My Sister In Trifles By Susan Glaspell's

Generally, when innocence is thought of, the first speculation recalled to one’s mind is the thought of pureness and the idea that the specific individual is free from moral wrong. On the other end of the spectrum is the term known as guilt. Guilt is the emotional notion in which one feels that they have compromised his or her own standards in a negative way. In the novel Sarah’s Key, Sarah frequently proves to struggle with both guilt and innocence. These specific themes are put on display when Sarah realizes she is not going back home, the scenario in which Sarah boards the cattle car to the camps, and the tragic event in which Sarah takes her own life.

There are many factors that inhibit women to commit violent crimes. Most women suffer from substance abuse, spouse abuse and mental issues. The most common risk is being previously being abused earlier in life. A survey conducted in 2002 reported that thirty six percent of all female

“Women cannot be murderers.” Even though this was not explicitly stated in the newspapers, The Boston Herald in its article “Lizzie Borden” conveys the perception that the feminine ways associated with women would make it impractical for women to commit murder. Lizzie Borden, a young lady accused of brutally killing her stepmother and father with multiple blows to their heads with a hatchet was described as a religious, sincere, and modest human being in The Boston Herald’s article covering Lizzie’s life before and after the murders. During Lizzie’s youth, she suffered from isolation because of her reserved personality and belief that nobody appreciated her presence, but in womanhood turned her life around and attain friendships who vouched for her good character during the time of the investigation. The Boston Herald’s article “Lizzie Borden: Her School and Later Life - A Noble Woman, Though Retiring”, successfully persuades the reader of Lizzie Borden’s innocence with the focus on her femininity through diction and logic.

Through my understanding of the book, Homeward Bound by Elaine Tyler May explores two traditional depictions of the 1950s, namely suburban domesticity and anticommunism. She intertwines both historical events into a captivating argument. Throughout the book, May aims to discover why “Post-war Americans accepted parenting as well as marriage with so much zeal” unlike their own parents and children. Her findings are that the “cold war ideology and domestic revival” were somewhat linked together. She saw “domestic containment” as an outgrowth of frights and desires that bloomed after the war. However, psychotherapeutic services were as much a boom then as now, and helped offer “private and personal solutions to social problems.” May reflects her views on the origin of domestic containment, and how it affected the lives of people who tried to live by it.

Growing up in today’s society can be traumatizing for any child. When it comes to growing up as a young girl, however, it can be downright devastating, but not only for the child but the parent as well. There are so many decisions to be made when choosing how to raise your child, assuring that you have instilled proper values to develop a healthy sense of self-worth and confidence.

This paper will attempt to analyze sociological factors, which explain societies propensity to treat women differently than men when they are accused of committing a violent crime, such as murder. Because we live in a male-dominated society it is believed that men commit most violent crimes. Some studies indicate that when a violent crime is committed by a man society has a more acceptable view of the offense. Because of gender stereotypes, women are judged more harshly by society than a man. Women are expected to follow normal behavior as ascribed by their societies current definitions of normal. Society views women as nurturers who are subservient to their husbands and devoted to their children (2008). The Andrea Yates case was chosen as the focus of this paper because it perfectly illustrates the impact of external and internal forces, which can drive a woman to commit a violent crime and societies reaction to those crimes.

In Cinderella Ate My Daughter Peggy Orenstein examines the triumphs and pitfalls navigating raising a daughter, in today’s mixed message world. From peer pressure and the need to fit in today’s society, young females have commercialism forced at them at every turn and in very clever ways. Doll creators have been pushing the boundaries of good taste with each new season launch. When the more “mature” actresses at the age of 17 feel the need to do something drastic to remove them from the wholesome image created for by company executives, mothers and consumers feel betrayed, and yet then we need to have a dialog with our kids as to why just last month Miley Cyrus was wonderful but now she is not okay for the viewing household.

