Original Music Industry Essay

After the period elapses, any person can use, print, publish, and distribute the original work. The music industry has been in dispute for many years in respect to music piracy. It went after software and website developers, as well as consumers in the courts (Easley, 2005, p.163). As a result, this may be why governing the expansion of the music industry towards later benefits for the industry; however, not toward those who pirate from them (Easley, 2005, p.163). There is clear evidence of a willingness to pay for online music in general through legal download services such as iTunes (Easley, 2005, p.163). It is clear that some new markets are emerging; for example, services such as 4G LTE combine music with other services. These markets may provide both better margins and better copyright protection to the music industry. Nevertheless, some forms of music piracy may ultimately come to be seen as an effective marketing channel for those services (Easley, 2005, p.163). Clearly the industry is adapting piracy issues.

The music industry offers a multitude of jobs, but they all seem to preform as one. The music industry can seem as if it is a extraordinarily complex system with many different functions, but if one area does not function properly then the whole industry could fall to shambles. Even though the jobs may seem as if their functions are easy to perform they all still need to be taken into great consideration. The array of jobs within this industry can range anywhere from the responsibility of composing a song, as the songwriter to the job of insuring that the song is marketed properly. Music is a source of entertainment that is used in most peoples every day life, even though it may not be recognized for its complexity there are many careers that are necessary for the music industry to preform properly. Lets begin with the essential backbone of the music. First a song has to be composed by a Songwriter. Songwriters are responsible for the lyrics and melody within a piece of music. Songwriters work on a schedule that is unpredictable and can become demanding at times. Then a Manager needs to be in the picture to handle financial business and negotiate with Agents and/or Representatives during certain appearances and recording opportunities. They may also be responsible for searching for businesses that are looking to endorse their client. Making the industry earn a greater income is an area in which a Marketing Executive specializes in. Working as an overseer for the recording portion of music

The article “Stealing Music: Is It Wrong Or Isn’t It?”, by Michael Arrington, presents the difference in the term “stealing music” as applied to the older decades and nowadays, in the 2000’s. It also presents the situations where sharing music is a good thing, and where it is not. Finally, it explains the abandonment of copyright infringement, due to the increasing lack of record labels. The article begins by discussing what the term “stealing music” really means. The article also explains the websites, such as MySpace Music, where streaming music can be done without any trouble. Furthermore, it discusses that in the country of China, you can listen to music free from Google websites.

In the twenty-first century, we have an abundant variety of music genres, old and new. Music has a versatile role in modern society. Music serves just as many purposes as it possesses in genres. For listeners, music is not simply an escape or form of entertainment; it is a source of inspiration and self-expression. Sometimes, this can be problematic and lead to false identities and music miscegenation. The music industry has had a powerful influence on what listeners consume. In this process, traditional black music genres have crossed over to the mainstream. This has been problematic in that it gives listeners the sense that the music industry is fully integrated. In reality, the white dominated music industry and labels are still using

What is the music industry? The music industry is everything that makes up the music we love. There are many different jobs in the music industry. Some of these jobs include: Songwriter, Manager, Marketing Executive, Music Publisher, and Publisher, however, these are only a small number of them. Each job has a purpose and each job is important in the music industry.

The moment you step foot into the music industry as a professional, you discover a sub culture that has its own style of dealings and relationships. Irrespective of whether you are a musician, manager, promoter, a journalist or the ever essential sound guy (or woman of course), there are some things that you’re expected to know and do before you even begin. So, to help you avoid mistakes and hopefully fill you in on some essential rules, here are 10 tips for music industry newbies that I have picked up.

No one can deny that technology is actively changing the music industry. Production, distribution and sales of music have been affected dramatically within the last 10 years along with artists, composers, and technicians. Most of the changes have been great for consumers, but vastly negative for professionals in the music industry, however a few artists have found ways to adapt to the changing atmosphere of digitally downloaded music and use it to their advantage. We’ve seen music change form from physical, tangible products like records and CD’s to electronic single tracks stored in an invisible cloud. Two major factors in this sudden revolution are online music stores (specifically iTunes) and file sharing websites that allow music to be downloaded illegally.

