Nick Ut's Photograph Essay

“The Perfect Picture,” James Alexander Thom shares with the reader his personal experience with the media. James Alexander Thom was once a young reporter who was sent to get a story on a horrific event, but ended up changing his viewpoint due to the grandfather’s solicitude. In the story Mr. Thom claims that taking a picture and therefore capitalizing on one’s suffering would be beneficial for his career however it may be immoral.

Alex Kotlowitz met Lafeyette and Pharoah Rivers in 1985 while working as a journalist. He was interviewing them for a photo essay in Chicago magazine on children living in poverty. The violence that occurred every day where the brothers lived in Governor Henry Horner Homes, or Horner, disturbed Kotlowitz. Lafeyette and Pharoah are 12 and 9 years old at the start of the book but have experienced more than many kids their age. The boys did not seem sure of what life held for them. Lafeyette told Kotlowitz, “If I grow up, I’d like to be a bus driver,” Lafeyette was not sure that he would grow up at just 10 years old (x). Kotlowitz wanted to show what it is like for children growing up in urban poverty after seeing the brothers’

Distinctively visual is not just about images but also the power of language that enables composers to transport us to their world, specifically to the place indicative of the time during which the text was written. Henry Lawson’s collection of short stories in particular ‘In a dry season’ and ‘The drover’s wife’ and my related text, Art Spigelman’s graphic novel ‘Maus’ bring their unique ideas to life shaping and challenging our perspective and understanding of various human experiences of pain, suffering ,courage, resilience and perseverance ultimately bringing personal and social issues to life.

Marcel Duchamp stated that "It was his achievement to treat the camera as he treated the paintbrush, as a mere instrument at the service of the mind” (Biography.com, 2017). In addition, the photogram might seem expressive and abstract, yet on the contrary, it is the precise medium to document the everyday objects in an unrepeatable and somehow uncontrollable way. The artist cannot predict how the selected objects will be recorded under the light sources that were tampered with. From the first glance, the image completely dissociated from its original subject, allowing one’s memory to fill the gap. Yet below its surface, the image is an accurate documentation that captured a moment of psychical intensity. It revealed a new visual experience, using objects in the simplest way. One can say that the use of this medium disclosed reality more preciously due to its invisibility and mysterious representation (The Museum of Modern Art, 2017).

On the 8th of June 1972, photographer ‘Nick Ut’ took an iconic photo of a group of young kids running away helplessly as soldiers escorted them out of the danger zone, (the danger zone was an explosion of napalm that burnt and basically disintegrates everything). Early that day Nick heard that there was fighting happening in North Vietnam near the occupied village of Trang Bang. He stopped on the nearby bridge with other soldiers and journalists. It was around 1pm when a south Vietnamese plane dipped down aligned with the highway and dropped the napalm bomb on the village, which turned out to be an accident. As thick black smoke filled the air, emerging from it was multiple civilians crying and screaming as burnt flesh fell off their fragile

of people with a certain disease, like AIDS. He relies on the photograph's image ability to show what is

As skeptical moderns, we often have trouble accepting drawings or paintings as historical records, but we tend to believe in photographs the way that we believe in mirrors; we simply accept them as the truth. Alexander Gardner's photograph Trossel's House, Battle-Field of Gettysburg, July, 1863 might therefore be viewed as evidence rather than commentary. Unlike some of Gardner's other "sketches," this picture includes no perfectly positioned rifles, no artistically angled river, no well-posed men in uniform—indeed, no people at all. The photograph's composition could barely be more prosaic; the horizon slashes the picture in half, and the subject, a white colonial-style house, sits smack in the center. Yet this straightforward, almost innocent

Born of Irish immigrants in 1823 in a little place called Warren County, New York; Mathew Brady is known as “The Father of Photojournalism.” While a student of Samuel Morse and a friend of Louis Daguerre (inventor of the “Daguerreotype,” a method of photography that the image is developed straight onto a metal coated surface), in which he had met while under the study of Morse, Brady took up his interest in photography in the year of 1839, while only seventeen years of age. Brady took what he had learned from these two talented and intellectual men to America where he furthered his interest in the then-growing art of photography.

Edward Weston was seen as one of the leading pioneers of photography in the 20th century. His contribution to the world of photography is one that was able to bring new possibilities to the field. His style of photography was unique to him at the time and offered the art community very original works of art. This style of Weston’s was one of high resolution and clarity, though it did not come until midway in his career. Weston would soon collaborate with other artists that shared his tastes to form the f/64 group. Before becoming the world renowned photographer, Weston started as a humble and novice photographer (Edward Weston).

The American Photograph was taken by Photographer Jose Juarez outside of the Fort Field stadium, in Detroit, Michigan September 10, 2017, during Sunday’s game between the Detroit Lions and the Arizona Cardinals, NFL football teams. Protestors along with 50 members of Colin Kaepernick’s fraternity, Kappa Alpha Psi, rallied in support of Colin Kaepernick former quarterback of the 49ers. Colin Kaepernick took a knee and a seat several times during the national anthem at football games, making his motive clear that he was protesting racial injustice in American, especially police brutality, and the shooting of many black people. In the image, protestors are taking a knee and their fist is balled in the air. They are seeking out justice for Colin

An Australian Photographer,born in 1957 from the K’ua K’ua tribe. Before her passion developed for photography deacon has strong interests in politics. With the inspiration of Indigenous Activist Charles Perkins, it led Destiny to the beginning of her artistic endevours. "I was just in awe of him 'cause he was such a spokesperson. He was always there and I really miss him and I think Australia misses him.” 7] Growing up Deacon and her family lived in various Melbourne inner suburbs, in commission houses which while often tough opened her eyes to a whole other world "My family grew up on the waterfront. Our commission home was the hub of painters and dockers, criminals, unionists,there was culture galore.”]

At first glance I notice this Irving Penn photograph seems mysterious and blurry, much like a lot of his works of art. He uses the blurring technique to make you wonder more in detail what is going on in the photo. When researching, I found most of his works are portraits unlike Cretan Landscape. Irving Penn was known as a photographer whose classical simplicity transformed the pages of Vogue magazine. There are very few great portraitists, but he is a sort of sorcerer who seems beyond resemblance. Irving Penn’s Cretan Landscape was a rather large photograph at 15.4x22in. However, it still showcases the magnificent artwork that Irving Penn is capable of.

In our Unit 2 reading, it explains the art of photography and how it has really complimented paintings an artwork from painters such as Paul Delaroche. As many artists thought that “arts of painting” and “arts of photography” would leave little room for the creative representations painters and photographers provide. However, it turned out that Delaroche and many other were wrong and paintings and photos still thrive.

Critical Analysis on a Tina Modotti Photograph Tina Modotti was from a very poor working class society. She was brought up in the northeast part of Italy, in Udine, Friuli. She was born at the tail end of the industrial revolution, in 1896. However, you could say, by all means, that her village hadn't changed the slightest since the seventh century. She lived vigorously throughout her childhood, working endless hours in a silk-textile factory to earn a cash flow and to support the family through starvation.

What is a photograph? The simplicity of taking a photograph leads many to ponder its artistic value. Yet, it is undeniable that there are some photos that cause an emotional reaction deeper than simply observing a recorded point in time. Surely, there are photographs that cause more reaction than some modern art pieces. There seems to be two types of photographs. The first classification is the ‘time capture’ photo – an image with the sole purpose of recording a particular event or point in time. The second nature of a photo carries a ‘deeper meaning,’ which has the ability to change the observer’s mood and cause a reaction. But what distinguishes these two varieties? There are a