Mount Pleasant

Childhood is arguably the most exciting time of a person’s life. One has few responsibilities or cares, and the smallest events can seem monumentally thrilling. Often, people reflect on the memories of their youth with fondness and appreciation for the lessons they learned. Sarah Orne Jewett captures this essence perfectly in the excerpt from “A White Heron.” Jewett uses many literary devices, including diction, imagery, narrative pace, and point of view to immerse the reader in familiar feelings of nostalgia and wonder, and dramatize the plot.

Familial relationships enhance unity and trust and other important values that we may use in our daily lives. Within society, family is highly important, which may be the reason why Edgar Allan Poe decided to symbolize it through the aspect of the House. One could say; the passage depicts the idea that looks can be deceiving, especially when it comes to family. In regard to the hidden depths in Poe’s story, The Fall of the House of Usher, it is evident that in theory the house of Usher is in fact a visual representation of the family. The passage appears near the beginning of the story. It also in detail describes the appearance of the House of Usher. The narrator first saw the masonry through what he thought was antiquity, but in closely evaluating

The setting and time period of this story supports the adventurous innocence of its youthful characters, as well as enriching the story’s momentous and climactic confrontation between the forward-looking Mona, and her more traditional mother, Helen.

Analyse how Nineteen Eighty Four and Pleasantville imaginatively portray individuals who challenge the established values of their time.

Not much is said about the narrator directly. The reader isn’t given a name or a physical description. In fact, the only direct characterization of the narrator is that she is described as “a lover of Dunnet Landing.” The beginning of the excerpt is rife with figurative language to describe the narrator’s romance with the coastal town. She does not literally love the town as one would a romantic partner, but she describes the town, “like becoming acquainted with a single

The decade following the Second World War brought about a new sensation of the ‘perfect housewife' and her duties at home. Men being drafted and shipped oversees during World War II had taken a lot of women out of the kitchen and put them into the workplace. This was the biggest movement thus yet of women changing roles in society and moving away from domestication. This movement was thwarted by returning soldiers, their moving back to the workplace, and the repositioning of women in the home. The baby boom followed the Second World War, furthering the encouragement of women to stay home and be the ideal mother and wife. Television greatly reflected this attitude. Sitcoms about the ideal family emerged left and right. Shows like

The book starts of by showing the reading with a small scene of children running along the train tacks one summer night, in this chapter we meet our two main characters nine year old Pharoah and Lafayette, as they experience one of the few peaceful days in their lives. In the next chapter we meet the children’s mother LaJoe who is described to be a beautiful, gentle woman who has been though too much. We also learn about the children home, an apartment complex known as Hery Horner Homes named after the Governor. In this chapter we also learn a bit more about LaJoe and her past life, and how she was

Eleanor, the protagonist, undergoes a difficult childhood which cause many of her repressed feelings to be expressed through supernatural experiences that are ambiguous. She took care of her ill mother for 11 years, until she died. That affected her tremendously. For example, during Theodora’s supernatural experience, Shirley Jackson displays how Eleanor’s inner child managed to let her grow anger and jealously towards Theodora. Eleanor felt like Hill House was giving Theodora more

Even though the gruesome, ghastly and demonic story known as “The Landlady” ends in a disturbing way, it portrays many characteristics about the protagonist, Billy. There are numerous ways to characterize Billy, a 17-year-old kid on his first business trip in the strange city of Bath, England. Billy begins his journey to a hotel known as the Bell and Dragon but stumbles to a halt when he sees a seemingly cozy bed and breakfast that catches his eye. For a few pages everything seems great; unfortunately for Billy, he has some flaws which ultimately lead to his shocking death at the hands of a demented landlady. These are curiosity, a tendency to miss important clues, and gullibility.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

Elizabeth Gaskell’s The Old Nurses Story was published in (1852), it has been defined as “the epitome of the traditional ghost story of the Victorian period (1837-1901), perfect to read on Christmas Eve and containing numerous Gothic motifs; a haunted mansion, a female protagonist who encounters a series of mysterious, unsettling events, a ghost child, and a dark family secret.” (Giakaniki. 2010). It was first published as part of Charles Dickens’s (1812-1870) English magazine in the Christmas edition of Household Words (1850-1859). (Gaskell & Kranzler. 2000: viii). The story is a retrospective account told by the nurse ‘Hester’ and the title itself represents a form and expression of female identity that of the role of the nurse maid situated in Victorian society.

Roald Dahl uses various writing techniques in the horror short story, “The Landlady,” to build suspense, or the uncertainty or anxiety that a reader will feel about what may happen next in a story, novel, or drama. In this short story, the protagonist, Billy Weaver, a young, handsome seventeen-year-old, traveled from London to Bath, due to work, and looks for accommodation. Eventually, he came across a quaint bed and breakfast owned by a landlady who appeared to be generous. The landlady portrayed herself as a kind, innocent soul, but her intentions spoke otherwise. As the tale continued, Billy realizes that things are not what they initially appeared to be at the bed and breakfast. Through the use of foreshadowing and characterization, the author, Roald Dahl, of the horror short story, “The Landlady,” effectively builds suspense for the reader in the thread of the plot.

The fictional life and death of a twelve year old little boy named Robert is vividly articulated in this moving tale by Thomas Wolfe. The reader learns of the boy’s life through four well developed points of view. The reader’s first glimpse into Robert’s character is expressed through a third person narrative. This section takes place on a particularly important afternoon in the boy’s life. The second and third views are memories of the child, through the eyes of his mother and sister. His mother paints the picture of an extraordinary child whom she loved dearly and his sister illustrates the love that the boy had for others. Finally, an account from the narrator is given in the ending. It is in the last section of this work that the

The very setting of the fireside at which Griffin's guests swap stories establishes an atmosphere with which many of us are familiar. We can all relate to sitting around a fire exchanging ghost stories. By employing this particular narrative frame James encourages the reader to abandon their scepticism and give themselves over to a belief in the ghosts. The reader shares in the eagerness of the guests to be frightened; to be delighted by horror. Upon seeing Douglas' distress at the thought of the tale he must tell, and its "dreadful - dreadfulness", one of the female guests actually cries, "Oh how delicious!"5

“So kids, every Halloween, it is said that her ghost, roams the empty hallways of this very school, searching for another female student to take her place.” The students were now on the edge of their wooden seats, eyes wide, listening to every word Mr. Morris said. All of a sudden the loud bell breaks the silence, making each one of them jump.