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Mona Lisa Research Papers

Satisfactory Essays

a. This is one of Leger's most experimental canvases, one of the few in which he shows inspiration from Surrealism.
b. The objects illustrated have no brace, but rather simply float in space as in works by Joan Miro.
c. The influence of Surrealism is further evident in the bizarre association of objects, chosen specifically because of their lack of relation to one another and in that sense the work flashes back to his interest in dissonance and contrast.
d. "One day, after drawing a bunch of keys, I asked myself what element was furthest removed from the bunch of keys, and I said to myself: 'It's the human face.' I went out into the street and saw in a shop window the portrait of Mona Lisa... No contrast has ever been sharper than between …show more content…

Les Grand Plongeurs Noirs (The Big Black Divers) (1944)
a. The painting is part of a series about divers. The work was done when Leger was living in New York City during the early period of Abstract Expressionism, this was influenced by watching dock workers in Marseilles.
b. The bodies here are interlaced together like a textile, representing a social network, with the arms, legs and torsos also serving as independent forms.
c. Just like in the ‘Mona Lisa with Keys’ the bodies float and come together in space with no noticeable support.
d. The painting includes lines separate from color and blocks of color that are not outlined, a technique mark shown in his later works.
7. The Constructors (Builders with Rope) (1950)
a. Leger became interested in the theme of construction workers in 1940 in line with his socialism and sympathy for the working classes, preaching at the time that art should be accessible to everyone.
b. The human figure is portrayed here as more naturalistic than in his previous works, making him one of the few artists interested in the human figure during this period.
c. He wanted the human figures to contrast with the steel, he got the idea driving past a construction site. “I wanted to render the contrast between man and his inventions, between the worker and all that metal architecture, that hardness, that ironwork, those bolts and

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