Money can be a problem when it comes to buying music. “Illegal music is free, but legal music cost money and whoever owns that server gets all the money.” (Judith Baughman). We are also wasting money like the author, Judith Baughman said, “Having to get legal music can sometimes add up to a lot of your money and you are just wasting your hard earned cash on music that should be for free.” We should not have to have to pay for music; we should get music for free.

Steve Jones in the article "Music and the Internet" suggests that popular music as well as academic articles relating to popular music were created and distributed by people who didn’t completely understand the idea of the "music industry." He ultimately suggests that today compared to the introduction of popular music, a growing number of consumers are using the Internet to attain music. The internet has drastically changed the distribution systems also creating many ethical problems that weren't found in the music industry before the internet. Because the internet started making a presence in almost every single business, it was almost no question that the internet is bringing about some changes in the music industry; a billion dollar

Nowadays, teenagers are living constantly surrounded by technology. Even if the younger generation may not see it, technology has had an impact on different factors. The widespread use of digital technology in the music industry has allowed consumers to reproduce digital versions of copyrighted songs inexpensively, with the help of many software and websites. There has been an increase in digital copying activities and those are most of the time claimed responsible for producers’ loss in revenues. While some people claim that the increase of digital technology has killed the music industry, in fact it has lead to innovation and new ways of consuming and sharing music, such as

The recorded music industry is currently experiencing difficulties unimaginable during the 1980s, which were a period of growth, consolidation, and technical advancement. The album sector was still strong across the industry, something that became a financial boom from the mid-80s onwards with the advent and subsequent popularity of compact discs (CD). CDs became the dominant carrier of recorded music and quickly superseded vinyl albums. This was a major fillip to record companies, as fans bought CDs of their favourite old vinyl albums, thus classic albums artists from the 60s and 70s sold substantial amounts of CD versions of their old album catalogue. As many major record companies were part of multinational electric goods companies, a valid argument can be that record companies were providing the software (CDs) for the multinationals hardware (CD players). To illustrate this point, the electrical goods giants Philips and Sony owned record companies, and as stated on the Philips’ website also collaborated in the research and development of the compact disc. The effect of owning both aspects of the process resulted in profits being monopolised by the multinationals.

Producers of musical content cannot undo the adverse effects that piracy has had on the industry. Because of the internet and the way individuals have manipulated it to obtain music, many people are unwilling to change their habits. Here lies the issue between the producer and the consumer. Acts like the Stop Online Piracy Act (SOPA) and PROTECT Intellectual Property Act (PIPA) work against the incentive of many consumers by telling them that they cannot do what maximizes their utility. Producers are thus working against the likings of the consumer. This is wrong.

The creation of musical works has always been culminated by several different processes and usually involves many people. The process takes a lot of time delaying the release of music. Advancement in technology has played a significant role in the music production by lowering the length of time it takes to produce recorded material. Artists usually sign a contract with a recording company that markets their music products. The internet and low-cost recording technologies have created a “do-it-yourself” music movement. New artists have gained worldwide recognition without landing a recording contract with a major record label.

The evolution of the music industry follows the familiar pattern of digitization. Innovation began with the introduction of the vinyl record, transitioned from the cassette tape to the compact disc and landed us in an era of digital downloads. The emergence of music streaming services like Spotify has progressed the industry even further, giving consumers the ability to access music on demand using download-free online platforms. Spotify faces criticism from artists as a result of the overlap of creativity and commerce. They argue that business activities corrupt creativity, transforming it into a tool for profitability rather than an outlet for expression. Artists insist that Spotify deters album sales, favors established artists and fails to support them financially. However, Spotify was created for consumers. It delivers an accessible alternative to purchasing and downloading music. The interplay between creativity and commerce is changing the nature of the music industry. Spotify has adapted to this change, providing a platform that supports both artists and consumers. Through analysis of the market, artist’s revenue, record labels and consumers, I will argue that artists should accept the evolution of the industry and support Spotify.

Ever since the start of illegal music downloading there has been an ongoing debate. As with any controversy, there are those whose positions stand at one end of the spectrum or the other and also those who are moderate or nonchalant. Many believe that downloading a song without paying for it is not only illegal, but also immoral. None-the less, people continue to download songs, rationalizing that the record companies are getting what they deserve after years of overpriced CD's or that the artists won't really miss the money. Some people are not sure what to make of the situation, sympathizing in some respects with either side. There are several proposed solutions to this problem, but it has become obvious that there is not easy or clear