Mortality And Violence In The Bhagavad-Gita, Epic Of Gilgamesh

The story of “Gilgamesh” depicts all of the heroic triumphs and heart-breaking pitfalls a heroic narrative should depict to be able to relate to today’s audience. However, “Gilgamesh” was once considered a lost and forgotten piece of literature for thousands of years, so there is a tremendous gap between the time it was created and the time it was translated into language that today’s audience can understand. That gap in history makes several aspects of the story of “Gilgamesh” strange and unfamiliar because what we now know about ancient Middle Eastern cultures and languages is a lot less than what we know about the cultures that prospered after ancient Middle Eastern cultures. Much of the content in the story of

There was a time when gods and demons roamed the earth. A time when humanity lived at the mercy of divine beings, who executed their wills against the humans, following their own selfish desires and placing humans in a position of piety to these dominant beings. This time on earth is one of great men who fought against these demigods, giving them great fame passed on as stories in the oral tradition. Though it is unrealistic to believe that these men truly fought against divine beings, their stories played a role in the ancient world, which was the beginning of the formation of society and civilization. The epics of “Gilgamesh” and “The Ramayana of Valmiki” both served their societies as an outline of a moral code,

The Epic of Gilgamesh and The Hebrew Bible are considered by their audiences’ as two of the greatest literary works of ancient literature. The universal truths on The Epic of Gilgamesh and The Hebrew Bible, are most fundamental when viewed from both the contemporary and traditional audiences. Fundamentally, both audiences develop their own universal truths during the time in which the events transpired or by reading the scenic events from an anthology or other literary works.

This journal article examines 3 versions of the Gilgamesh Epic: the Old Babylonian version; the Eleven-Tablet version; and the Twelve-Tablet version. Though all 3 versions deal with the issues and choices of human beings and also with the inescapable issue of Death, the 3 different versions focus on 3 different aspects of Gilgamesh. The Old Babylonian version is the oldest, probably written during the Old Babylonian Period of 2003-1595 BC, and focuses on the fight of hero vs. man. The Old Babylonian version was circulated in the Near East and underwent many revisions. One of those revisions was the Eleven-Tablet version, which focused on the fight of hero vs. king. The Eleven-Tablet version, written in the later second millennium, adds to the beginning and end of the Epic, plus the Utnapishtim meeting, and shows the Gilgamesh-Ishtar passage that was added in Tablet 6. Another revision of the Epic was the Twelve-Table version, which focused on the fight of hero vs. god. The Twelve-Tablet version adds a translation of the second half of "Gilgamesh, Enkidu and the Netherworld" and changes the nature of the Epic by showing a conflict between Gilgamesh's two identities as god and man, and the rules controlling life in the

Within “Enuma Elish,” the Babylonians gave an account of how they believed the world was formed. The gods were viewed as most important, and supposedly had absolute power, however, these gods were not preexisting, nor all powerful. “I shall appoint my holy chambers / I shall establish my kingship”(V.32.7-8). The gods were believed to rule over everything that occurred in the universe. Contrary to the most high God, the gods depicted in Enuma Elish were self centered, arrogant bigots. According to this myth, humans were created to serve the gods. “I shall create humankind, they shall bear the gods’ burdens that those may rest”(VI.33.6-7-8). Marduk, the creator god, was viewed as a hero, because of his overthrowing of Tiamat and Apsu. “He is indeed the son, the Sun, the most radiant of the gods”(VI.35.87-88). Though Marduk

In both Mesopotamia circa 2100 BCE and Israel circa 367 CE, two very different forms of religion were being practiced. However, key concepts in both religions remain strikingly similar, and in some cases, nearly identical. The relationship between people and their deities is a strong one based entirely on literature, whether that be oral or written. And while this relationship is characterized mainly by love and admiration, fear of and punishment by deities was not an uncommon practice in any religion. The Epic Of Gilgamesh and The David Story both work to prove that the relationship between a people and the divine is characterized by both love for and fear of deities. This relationship based on love and fear directly impacts both the decisions made with the guidance of deities and the punishments inflicted for decisions made without approval of these deities.

The themes of myths speak to concerns for every human being. This shows that different cultures are interconnected and share ideas. From reading the Epic of Gilgamesh we can begin to understand the values help by ancient Mesopotamian society. By reading the Ramayana we can analysis the religion and world view of Hinduism. Many ancient stories seem to parallel each other. Although stories are written in diverse cultures, there tend to be likenesses, especially between the protagonists. This is true with the stories of the Epic of Gilgamesh and the Ramayana when it comes to the depictions of their hero’s.

Ancient world literature and early civilization stories turn around human’s relationship with higher beings. Ancient civilizations were extremely religious, holding the belief that their very lives were in the hands of their almighty god or goddess. This holds true for both the people of biblical times as well as those of the epic era. However, their stories have some differences according to cultural variation but the main structure, idea and theme are generally found correlative. It is hard to believe that that one work did not affect the others. The first great heroic epic poem of Gilgamesh and the Old Testament are two cultures that are hundreds of years apart. Upon studying the book of Genesis and the story of Gilgamesh; whereas one

The Epic of Gilgamesh has its place as one of the first examples of epic poetry in recorded history. The epic describes the adventures of the demigod-king Gilgamesh who, after the death of his close friend Enkidu, seeks immortality but is ultimately unsuccessful. This story arc is not dissimilar to those found in the epics of the ancient Greeks centuries later. This excerpt from The Epic of Gilgamesh clearly demonstrates Gilgamesh’s reckless lust for pride and fame at all costs.

Ancient world literature and early civilization stories are mostly centered on human’s relationship with higher beings. Ancient civilizations were extremely religious, holding the belief that their very lives were in the hands of their almighty god or goddess. This holds true for both the people of biblical times as well as those of the epic era. However, their stories have some differences according to cultural variation but the main structure, ideas, and themes are generally found correlative. It is hard to believe that one work did not affect the others. The first great heroic epic poem of Gilgamesh and the Old Testament are parts of two cultures that are hundreds of years apart. Whereas Gilgamesh is a myth and the book of Genesis is

Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.

Death is a very large theme in the "The Epic of Gilgamesh." Being that this epic largely represented the Sumerian and Mesopotamians idea I believe the feeling of Gilgamesh himself on death and it 's aftermath would be very much the same for most of the society in the time that it was written. Gilgamesh was largely afraid of dying and did everything he could to avoid this inevitable fate.

There once lived a king, the great king of Uruk in Mesopotamia. This great leader was Gilgamesh. His preserved epic is of great significance to modern day culture. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed. In the Epic of Gilgamesh, it is a great love, followed by a lingering grief that cause a significant change in the character of Gilgamesh.

Dying helps us appreciate living. We realize we don’t have infinite time and that death is inevitable. If humans were immortal we would not be grateful for the lives we have because we know we're not going to die. Gilgamesh realized death was not to be feared but embraced. He also started to appreciaite the things he took for granted like being a good ruler

One thing has become clear that death has not cured and no medicine have been found to death. Death is confusing and thus individual fail to under the mystery. Once a person dies he or she returns in another form (Ceil, 2012). A maggot is an indication that someone has already come back in another form.