Much Ado About Nothing Play Analysis

Italy, a lot of the plays written were set in Italy. This play has a

Shakespeare is so old-school. That is what most people think, but many do not know how some versions of Shakespeare's work can become more relevant to the audience. Each version may have their own unique way to show it can be relevant. That is great because some people may be more interested in only one version. Some people find comedy more amusing than others, while some would rather just see the original with the time period it should take place in.

Claudio also says that Hero has known a “luxurious bed”, a shocking accusation which implies that she has slept with another man just the night before their wedding; something extraordinarily shameful for Hero as women at that time were valued for being a virgin up to the time they got married. Claudio then refers to Hero explicitly as an “approved wanton” in line 41 provides extra shock as his rage is now very high. Calling her a proven whore in front of every one at the wedding is very mean and at the same time scandalous.

Drama text, Much Ado About Nothing by William Shakespeare is a romantic comedy revolved around marriage, dishonesty and love. In 2007, the original play had been interpreted and adapted into a new film text; Much Ado About Nothing Shakespeare Retold. This new film version is an adaption for the modern audience who’s views around love and marriage have changed since Elizabethan times. Brian Percival ‘Retold’ the original play, first published in 1623 by reinterpreting it into his own understanding of modern society with the focus of women’s roles nowadays. Whilst doing this Percival has maintained many of Shakespeare’s intentions.

Earlier in the play, a scene was described where Borachio and Don John plan to trick Claudio into thinking that Hero is diwsloyal because of a man in her chamber the night prior to her wedding. After the stated quote, the intent is to try and trick Claudio and show that Hero is disloyal when she is actually not. This quote presents significance by describing the overall trait of the entire act and scene which is the trickery and sabotage of Borachio and Don John upon the hapiness of all of the other characters in the play. Overall, the previouly described scene, in part with an already confused Claudio, makes this quote important to the wedding of Claudio and

The most pivotal scene in the play (act 4 scene 1) is between the marriage of Leonato's daughter Hero to Claudio. In this scene the blush of Hero after being said to have slept with another man is set too signify “guiltiness not of modesty” to Claudio. However the Friar of the town believes that Hero's blush is that of her “innocence and virtue.”

During the beginning of Act 1 Claudio is introduced to Hero the daughter of Signior Leonato and is immediately interested in her stating that quote, “she is the sweetest lady that ever I looked on.” Though interested in her, Claudio wanted Benedick’s approval. When hearing that Claudio was attracted to Hero Benedick immediately was in disapproval of the thought, for in his eyes she was quote “too low for high praise, too brown for fair praise, and too little for great praise. Though disappointed of Benedick’s disapproval, Claudio chose to still peruse Hero. Later on Claudio and Hero get engaged but when Don John an evil man here’s about the engagement he devises a plan to deceived Claudio and destroy the marriage. When Don John’s plan is put into action Claudio falls right into the trap and believes that Hero is cheating on him. Though Claudio is furious he does not confront Hero with his problem but rather holds on to the information until the wedding. The wedding day arrives, and everything is in place. Once Hero has come down the aisle Claudio then starts accusing her of cheating on him. Instead of confronting Hero alone to talk about what he saw, Claudio choose to humiliate her in front of her family and friends. His reaction

The movie and the play “Much ado about nothing, despite of having the same name, each has its own characteristics that make them unique. As every theatrical work taken to the cinema many scenes were recreated differently, because it needs to be adapted to the preferences of the time in which the film is created in order to attract more public .Even the movie is based on the play ,they were created in different years so the audiences varies from one time to another. Also other reason is that movies need to adapt the story to a specific duration of time. For those that has seen the film and read the book ,Do the movie and the play reproduce exactly the same content? .Obviously the play and the movie have many similarities as the time in which

If Claudio and Hero can be accepted as the perfect models of courtly love, than Beatrice and Benedick's love is easily proven as a flawless example of true love both through an understanding of their characters as well as their interaction.  Benedick, a young lord of Padua, is, like Claudio, a gallant gentleman, but this is where their similarities cease.  Benedick is baffled by the emotions which seize him

