Nick And Nicole Fischer

Every painter has a certain style of painting, whether it's intentional to paint abstract or unintentional to paint as a modernist. I analyzed Abigail Kuchar’s artwork. She is an artist at Western Washington University. Currently, she is enrolled as a student and working on her Bachelor of Fine Arts. Recently, she exhibited her work in a Symbiotic Qualia, Western Gallery (group BFA Thesis Exhibition). Her ideas on visuals are very unique as compare to another artist. Her work is heavily influenced by reoccurring natural forms and patterns, representing, the specific shapes that have been successful in a variety of different applications. For example, the formation of bubbles, lichen, barnacles, anemones, spores, pollen, and seed pods, all have similar compositions. By creating work that includes these forms, the viewer is presented with something unusual, but vaguely familiar. Her material used in the artwork is environment-friendly.

In comparing The Tibetan Mandala and the Navajo Sand painting the sand drawings are from different cultures, yet their purpose is the same. A better understanding and appreciation comes with looking at these works.

Guy Dennings was born in England on October 1965. As a young boy, he started out oil painting at the age of 10 and soon moved on to applying to many art colleges. He was refused entry but didn't give up hope and pursued an art education by studying art history. After received his degree he continued with many different jobs and finally in 1997 he founded the neomodern group. In 2006, his work appeared in the “Triumph of Stuckism” exhibition and the very next year he

In this book Kiki Smith’s background is shared and broken down for the viewers to learn a different side of the artist. Allowing the readers to learn about her family and how both of her parents were also artist as well. The book also explains her work and why she chooses to reflect on the topics she created her art based

Beginning a formal analysis by exploring the composition of the work, in this particular case, is to begin with how a viewer would experience the painting. The forms closest

In the quiet city of Sebring, the simple buildings contain an explosion of ideas and potential. Despite what others might think, this place has provided a lot of encouragement for artistic abilities such as, a muse, a canvas, and especially opportunities. Due to the citizens’ interest for art, the community finds a way to be on common ground. For this reason, people anticipate new artwork created by the young generation of ambitious artists.

She believes that experiences like gold mining and other parts of her childhood and family life show up in her work. In her paintings she creates a skin like surface with layers of acrylic paint. She also uses items like hair and walrus stomach to add dimension. She is interested in different layers and creating a “physical history” in her

Ever since there has been crime, there has been punishment. One form of punishment that has existed since the beginning of society is capital punishment. As crime and societies have evolved over time, so have capital punishment, its forms, and its reasons for use. Capital punishment is defined as the execution or death for a capital offense. (Hill & Hill 1995: 75) A capital offense is defined as being any criminal charge that is punishable by the death penalty. (Hill & Hill 1995: 75) A capital offense usually means that no bail will be allowed.

During the Medieval time period that Canterbury Tales was written in, there was a general depiction of women that they weren’t even looked at as humans, but looked at as objects. Women were thought of as weak, untrustworthy, and even less intelligent beings than men. Chaucer did not necessarily agree with the general consensus of women during the time period. Now there are tales that go along with the general impression of women, but there are also signs that Chaucer looked at women for what they really are and he might have saw them as equal beings. Chaucer was a great mind and that mind was far past his time, as he went against the tide when he wrote and he was not afraid to write whatever came to his head. Canterbury tales can show us what women had to go through in medieval times, and through Chaucer’s tales we can see what he thought of how women were were perceived and treated.

Two art shows opened up at the North Dakota Museum of Art this past sunday. On the East side hangs “In Your Own Words: Native Impressions” which is comprised of twenty-six prints done by three artists; Daniel Heyman, Lucy Ganje, and Kim Fink. The show on the opposing West side is called “Stalking the Snow Leopard” and is done by Justin Sorensen, who hired me as a performers.

Throughout history, artists have depicted the intimate and domestic scenes of maternal love in various styles that reflected upon the historical, political, religious and artistic progression of the time period. The Mother with Children (?), depicting the grace and power of a matriarch that corresponds with the idealized view of the mother within early African society; Eleonora di Toledo with her son Giovanni, a piece that emphasizes upon the importance of fertility and the ideal wife within 15th century Florentine society; and The Mother and Sister of the Artist, picturing the domestic and sheltered life of women expected of mothers within the Impressionist period. Though from different times, all of these works reflect upon the the views

In this paper I will evaluate two artworks that share the same theme of “motherhood and breastfeeding.” In the last few years, the sexualization of breastfeeding has become a big issue. This is due to people see breast as sexual objects and think that women are being exhibitionist, and are doing it just to flaunt their breasts in public. Breastfeeding mothers are faced with the public criticism as they struggle to breastfeed their child, although it is the most natural and healthy method of feeding. The first artwork is by Mary Cassatt and is titled Mother Rose Nursing her Child. This painting was created in the 1900s and it depicts a woman breastfeeding her child. The second piece is a contemporary portrait created by Catherine Opie titled Self-Portrait Nursing. The portrait depicts a modern mother also nursing her child. When comparing both of these pieces of art I plan to focus on the beauty of motherhood and the bond between mother and child. In this paper I will discuss the social issue of mother’s being criticized for breastfeeding in public. Now more than ever women’s breasts are being overly sexualized when they are not a sexual organ, but in fact a part of their body used to feed another human being.

viewer is being sucked into the word within the painting, and also emphasize that point that he is

The mandala has been around for thousands of years, being used from 12th century nuns, Asian taoists, to ancient Aztecs. It has been around longer than most things. The mandala appears in all aspects of life: the celesial circles we call earth, sun, and moon, as well as conceptual cicrles of friends, family, and community ("What is a Mandala?" 1) . Mandalas are everywhere, we just don't recognize them. From our solar system to budding flowers around us, we never seem to take in the vastness of mandalas.

When I saw the painting for the first time it grabbed my attention. At first I thought it was the beautiful colors that attracted me to the painting, but it was more. In the picture the shadowy men look scared. They looked as though they were trying to run away from something and this lake that forms into this river that is surrounded by tall grass is the way out, or at least a place to hide until the coast is clear. During that time in my life I felt