Set against the backdrop of the Californian Gold Rush of the 1850s, The Sisters Brothers by Patrick deWitt follows the lives of two brothers, Eli and Charlie Sisters. The Sisters Brothers tells the story of these infamous assassins who are on a journey to San Francisco to kill a man named Hermann Kermit Warm. Warm appears to be a subtle man, who is accused of stealing from their boss, a formidable figured named the Commodore. As the brothers continue on with their journey, they come across many people from all walks of life: a weeping man, gold-digging prospectors, a young-naïve boy, and a dentist. Although the brothers don’t realize it, these individuals help the brothers perceive the world in a completely different way. Not to mention, they change the way the novel is bestowed. The brothers eventually end up at their final destination in San Francisco from Oregon City, where they realize that their adventure has actually just begun. After several eye-opening incidents, the brothers begin to question their jobs, and the true meaning of their lives.

Mrs. Fox, by Sarah Hall was published in 2014. Mrs. Fox is a short story by Sarah Hall about a woman who turns into a fox during her pregnancy, much to the dismay of her husband. Mrs. Fox describes a woman who is not satisfied with her life with her husband, Mr. Fox. They both remain detached thorough the story. When Mrs. Fox turns into a fox, Mr. Fox does not understand why his wife was not happy or satisfied in her human life. Sarah Hall does a wonderful job of displaying out an unusually intriguing setting, a breath taking characterization of the two main characters Mr. and Mrs. Fox, and she displays a dark and modern theme, rightfully earning the BBC National short story

Criminality is still assumed to be a masculine characteristic and women lawbreakers are therefore observed to be either ‘not women’ or ‘not criminals’ (Worrall 1990, p. 31). Female offenders are hallmarked for tireless and inescapable coverage if they fit into the rewarding newsworthy categories of violent or sexual. It is always important to note the reason for overrepresentation of women criminals in the media. “Women who commit serious offences are judged to have transgressed two sets of laws: criminal laws and the laws of nature” (Jewkes 2011, p. 125). Such women are hence “doubly deviant and doubly damned” (Lloyd, 1995). When women commit very serious crimes, such as murder, they attract

In a Perfect World by Trish Doller takes place in Cairo, Egypt. Caroline looked forward to spending the summer with her best friend in her boyfriend before senior year. Plans quickly changed though when her mom got offered her dream job in Cairo at a One Vision clinic. She moves to Cairo with her mother while her dad stays in Ohio to work. Caroline expects to spend her senior year trying to navigate a new city and being homesick. What she wasn't expecting was a thrilling new culture, a few new friends, a beautiful city, and a new love who challenges her in many ways. In a Perfect World mainly focuses on how love will always find its way.

Throughout history, violent women and women with violent intent have starkly emerged from many countries, carving their niches in myths and legends. The creation of these stories suggests that men began to notice lethality in feminine charm centuries back.

According to Lilly, Cullen, and Ball (232) Feminist theory has been on the back burner of modern criminology until the late 19th century. As with the other criminology theories there are many thoughts and ideas on why females commit crimes. In the beginning the theories seem to revolve around the victimization of the female gender. Then criminologist took a look at female delinquency, prostitution, and gender inequality in the criminal justice system. Lilly (233) wrote that Lombroso used physiological traits to determine what type of women would commit crime. Lombroso also argued that the women that committed the most crime were more masculine then the women who did not commit crime. He used physiological immobility, and passivity to make the argument. Lilly (235) also wrote that Sigmund Freud believed the reason women committed crime was because they has “penis envy”. Since women were physical different than men, women would become more aggressive trying to act like the male counterpart in order to fit in with the status quo.

Based on this vital information does this bring us to the conclusion that women are simply becoming more violent and bolder as time passes by even to the point that they surpass that of men? Surely I am of the view that women did not spontaneously decide to turn to a way of crime, as a matter of fact the majority of women in prison have experienced some form of physical or sexual abuse both related and unrelated to men.

Feminist criminology emerged out of the realisation that criminology has from its inception centred on men and the crimes they commit. Although it can be argued female criminality was researched by Lombroso, as far back as 1800’s, female crime, it’s causes and the impact in which it had on society was largely ignored by the criminological futurity. Those Criminologist who did attempt to research female crime such as Thomas and Pollak were not only very damning of women but were also very condescending, choosing to stereotype them as either Madonna or whore (Feinman).