More Night Than Day: an Analysis of Virginia Woolf

Language has been used in many writing’s to convey the authors point. In the memoirs, Virginia Woolf (1882-1941) the author uses many rhetoric in the passage such as allegory, anecdote, and rhetorical question. The author uses rhetoric to write the passage so that she can convey the last significance of the moments of her pass.

In the excerpt from A Room of One’s Own, Virginia Woolf argues that women writers face unfair educational, financial and social disadvantages. Throughout the excerpt, she hopes to persuade readers that in a patriarchal society, a woman must have privacy and financial independence in order to fulfill her literary potential. To accomplish this goal, Woolf effectively appeals to logos, pathos and ethos; however, her emphasis on establishing credibility most successfully persuades her readers.

The Modernist skepticism is vivid in Woolf's portrayal of a woman, Isabella, who has not conformed to society's accepted norms and would seem to be - at first glance - all the better for it.  But, upon closer inspection it is with a sigh of resignation that Virginia recognizes the illusion that her fanciful exploration created for her.  Isabella (possibly representative of Virginia herself or of womanhood in general) is elevated and

Throughout her essay, Woolf never once describes to us her immediate surroundings. By describing only what is outside, Woolf isolates herself from the rest of the world, instead of embracing it as Dillard did. She is chiefly concerned with describing where she isn't. Her focus is on the world outside of her window. She describes the field that is being plowed, the black, net-like flock of birds flying together. These images engender a rather unpleasant feeling of dreariness.

‘Mrs. Dalloway’, by Virginia Woolf is a derivative text of ‘The Hours’, written by Michael Cunningham. The novels both share an important theme of mental health. The circumstances of mental health are commonly sympathetic, and empathetic. The characters Septimus and Clarissa in ‘Mrs. Dalloway’ and Richard, Laura Brown, and Virginia Woolf in ‘The Hours’ show the strongest symbols for this theme. Most of the problems and treatments these characters face are in direct result of the age they live in. Both novels express a relationship between era, illnesses and treatments.

To begin, at the start of this speech Woolf utilized various understatements about herself, and when combined they both contributed vastly to helping Woolf convey her message. For example, in the first paragraph, Woolf poses a rhetorical question that states, “It is true I am a woman; it is true I am employed; but what professional experiences have I had?” Woolf is considered to be one of the most significant modernists of her century, yet in this question, she seems to believe that she is not worthy of giving this speech. This helps to convey her message because to the audience, Woolf seems more like a peer than a superior figure. By making herself seem more like a peer, Woolf has effectively made herself more trustworthy and relatable to the audience. Continuing, in the second paragraph, Woolf makes yet another understatement of herself by stating, “But to tell you my story--it is a simple one.” Considering that Woolf is one of the most valuable modernists of her century, she is anything but simple. Yet by making this statement to the audience, she is allowing them insight into her personality and what she thinks of herself. Through this statement, Woolf has proved her humility and that she views herself as just another human being. The first understatement allowed her to be more

As Mary tries to gather more information to support her argument on the topic of women and fiction, she runs into Professor Von X, the author of a book on the mental, moral, and physical inferiority of women. In the passage from A Room of One’s Own, Virginia Woolf utilizes figurative language, such as metaphor, and historical figures to assert that men need women to be inferior in order to maintain their own sense of superiority.

In the novel Mrs Dalloway, Woolf conveys her perspective, as she finely examines and critiques the traditional gender roles of women in a changing post-war society. Woolf characterisation of Clarissa Dalloway in a non linear structure, presents a critical portrayal of the existing class structure through modernist’s eyes. Titling her novel as Mrs Dalloway presents Clarissa’s marriage as a central focus of her life, drawing attention to how a women’s identity is defined by marriage. Despite the changing role of women throughout the 1920s, for married women life was the same post war. Clarissa experiences ‘the oddest sense of being herself invisible…that is being Mrs Dalloway…this being Richard Dalloway,”

In many of her novels and especially in Mrs. Dalloway, Virginia Woolf tends to stray from directly attacking an issue such as social unjust by using symbolism. She often “detested what she called ‘preaching’ in fiction” and instead, strategically “scatters fragments of images for the readers to gather up and to piece together as to form [their] own, maybe individual, understanding of the character” in her stream-of-consciousness

While Woolf makes very good points throughout her essay based many interesting points, one cannot help

Women are often perceived as mother figures who stand by their husbands no matter what type of situation they encounter. They are expected to give a perfect image to society and do not get the greater say. Eugene O 'Neill’s play, A Long Day’s Journey into the Night (1940), gives the reader a representation of a woman who is still influenced by these standard societal expectations. The character, Mary Tyrone, depends greatly of her husband and will not leave him even if she wanted to. In The Awakening (1899) by Kate Chopin, the reader is introduced to Edna Pontellier who is the complete opposite. She exposes the dissatisfaction that women feel and decides to act upon it. These two characters feel that they do not belong in the lifestyle they are given. They struggle with their identity due to their husbands’ lack of affection. As a result, marriage becomes a barrier to their happiness and individual fulfillment. The sense of displacement, marital dissatisfaction, and loss and gain of identity pushes both Mary and Edna to take major decisions in order to deal with their pain and desires.

Many female writers see themselves as advocates for other creative females to help find their voice as a woman. Although this may be true, writer Virginia Woolf made her life mission to help women find their voice as a writer, no gender attached. She believed women had the creativity and power to write, not better than men, but as equals. Yet throughout history, women have been neglected in a sense, and Woolf attempted to find them. In her essay, A Room of One’s Own, she focuses on what is meant by connecting the terms, women and fiction. Woolf divided this thought into three categories: what women are like throughout history, women and the fiction they write, and women and the fiction written about them. When one thinks of women and

This passage provides a critique of gender, but Woolf's act of undermining her own representational and syntactic styles introduces a deep ambiguity into the narrative.

essay in interestingly different ways. Bennett states that Woolf’s essay is not a feminist work, rejects the idea that Woolf’s discussion of women and

The narrator returns home disappointed that she hasn't found some piece of truth to explain the poverty that women don’t share with men. Woolf thinks she needs a historian to describe the conditions of women through history. Compared to men, woman’s lives seem non-existent. She describes fiction as being connected to life but as careful as a spider-web and, in