Money Heist: Victimisation In TV Crime Drama

In 2006, over 100 million people in the United States tuned in to watch either CSI or any if the other forensic and criminal investigation related television show each week (CJSG). Since then, the number of viewers has increased rapidly, as well as the amount of television shows with the same type of theme. As a result of the increase of these television programs, researchers are discovering a new phenomenon called the ‘CSI Effect’ that seems to be fueling an interest in forensic science and criminal investigations nationwide. This effect is actually the ability of criminal justice themed television shows to influence and increase victims’, jurors’ and criminals’ ideas about forensics, DNA testing and methods, and criminal investigations

Hollywood scripts and television programming are filled with storylines of crime and criminal justice. The viewing public consumes crime

The focus of this paper will be on two contemporary criminological theories and their application to the crime film, Eastern Promises. The two theories to be discussed, and subsequently applied to the film, are labelling theory and differential association theory. Labelling theory falls under the symbolic interactionist approach, and the primary level of analysis of this theory is micro, as it tends to focus on the effect of labels on an individual’s sense of “self”. The basis of labelling theory is that no act is inherently deviant; it is only when the act is labelled deviant that it becomes so. When someone is labelled as deviant, they begin to see themselves as the label they have been assigned. This can cause the behaviour to happen more frequently, as the individual who has been labelled begins to see themselves as they label they have been given. A criticism of labelling theory is that it lacks empirical validity, and is deterministic. There is no way to effectively test this theory, so there is no way to know for sure how accurate the concept of labelling is and the effect it has on an individual and their propensity towards criminality. This and other aspects of labelling theory will be broken down and discussed later on in the paper.

Nearly anyone you ask would be familiar with the television show CSI. The crime lab is colorful and high-tech with all of the fun toys and machines that analysts use to test the ever abundant amount of forensic evidence from every crime scene. It makes for an exciting drama that you cannot help but get immersed in—it also gives us a false illusion, however, creating what has been dubbed as the “CSI effect” (Baskin, 2011). This effect describes the idea that crime shows such as CSI generate unreal expectations, making viewers believe that forensic evidence should be existent in all criminal trials, therefore affecting their overall perspective on a case (Baskin, 2011). But in reality, forensic labs are not that glamorous. In fact, the

This essay discusses Sutherland’s concept of white collar crime in the light of whether it is still appropriate in the 21st century. It is worth noting that white collar crime is often perceived as a less serious crime in the society. This is based on several reasons including the fact that the crime receives less media coverage. This incomprehensive media coverage of white collar crime may be attributed to the complex nature of the crime, which makes many incidences go unreported. In other words, it is often difficult to pin point one person as the perpetrator of the crime as it would happen with the case of robbery, knife crime, or drug trafficking. However, white crime remains a serious crime and one that can have serious negative

Ultimately, justice is what we are seeking in these entertainment driven TV series and movies. When criminals are held accountable for their misdeeds we as society are able to accept the misdeeds of others who are responsible for bringing the dangerous criminals to justice. A sense of peace and restoration of order is established in our hearts providing a sense of harmony in our

For the purpose of this essay I will be considering Nils Christie’s (1986) concept of the ‘ideal victim’. In considering this concept, I will discuss what is meant by an ‘ideal victim’ and will also be focusing on the high profile Australian criminal case of Anita Cobby in Blacktown on 2nd of February 1986. Anita Cobby was only 26 years old when she was abducted, brutally raped and murdered by four ‘ideal offenders’. This essay will also consider, the ways in which the media and criminal justice system have constructed Anita Cobby as an ‘ideal victim’.

Most everyone goes home after a long day of work and watches the news. Think, what is usually reported? The weather, local activities, headline news, or daily criminal activity. Shootings, stabbings, homicides, etc. are all discussed by media anchors these days. This causes most everyone in our society to become familiar with crimes that are considered street crimes. What most people don’t hear about on the news is what is considered white-collar crime, sometimes known as corporate crime. White-collar crime not only is less reported in the media but also receives weaker punishments than street crime. This paper will first discuss the similarities between the two types of crime and then explain why their punishments are strongly

For instance, it has been argued that news media is primarily concerned with reporting on white-collar individuals or corporate defendants that readers or viewers will have heard of, such as celebrities or notable individuals in society (Jewkes 2004, 49; Levi 2006, 1044; Levi 2009, 60). This concern leads to the focus of agency in the portrayal of white-collar crime, rather than the depiction of the structural embeddedness of crime within the organisation culture. Moreover, past study has shown that majority of white-collar crime portrayal in the news media has focused on crimes of individuals and their punishment, in order to minimise the negative publicity of corporations (Benediktsson 2010, 2202-2203). The news coverage of white-collar crime has been selective (Stephenson-Burton 1995, 137), as seen in the higher coverage of white-collar crime stories involving well-known individuals. Therefore, the element of dramatisation is constructed through the ways individuals are represented in the media, by focusing on the lifestyle and wealth of the offenders, generated from the crime they

With producing reality shows comes producing inaccuracies in portrayals in order to reach as many viewers and gain as high ratings as possible every week with each new episode. Every day life is boring, yet people tend to be attracted to the relatable shows that portray real life in eccentric ways – ways that they believe could be imitated by the average person. In many cases, these shows could remain harmless, as it is entertainment. No matter how crude or erroneous, it is just television. However, what happens when these sources of amusement actually start being damaging? Research has shown that crime shows like the ever popular CSI: Crime Scene Investigation have started becoming significantly detrimental to criminal

The explosion of crime and justice topics throughout all forms of media has led some to suggest that a “CSI Effect” has taken hold of

The viewers are positioned in the group of people who are educated by crime knowledge. Television helps viewers to shape the way that they understand the world. They were educated to understand the social world and to recognize of right and wrong. The show warns the audience that the crime happens anytime any place. However, Even though the world contains crime and violence, people would not be hopeless because the police as a moral authority and they are the embodiment of justice.

The media today, is highly selective in their constructions of offences, offenders and victims. Media representations of crime are moulded and women are portrayed in a way that is entertainment driven and is appealing to the audience. Despite the fact that women seldom stalk, murder outsiders or commit sequential murders- in fact they are rarely vehement, “accounting for only ten percent of convicted violent offenders- those who do so are highly newsworthy because of their novelty” (Jewkes 2011, p. 123) Present day media admits that because fierce women are comparatively uncommon, they are all the more appealing and diabolical to the audience as a result. The essay shall discuss the reason and presentation in the media of female offenders, female victims and women specific crimes.

The criminals, in this case, see engagement in robbery activities as a way of achieving their goals.

Television has become a vital aspect of daily life, within modern society; every aspect of television exhibits, to a certain extent, a reliance on genre (Mittell, 2001). Industries rely on genre to produce programs, and audiences use genres as a means of organizing fan practices (Mittell, 2001). According to a 2006 Nelson Media Research study, ratings confirm that aside from prime time shows such as American Idol and Survivor, part-time crime drama’s have been classified as one of the most favoured genre (DeTardo-Bora, pg. 154, 2009). The relationship between the media and criminal justice system is delicate, where more often than not, crimes are portrayed in a false light (Graveline, pg. 1, 2015). These misconceptions lead to