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Of Seigfried And Bessie Head's 'The Deep River'

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Frank Ocean’s “Seigfried” and Bessie Head’s “The Deep River: A Story of Ancient Tribal Migration” reveal the power of society to narrow individuals’ choices to extremes. The narrative of Head and the poetry of Ocean prove that quests for individuality is not always welcomed. It is typically understood that most matters are of many nuances (not black and white), however the collective society through groupthink may hold a monolithic stance. A stance which tasks outcasts to decide between two opposites. In our specific example, the two extremes are seclusion and conformity.
In discussing the two works, it is necessary to consider the landscape; the environment in which the characters live. Firstly, in “The Deep River,” we are told “people [of the tribe] lived without faces, except for their chief” (Head 1100). Meaning that the idiosyncrasies of the individuals were not recognized. Veering away from tradition in this tribe was unprecedented. So, when Sebembele, the protagonist, declared that Rankwana (who had been the last wife of the recently deceased Chief, Monemapee) to be his wife and Makobi as his son (not that of the chief) the tribe became divided. Secondly, in “Seigfried,” Ocean tells us plainly, “I can’t relate to my peers” (5). He later questions his own braveness; pondering if he wants to “settle [for] two kids and a swimming pool.” As a young man in 2016, Ocean is not enticed by such fantasy. Our environment shapes how we perceive things around us. The Monemapee

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