On the Road with Racism: Langton Hughes Life Experiences

Langston Hughes once said, “We Negro Writes, just by being black, have been on the blacklist all our lives. Censorship for us begins at the color line.” To me I believe his writing was expressing African Americans in his time. Many of them felt just by the color of their skin, they had to be constantly aware of their survival, rights and freedom to express themselves through their abilities.

Racism is a powerful word some people are still facing. Racism is when people judge because of skin color, looks, and many more. People are are involved with this are struggling. Having a difficult time to feel comfortable from the rejection, judgement, and being ignored. It has caused in a huge impact for the last decades. Race is the center of attention and people want to be heard. Free of speech is what helped people’s lives from hearing what’s going on in people’s lives. African Americans are one of the top race that white people have against with. African Americans express how they feel through materials by speaking up. In this paper I will argue that the impact of Racism people express how they feel through free of speech.

Langston Hughes was the leading voice of African American people in his time, speaking through his poetry to represent blacks. His Influence through his poems are seen widely not just by blacks but by those who enjoy poetry in other races and social classes. Hughes poems, Harlem, The Negro speaks of rivers, Theme for English B, and Negro are great examples of his output for the racial inequality between the blacks and whites. The relationship between whites and blacks are rooted in America's history for the good and the bad. Hughes poems bring the history at large and present them in a proud manner. The injustice that blacks face because of their history of once being in bondage is something they are constantly reminded and ridiculed for but must overcome and bring to light that the thoughts of slavery and inequality will be a lesson and something to remember for a different future where that kind of prejudice is not found so widely.

The upper-class blacks shunned the lower class viewing them as being “embarrassingly vulgar” (Dickinson 323). Overcoming African-American prejudice was a major focus in most of Hughes’ writing. For example, he wrote about the joys, sorrows and hopes of the black man in America (Dickinson 321). Not all of his writings were so encouraging however. Other themes Hughes wrote about include lynchings, rapes, discrimination, and Jim Crow Laws. He commented that when he felt bad, he wrote a great deal of poetry; when he was happy, he didn’t write any (Dickinson 321).

Hughes also takes the view of culture but he examines it from the view of blacks that are not stuck in the ghetto but have stable backgrounds. Hughes takes the view that blacks are actually hindering themselves. He says that there is a huge obstacle standing in the way of every black person. He actually makes a reference about artist but it can be viewed as any black person. He says the obstacle is, “this urge within the race toward whiteness, the desire to pour racial individuality into the mold of American standardization, and to be as little Negro and as much American as possible.” (Hughes, Langston) His example is a poet. This poet subconsciously wants to be white because he feels it will make him a better poet. This poet comes from a strong background in the middle class. According to Hughes, they attend church; the father has a steady job; the mother works on occasion; and the children attend mixed schools. However, the problem comes with how the parents treat their children. The mother says things like, “Don’t be like niggers” when the children are bad. In turn the father says things like, “Look how well a white man does things.” So in this home and many others, black is not praised or celebrated it is taught to be ashamed of. They are taught to want to be white. It is staggering what blacks do to themselves because of this. Fist Hughes says the more predominant don’t

Langston Hughes was known for his poems of black activity in America since the 1920’s to the 1960’s, which was the time of the Harlem Renaissance. “My writing has been largely concerned with the depicting of Negro life in America.” Throughout Langston’s life he has seen and experienced racism. He used these experiences to give him ideas of things he could write about. Back then white people were the majority in Harlem, but then once the blacks started to come they dispersed. “We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too.” Langston knew that blacks should express themselves no matter what color they are and not be ashamed of it. Some white people may like that they are expressing themselves, on the other hand, some white people may not accept that the

Langston Hughes was an African American poet, social activist, novelist, and playwright. His works are still studies, read, and, in terms of his poems and plays, performed. He is best known for being a leader of the Harlem Renaissance. Within his works, he depicted black America in manners that told the truth about the culture, music, and language of his people. Besides his many notable poems, plays, and novels, Hughes also wrote essays such as The Negro Artist and the Racial Mountain which Hughes gives insight into the minds of middle-class and upper-class Negroes. Prior to reading this essay, I never heard of, nor did I know, Langston Hughes composed essays, much less an essay that outwardly depicts aspects of life that most are accustomed to and see nothing wrong with. The Negro and the Racial Mountain formulated this view that Langston Hughes was more than a poet who wrote about jazz music as he is depicted within grade school textbooks, but instead, a man who had a great passion for the African American race to develop a love for themselves and for non-African American audiences to begin to understand how the African American race can be strong and creative despite struggles that may be occur. There is a possibility that this essay, The Negro Artist and the Racial Mountain, is not more commonly known because it has the ability to make the reader uncomfortable, no matter if he is an African American or white. For the African American, one can find himself reflecting back

Langston Hughes is one the most renowned and respected authors of twentieth century America not simply one of the most respected African-American authors, though he is certainly this as well, but one of the most respected authors of the period overall. A large part of the respect and admiration that the man and his work have garnered is due to the richness an complexity of Hughes' writing, both his poetry and his prose and even his non-fictions. In almost all of his texts, Hughes manages at once to develop and explore the many intricacies and interactions of the human condition and specifically of the experience growing up and living as a black individual in a white-dominated and explicitly anti-Black society while at the same time, while at the same time rendering his human characters and their emotions in a simple, straightforward, and immensely accessible fashion. Reading the complexity behind the surface simplicity of his works is at once enjoyable and edifying.

