Nectar Of A Sieve By Kamala Munshi

Amy Tan had many personal experiences in her story. For example, when Amy Tan was living in Northern California, her mother had very high expectations on her. Her mother wanted her to be with the American society and be the best she could be. Amy Tan had to get a haircut very short to the way other famous children were acting in the United States. Amy’s mother was the one who encouraged this. With that, in the story “Two Kinds,” the young girl named Jing-mei live in a part of California and she had to get a very short haircut. Jing-mei’s mother wanted her daughter to look and act the same way Shirley Temple did. Within both of the girls lives, they each had to act like an already famous person exactly to please their mothers.

“I’m Nikhil” (Jhumpa Lahiri 96) these are the words that Gogol uttered for the first

Mother Tongue is a story that describes how Amy Tan’s mother was treated unfairly because of her “broken English”. As the second generation of Chinese immigrants, Tan faces more problems than her peers do. Her mom, who speaks “limited” English, needs Tan to be her “translator” in order to communicate with the native English speakers. Tan has felt ashamed of her mother “broken” language at first. She then contemplates her background affected her life and her study. However, she changes her thought at the end since she realizes things behind language might be more valuable than language itself sometimes. Through the various different literary devices and rhetorical strategies such as the ethos, pathos, and logos appeals, as well as a

Although books full of words are more efficient in delivering and describing what the author feels, sometimes pictures can give a deep meaning depending on how they are organized. The Veil by Marjane Satrapi’s is a graphic novel that’s organized in a particular way, to deliver a certain message through the pictures. Marjane includes different sizes and frames that serve what she is thinking and feeling. Choosing certain sizes, frames and colours isn’t arbitrary. As each box increases in size, it means that she wants to emphasize the message behind that box, or show her relation to that particular text. Contrast is also one of the main elements that Marjane uses in her graphic novel. For example, on page five, there is a big picture of

A Thousand Splendid Suns by Khaled Hosseini is a beautiful tale of two women in Afghanistan during the Taliban uprising. They grow up on complete opposite sides of Afghan culture. The main character, Mariam, grows up in a more traditional way caused by her forced marriage to Rasheed. Laila on the other hand, grows up with a supportive father who encourages gender equality and education. There are many cultural differences such as, women’s rights, public executions, and the Taliban. The two main characters, Mariam and Laila, develop greatly throughout the novel. They push each other to be better and to stand up for equality. This plays into the themes of the novel. Women’s strength and loyalty are the two most important themes. They

English is an invisible gate. Immigrants are the outsiders. And native speakers are the gatekeepers. Whether the gate is wide open to welcome the broken English speakers depends on their perceptions. Sadly, most of the times, the gate is shut tight, like the case of Tan’s mother as she discusses in her essay, "the mother tongue." People treat her mother with attitudes because of her improper English before they get to know her. Tan sympathizes for her mother as well as other immigrants. Tan, once embarrassed by her mother, now begins her writing journal through a brand-new kaleidoscope. She sees the beauty behind the "broken" English, even though it is different. Tan combines repetition, cause and effect, and exemplification to emphasize

Q. Discuss how many characters describe Sula’s birthmark which looks different to several people in The Bottom. Does the birthmark reflect their fears or dreams? How so?

Sula by Toni Morrison, is a book about a black female and the various events throughout her life. The majority of these events were at the fault of Sula, but because of her past she did not know, or could not understand any better. Sula became the woman that she was because of the people and events that were around her during her childhood.

Throughout world history women have been treated abysmally. Societies with male-dominance have abused and used women and continue to do so today. Women have been made vulnerable to a man due to the spread of cultural values and beliefs in society that condemn them from power. In Khaled Hosseini's novel A Thousand Splendid Suns, the two main characters Mariam and Laila develop an unconditional bond in which they become each others protectors. The immense inner strength of women from adversity has been exemplified through the growth of Mariam and Laila's contrasting relationship, the pain they endure from Rasheed which strengthens their bond and the courage within them that ultimately resolves their conflict.

A person’s heritage and cultural identity may be lost when moving to a new country where the culture is different and other cultures are not easily accepted. In the short story “Hindus”, Bharati Mukherjee uses setting, characters and the plot to discuss what it is like to lose your cultural identity while being a visible minority in America. Mukherjee uses the plot to describe the events that take place in the main characters life that lead her to realize how different the culture and life is in the America’s. She also uses the characters as a way of demonstrating how moving away from one’s culture and heritage can change a person’s perspective and ways of thinking. Mukerjee also uses setting in her story to identity the physical differences in culture between living in India and America. Alike the setting and characters, the plot helps describe the loss of culture with a sequence of events.

Khaled Hosseini presents the struggle Afghan women go through every day by discussing honour, marriage and the place of women in society in Afghanistan.

In Man or Mango, Lucy Ellmann tells the story of Eloise, a love-scorned English woman, who has retreated from society, and her former lover George, an American who has relocated to England in order to work on his poetry. Through a series of chapters that are told from the perspectives of Eloise, George, and other characters, Ellmann illustrates the contrasting nature of the male and female experience. Both Eloise and George offer an abundance of criticisms about society and culture, but it is Eloise who is more deeply affected by the hegemonic culture that men and women are expected to abide by. Her disdain for this culture does not come from a desire to counter it, rather it is caused by her perceived inability to live up to the expectations that are placed upon her, and an intense feeling of hopelessness

“Bend like the grass, that you do not break.” This quote, said by Nathan, shows that many characters do not fight for what they believe in, but rather, they let it happen, and acquiesce in their difficult situations. Nectar in a Sieve by Markandaya is a story about an Indian family living with demanding situations and trying to obtain food for their children, all while dealing with foreigners and a growing society. Numerous characters in the story accept issues and events that they cannot change. The characters' attitudes towards acceptance and change is to endure it, and let the change occur.

Cities of Salt has often been read as at once an elegy for a disfigured space and society, and a chronicle of its transformation. How does Munif represent the encounter with and effects of global capital and its arrival? How are tradition, traditional social ties on the one hand, and the encounter with the foreign other represented? What are the limitations and potential problems of attempting to write such a work? Elaborate!

She makes an important point when trying to go beyond the female (otherness), by paying careful attention to differences among women themselves, and by putting emphasize on the multiple realties that women faces, and by that trying to uncover universalist interpretations (Parpart and Marchand 1995:6). She reveals the inadequacy of binary categories by showing us how power is defined in binary terms, between the people who have (men) and the people who do not (women). This is a consequence of seeing women as a homogenous group, and contributes to the reinforcement of the binary division between men and women (Mohanty 1991:64). By assuming that women are a already constituted group with the same experiences and interests, gender is looked upon as something that can be applied cross cultures (Mohanty 1991:54), and it also produces an assumption about the “average third world woman” as poor and uneducated, in contrast to the educated, modern Western women (Mohanty 1991:56). Implicit in the binary analytic lies the assumption that the third world woman only can be liberated through western rationality. Mohanty is making an important point when emphasising the need to challenge these objectifications (Udayagiri 1995:163).