She throws away her old self, stating "Contempt, farewell! and maiden pride, adieu!"(3.1.109). She also choses not to be so protective of her independence and declares love for Benedick, claiming "I will requite thee, Taming my wild heart to thy loving hand"(3.1.111-112). However, the true change in Beatrice does not show until the first church scene in which Claudio publicly humiliates Hero. Beatrice shows deep concern for her cousin Hero, the first time in the play where Beatrice shows concern for another. She is the first to claim Claudio is a liar and declare "on my soul, my cousin is belied!"(4.1.145). Beatrice then proves once again that she is a better person by demanding justice for Hero is met. Through Benedick, Beatrice plots to right the wrong and asks Benedick to "Kill Claudio"(4.1.290). It is in this scene as well that Beatrice, proving a complete turnaround in behavior, confesses to Benedick that "I love you with so much of my heart that none is left to protest "(4.1.287-288). This shows Beatrice transforming from someone who would scoff at marriage and love, declaring things like "I may sit in a corner and cry heigh-ho for a husband"(2.1.312-313), to someone who easily embraces love from the person she once mocked. But such a dramatic change is seen in her love as well.

Shakespeare’s Much Ado About Nothing deals with situations that are blown out of proportion over misunderstandings and jumping to conclusions. In the play the theme of female chastity is emphasized and is a driving force throughout the entire play. This play has since been adapted to many film versions, one directed by Kenneth Branagh. This drama and romance film uses the same language as the original play, but the overall feeling differs greatly as viewer than as a reader. In this movie Branagh plays Benedict and casts many recognizable characters which was sure to give new publicity to Shakespeare as entertainment.

Throughout most of this scene claudio is boasting about his marriage to come and Leonato is praising him for it. This exemplifies how the only thing Claudio cares about is the attention and the love he is getting for everyone now that he is getting married. He doesn’t talk about how much he cares for Hero, or how her personality doesn’t compare to any other womans, this goes to show how his new marriage is a thing of lust not love. “Sure, sure, such carping is not commendable./Yet tell her of it; hear what she will say.” Ursula lines 71 and 81 Act 3 Scene 1.

Much Ado about Nothing is a romantic comedy written by William Shakespeare. Deception is a repeated theme throughout the play and it performs an essential role in the matters relating to romance. There are two couples who unwittingly are participants in the matchmaking and the match breaking schemes of others. There is Claudio of Florence and Benedick of Padua who arrive at Leonato’s house in Messina with Don Pedro, after being away in battle. Then, there is Hero, Leonato’s daughter, and heir, as well as her devoted cousin, Beatrice. In Much Ado about Nothing Shakespeare uses language and literary devices to reassure the audience that love will persevere and prevail in the end. He achieves this by juxtaposing Benedick and Beatrice with Claudio and Hero.

Then, as further jest, the prince sends Beatrice to call Bene*censored* to dinner. She does, and he falls in love with her 'brave' attempt to restrain herself. Ursula, a gentlewoman to Hero, and Hero herself bait a trap of their own for Beatrice. It is made for her to overhear the fact that Bene*censored* loves her. They speak of how arrogant she is, and how she can always find fault with a man; consequently, Bene*censored* is intimidated out of professing his love. She is also baited, and falls in love with Bene*censored*. A very strong relationship is formed as the couple admits their love for one another; after brief hesitation, Benedict even agrees to kill Claudio, someone he trusted enough to confide in, as a sign of his love for Beatrice.

present and one of those is the theme of love. Philia, Eros, and Agape are the three types of love present in the play and are what represent the theme of love. These three types of love, Philia, Eros, and Agape are expressed by the different characters in the play. The expression of the theme of love in the play is not just there by accident; William Shakespeare put it in this comedic and romantic play with a purpose.