Motion Picture Special Effects
“Special visual effects have added to the allure of motion pictures since the early days of cinema. French director Georges Méliès is considered the most influential pioneer of special effects. His film “A Trip to the Moon” combined live action with animation, demonstrating to audiences that cinema could create worlds, objects, and events that did not exist in real life” (Tanis par. 1). Through examples of the new techniques and the movies where they were presented, this paper will detail the changes that special effects have seen over the last twenty-five years.
Special effects have been used ever since the film industry became popular. Three-dimensional film technology became popular in the1950s,
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In this technique, called motion-control cinematograph, the computer’s precise control allows a camera shooting live action in one studio to move at the same speed as a camera shooting a model in a second studio that serves as background for the live action” (par. 2). “Star Wars” revolutionized the way special effects were created and proved them to be a potential box-office gold mine. George Lucas, who directed “Star Wars,” created his own special-effects studio, Industrial Light & Magic, which became a leading innovator and was responsible for a series of groundbreaking special-effects techniques.
Filmmakers draw upon many other special effects to create illusions in the cinema. Sometimes a film calls for an actor to appear in a place it will be difficult to film, or doing something that is impossible, such as flying. In these cases, the filmmaker uses the so-called blue-screen process, filming the actor in front of a screen that is either painted or lit to match a particular shade of blue. During printing the filmmakers then replace this blue background with a completely different image, creating the illusion that the actors are moving through that setting. According to Hayes 1979’s “Superman” won and Oscar for the special effects, which included blue-screen processing, that were used in the production of the movie (229). A blue-screen was
Film has revolutionized the world as we know it. In the current day and age film is quite advanced. You can watch movies with special effects and insane resolution there were never thought possible before. But film has not always been this way. Over the decades since around the 1900s when the first film was made there been amazing advances in technology and in acting. An examination of the past hundred or so years will show the amazing advances film has taken to come to what we know of it today.
This Gary Ross film is particularly captivating because of its revolutionary use of selective coloring. Furthermore, it broke an all-time record with more than 1700 special effect shots. Not only did this film create history with its special effects, but also utilized them in order to address very important themes of
After watching and analyzing the action adventure film, Indiana Jones - “Kingdom of the Crystal Skull” (2008) and the Sci-Fi thriller, The Matrix (1999) many cinematic elements attracted my attention. With three very distinct and ingenious directors, (Spielberg and the Wachowskis siblings) these two films exemplified extraordinary uses of lighting, framing, editing and sound techniques unique to its own genre.
Films and movies are a composition of elements that make that essentially come together as one to form a piece of art. Although a film is not complete with missing elements, some elements when used out of place can break a movie. Some of these elements include, but are not limited to, a character’s costume and makeup, lighting, camera direction, acting, special effects, and, sound effects and music. In some films one element may be the overriding factor but when put together, these elements work together to please an audience.
Special effects are another very important tool in defining the horror genre. In the years leading up to the 1970s, special effects were almost non-existent, or minimal at best, in the film industry. It wasn’t until The Exorcist was released in 1973 that movie goers were hit with believable special effects that would have been thought impossible a mere half decade before. As a result of these revolutionary special effects, The
They create two- and three-dimensional framework and animation. Multimedia artists and animator often work in a particular medium. Some focus on creating animated movies or video games. Others create visual effects for movies and television shows. Creating computer-generated images (known as CGI) may include pickings images of an actor’s apparent movement, which are then animated into three-dimensional characters. Other animators design scenery or backgrounds for
Editing is all about bringing a creative force into a film. The process could mean fixing a number of things like moving things around, meaning to arrange, select, and assemble - this goes for every component in the film. What you visualize, hear, with the use of special effects all are components that are edited and added to the film in a unique way to create a good story. The movie to be analysis is the film Forrest Gump with editor, Arthur Schmidt, he won an Oscar at the 67th academy awards for best film editing. Arthur Schmidt had three responsibilities as an editor in the film, which are spatial relationship, temporal relationship, and rhythm.
Katie Herrmann Dr. Heath Cinema Appreciation 24 November 2014 George Lucas When it comes to the filmmaking industry, there are many greats. Each one has stamped their unique methods onto the world of film that developed into the beloved art that is present today. Among one of those greats is George Lucas. George singlehandedly had one of the most significant impacts on the development of special effects and sound technology.
During the Modern American Era (1980-present), filmmakers started using CGI or computer-generated imagery to go from 2D animations to fully 3D animations, which were similar to stop motions. In 1984 the first short film created fully this way was “The Adventures of Andre and Wally B”.
The techniques of cinema is employed into this film. How, well by what type of lighting technique and aesthetics they’re using and editing transitional devices, special effects and sounds techniques in the interactive movie on how it effects you. They use these
IT has also changed the way movies are shot particularly through application of film special effects. The film industry heavily relies on illusions to simulate imaginary events in a story (McClean, 2007). Computer Generated Imagery (CGI) is another key technology that is applied to special effects to enhance films. CGI is mainly used in special effects to enable filmmakers to control the scenes instead of using many extra actors. This has simplified film production and reduced the costs incurred. A lot of movies especially those classified under fiction, action, and horror genres rely on CGI.
Have you ever went to a 3D movie, in the 2000’s and looked at the screen with no glasses, And the screen was red and blue. Also those glasses hurt your ears if you put them on for a long time. It is time to explain how they work.
This paper will focus on the film techniques used by Cameron in his three most known movies, Titanic (1997), Avatar (2009), and Terminator series. Mise-en-scene according to John Gibbs is used in film studies in the discussion of visual style. Translated literally it means “To put on stage”, but for the purpose of students, it is defined as the contents of the frame and the way they are organized (p 5). In addition, a director’s style can be identified only through the arrangement and orchestrations of the film’s mise-en-scene (Nelmes, 425).The films Titanic, Avatar, and Terminator series were successful
In a world where technology is rapidly developing and evolving, it is sometimes hard to keep up with the changes that are made. When looking back on changes that are made it is particularly interesting to look at the development of animation over history. Today when one thinks about animation it is impossible not to think of Disney and their major motion pictures. The Shreck films, Finding Nemo, and Happy Feet, to name just some of the dozens of animated films Disney has produced, raked in million upon millions of dollars at the box office, and have been hit films with people in all age groups.
It is believed that more than 50 percent of the film involved special effects. One of the many reasons is because the film itself was made on a budget and the other being “for the nature and scope of its subject” (The Denny Life) to keep costs down. One of the methods that revolutionize cinematography was the introduction of a technique known as deep focus by Orson Welles. Deep focus is the use of “having everything in the frame even the background in focus at the same time” contrary to “having only the people or object in the foreground in focus” (The Denny Life). Moreover, the deep focus technique requires the cinematographer to combine lighting, composition, and type of camera lens to produce the desired effect. For example, Orson Welles use this technique on