Of God and Nature

Victor worked continuously on his experiment, obsessed with finding the correct building material. It would seem that after all this arduous work he put into making this Creature, he would be in awe when it was finally finished. Upon the completion of the Creature, he finds himself in shock, explaining in vivid detail about the Creature’s “yellow skin which scarcely covered the works of muscles and arteries underneath” and its “shriveled complexion,” and “straight black lips” (42). In the human nature, it is known that when a person creates something, no matter how ugly, or how deformed it is, the creator is proud of his creation. Although, immediately after he sees his creation, Victor is unable to stare at the “monster” any longer, and paralyzed with fear and guilt, abandons the creature all alone in the world, like a new born baby. Although it might not seem like this, this particular scene conveys a deep sense

Nature by Ralph Waldo Emerson has a lot to teach about how to respect the earth because it is a mighty force but Nature also teaches what it means to be connected with nature and the feelings that are associated with connection. During my close read of Nature I faced challenges, successes, and a greater appreciation for the writing from a world that is drastically different from the one I live in. One of my biggest struggles while annotating the piece was looking at the big picture and what the paragraph as a whole was telling me. While I am annotating I tend to focus more on the smaller pieces such as the meaning of words and decoding what a sentence is saying. It’s hard to pull back from that and connect the bigger pieces to find what the

In the readings of Exodus, Genesis, and Plato’s Allegory of the Cave. These three texts explore what it means to follow in the Catholic Intellectual Tradition. The teachings from Genesis, Exodus and Plato, demonstrate proof of the fundamental claim, “God’s presence in the world is mediated through nature and reality.” The significance of nature can symbolize everything that appears in the physical world, while the reality represents the truth and human existence in the world.

Sacred texts and writings are very beneficial for Christian people since they are the word of God and can be deliberated as supportive indication of understanding the principle beliefs of Christianity which include the divinity and humanity of Jesus Christ, death and resurrection of Jesus Christ, the nature of god and the nature of trinity, revelation and salvation. This essay aim’s at assessing the significant role of the sacred text in providing authentic information in regards to sacred texts.

vii.The Bible is the final source for the truth about God, not a church or its priests.

Human beings are part of the animal kingdom, and therefore part of nature. If that is true, then everything they create or destroy is by default "natural". I agree with the statement.

However, when Frankenstein realizes that he has just looked at the body as individual parts, for example the “pearly teeth”, “blue eyes”, “lustrous black hair”, but he had not looked at the body as a whole. When he did, he realized he had created an abomination, “Beautiful-Great God! His Yellow skin barely covered the work of arteries and muscles beneath!” When Frankenstein comes to this realization, he flees, “now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart”. Frankenstein regarded the creature as ugly, evil, inhuman, unflattering to the eye, and vulgar, like a monster.

“The whole world recognizes the beautiful as the beautiful, yet this is only the ugly; the whole world recognizes the good as the good, yet this is only the bad.” (Norton) Some people in history thought this statement makes perfect sense; however, it is gibberish to me. How are the beautiful actually ugly, and good mean bad? My only thought process goes back to people having different values of life. My best cliché for this is “One man’s trash is another’s treasure.”

In this essay I will examine how the monster’s looks and actions reflect the predominant cultural feelings that those who look different are bad, evil or incapable of normal feelings. That somehow because one may look different from the rest of us there must be something emotionally as well as physically wrong with them.

The creature also wants to be noticed. The mountain is very beautiful, but during the storm it may look scary. The creature is can be beautiful through his acts of kindness, like helping people, but also is unattractive and can look and be grotesque. In the essay, “Frankenstein and Mary Shelley’s “wet ungenial summer””, Phillips states,

(Shelley). The fact that Frankenstein fled from his creation very shortly after it came to life, proves how he refused to accept his obligations and responsibilities after his creature was created. ?The [creature] is Frankenstein?s abandoned child? (Mellor Abandonment 357). It is unfair to bring something into the world, and then not teach it how to survive. Victor was intimidated by his hideous characteristics and felt threatened by the creature. He did not know his creation at all, so he had no right to judge him. This is an example of how various people and society place too much judgment on physical appearance. The creature had just come into the world for the first time, and the first thing he saw was his creator screaming for his life as a result of his appearance. This traumatized the creation, and caused him to seek revenge on Frankenstein. This novel shows how when people are prejudice against physical deformity or ugliness, it automatically characterizes that person as bad or monstrous (Halberstam 59). Victor was the one who gave him these characteristics; so in fact, he is to blame for the creature?s appearance being so monstrous.

To start off, Frankenstein abandoned his creation for it was “ugly” and abnormal. “His limbs were in proportion,

This example of the significance of appearance in modern society is also echoed in Frankenstein. The parallel between the society in the novel and modern society is that of snap judgements based solely on appearances. In the novel, Victor Frankenstein is a perpetrator of such judgements. Victor “selected his features as beautiful.” Here it is seen Victor’s shallowness as he picked the most perfect body parts and beauteous features, all to be pieced together in great anticipation. However as one can see, the result is horrific and due to the hideousness of the wretch that he has created, he abandons him. This same shallowness of judgement due to appearance again surfaces when Victor accuses the creature of murdering William

Victor, once fully grown, still yearns to obtain the true attributes of beauty through his creation. He toils over the creature's characteristics, saying, “I had selected his features as beautiful. Beautiful! … but these luxuriances only formed a more horrid contrast with his watery eyes.” (55) Victor puts a

As an old childless couple living a monotonous and comfortable relationship is about to go to bed, they are disrupted by an unexpected guest: a homeless man which will stir deep ancient waters and make unsolved problems resurface. As they were about to close their eyes to go to bed, this young man is about to open their eyes forever. This leads to the seemingly hard stone routine of their longtime relationship being turned upside down which forms the plot of The Goodnight Bird, one of Coleen Murphy’s dramatic comedy. The omnipresence of nature within the play can be pointed out. In fact, the multiple mentions of nature elements and plants have an important significance in this play as they are symbolic of larger themes within it, such as the opposition of nature and