Langston Hughes declares “Negroes - Sweet and Docile, Meek, Humble, and Kind: Beware the day - They change their minds”. Originally, society has been involved in racial stereotypical events. During Hughes’s era individuals with darker skin tone were focal points of racism and segregation. The racism associated with African-Americans was a general experience that persisted even after the abolishment of slavery. One effective means of alleviating racial stereotyping was relating African-Americans to Caucasians within the equality of being American citizens. Langston Hughes, in his short poem The Negro Speaks of Rivers, generalizes not just being American, but the experiences throughout history. Hughes’ poem shows relative cultural and historical events to promote an integrated lineage among all races. Hughes work ethic, style, technique and achievement lead to him being an innovative writer.

Langston Hughes, a gentleman of color who was a leader to the African American community is a poet, who according to an editor of “Harlem Renaissance” portrayed the truth rather than a sugar-coated version of how life was in Harlem, the hub of the black community. Langston Hughes’ poem “Harlem” describes how colored people live in poverty, in the poem “Dream Variations” Hughes’ dream was symbolized by nature, and in the short story “Slave on the Block,” racism and life of a domestic slave are shown from his point of view. The time when these pieces of work were created was an era when black artistry was opening the eyes of white America to how poorly Afro Americans were treated; this movement was called the Harlem Renaissance, as said in “Harlem Renaissance”. In this movement, Hughes was a force of nature that pursued equality among all races, yet still maintaining integrity and pride. White America was not a welcoming place for people of melanin, white people were not sentimental or generous with them so people say it was more described as, “The cold, uncaring atmosphere of the United States were for blacks discrimination, racism, and often brutal treatment were a feature of everyday life” (“Dream”). Not only did Hughes have to endure the pain of this treatment but so did all colored people.

In From The Negro Artist and the Racial Mountain, Hughes states, “Most of my own poems are racial in theme and treatment, derived from the life I know”(807). Hughes is aware of the fact that because he is a Negro he is different, and is treated differently. He bases most of his poetry off of that fact. In the rest of the paragraph he goes on to discuss the fact that even though he knows he is different, he does not let that stop him from accomplishing his goals, and writing what he wants to write. Hughes continues to be questioned by his “own people” because of the content in

Before I explain my take on what "identity" means in Langston Hughes works, I would like explain a little about a man who happened to be one of the most recognizable names in African- American literature, and the struggle he faced – as a writer and mostly as an African American. A brief glimpse into our darkest days (in American history of slavery) and description of his life and about him will help elucidate the background, and his style of writing. Jordan stated African Americans journey and identity in the Americans started on the wrong no “Over a period of more than three centuries, in the slave ships of the Middle Passage and the plantations of the American South, peoples from many nations of what is now called West and Central Africa, brought together under conditions of extreme brutality, reinvented themselves as one people and they renamed themselves ‘African’, ‘Coloured People’ and ‘Negro’. Later, from end of the nineteenth century to the first few decades of the twentieth century, mostly in northern urban centres of the USA, the descendants of the slaves reinvented themselves again, this time as the ‘New Negro’”(848-891).

Langston Hughes was an African American writer who took the literary world by storm in the twentieth century. Hughes was known for incorporating African American culture into his poems and plays. Langston Hughes did this so much so that per, "Masterplots II: African American Literature" he was "…recognized as the unofficial poet laureate of the African American urban experience…" (Niemi). Hughes has written several poems in his career. Most of them have a theme of racial pride incorporated somewhere in the poems. By analyzing Langston Hughes's writings, it can be inferred that the poems "The Negro Speaks of Rivers", "Negro" and "I, Too" all have the theme of racial pride.

Langston Hughes, author of the short story "On the Road" and the poem "Mother to Son," often illustrated in his writing the hardships experienced by the characters--products of African American life in the United States. While Hughes and other young African-American authors wanted to define and celebrate black art and culture, they were also responsible for changing the preconceived notions of most Americans' erroneous ideas of black life (Mabunda

According to Biography, James Mercer Langston Hughes is considered to be an African American poet who is college educated and comes from a middle-class family (Langston Hughes Biography). He attended college in New York City and became influential during the Harlem Renaissance (Langston Hughes Biography). Although Hughes was a talented writer, he faced some challenges early on and it was stated that his “early work was roundly criticized by many black intellectuals for portraying what they thought to be an unattractive view of black life” (Langston Hughes. American Poet). They believed that his work helps the spread the stereotypes of African Americans. “Hughes, more than any other black poet or writer, recorded faithfully the nuances of black life and its frustrations” (Langston Hughes. American Poet). Langston Hughes’s poems “The Negro Mother”, “Let America be America Again” and “The Weary Blues” were influenced by his life during the Harlem Renaissance and the racial inequality experienced in the late 1920s through the 1960s.