora of the the modern movement -Russia, Switzerland and England (1930-1939). Frampton and Futagawa argues that modern architecture played a prominent

World War I, along with World War II and the rise of Marxist-Leninist states in Russia and China, is one of the defining moments of the 20th century. Parts of Europe lay in devastation and the United States found itself in an increasingly prominent place on the world stage. The United States’ decision to intervene in World War I meant that American soldiers would be fighting in foreign lands under brutal conditions. All aspects of society were rapidly changing as developments in technology and changing economic conditions redefined every part of everyday life. These developments along with World War I allow for the birth of Modernism. Modernism represents the uncertainty drudgery of contemporary life and the desire to achieve a new social order capable of overcoming the failures of the past. Ernest Hemingway and F. Scott Fitzgerald present readers with two different accounts of modern life rooted in the same context of “American life.”

Modernism was a movement that was developed during the late nineteenth century and early twentieth century. Modernism developed due to the changes happening in societies at the time. Around the late nineteenth century and early twentieth century there was a rise in the industrial society’s where there were advancements in technologies and machines, and a rapid growths in cities. This lead to a change in cultural trends and philosophies, which is known as modernism. Modernism was well known for the rejection on traditional way, such as the arts and beliefs. It rejected the idea of realism and religious beliefs. During these years modernism could be distinguished by two aspects, High and Low Modernism.

What further contributed to the rise of modernism was the First World War, which shell-shocked many. People lost their sense of certainty and it made them change their points of views. It made modernists question civilisation. This is seen in T.S Eliot’s poem “The Wasteland” which questions

“Modern painting, breaking through old conversation, has released countless suggestions which are still waiting to be used by the practical world.”(Gropius) The birth of modernism and modern art goes back to the Industrial Revolution, a period that lasted from the 18th to the 19th century, in which rapid changes in manufacturing, transportation, and technology profoundly affected the social, economic, and cultural conditions of life in Western Europe, North America, and eventually the world. Before the 19th century, artists created art pieces for wealthy people and institution places like the church where they can create art works about storytelling of religious or mythological scenes . These arts were there to instruct the viewers.However, this changed when during the 19th century many artists began to create works that were about people, places, or ideas that interested them, and of which they had direct experience. With the popularization of the idea of a subconscious mind, many artists began exploring dreams, symbolism, and personal iconography as avenues for the depiction of their subjective experiences.Challenging the notion that art must realistically depict the world, some artists experimented with the expressive use of color, non-traditional materials, and new techniques and mediums.