Oppositions in Joseph Conrad's Heart of Darkness Essay

Kurtz has become corrupt and his obsession with ivory seems to have overcome his morality. He has gained the loyalty of the natives, and has convinced them to be his followers by scaring them into it. He has no mercy for anyone. He puts the savages' heads on a stake if they rebel against him. When Marlow arrives at the camp and sees these severed heads on sticks he says, ."..that was only a savage sight, while I seemed at one bound to have been transported into some lightless region of subtle horrors, where pure, uncomplicated savagery was a positive relief, being

Although Kurtz was alone, that loneliness helped him in the end. Through isolation, Kurtz was able to see who he really was. The main place where Kurtz finds himself is on his deathbed. Marlow says, ‘"But the wilderness had found him out early, and had taken on him a terrible vengeance for the fantastic invasion. I think it had whispered to him things about himself which he did not know, things of which he had no conception till he took counsel with this great solitude-and the whisper had proved irresistibly fascinating’"(Conrad 57). Marlow is saying that since Kurtz has been in the wilderness,

    Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story.

From his first mention in the novel--“[Mr. Kurtz] is a very remarkable person”--it is made clear to readers that Kurtz is no ordinary member of the Company. Before narrator Marlow actually encounters this man, he is described as “exceptional”, “of the greatest importance to the Company”, and a “universal genius”. Readers learn that Kurtz came to Africa “equipped with moral ideas” and has brought in an unprecedented amount of ivory, which is the primary goal of the Company. Overall, Kurtz is a prodigy, expected to move up the Company hierarchy quickly, and becomes a sort of obsession for Marlow. Despite this, higher-ups in the Company seem to fear, and

Kurtz’s lack of restraint and hunger for ivory consumes not only his soul but drains all of his physical existence. Upon seeing him, Marlow states, “I could see the cage of his ribs all astir, the bones of his arm waving (126)”. Conrad focuses on the physical features of Kurtz to display the madness that has consumed him. However, though Kurtz’s body is deteriorating, Kurtz’s mind continues to thrive. Conrad shows this in Marlow’s shock of witnessing a flame of passion that remains in Kurtz’s eyes as he converses without signs of exhaustion (126). Conrad continues to describe Kurtz as a shadow composed of tranquility and satisfaction. Conrad’s incorporation of this detail signifies the evil and greed that consumes Kurtz and is reflected through his physique. However, the power of Kurtz’s presence is personified through the action of his words. As the strength in his voice captures Marlow’s attention, it merely reflects his influence upon his followers. The power reflected through his voice displayed his confidence as well as his position as a leader for the natives. Hi demeanor displays an air of arrogance that makes others feel less equal to him. Those who follow him fear him, but also continue to respect him.

Marlow’s evolution renders ‘Heart of Darkness’ a remarkable work of literature, but it is not simply the budding of the narrator’s mind that makes the novel sensational. Marlow’s perception of the voyage is what truly renders the work exceptional. European expansion, as written by European writers, was generally cast in a positive light. When Conrad depicts the desolation of the journey and reveals the sanities and lives robbed through the conquest, he clearly does not conform to the writers of his time. This exposure of European expansion in such a sinister a fashion was innovative for writers of the late 17th century. This revolutionary perception is what truly allows ‘Heart of Darkness’ to be considered a novel rich in moral and detail.

At the end of his journey he realized the reason that everyone who went on this expedition was trying to make their fortune and that is how Kurtz eventually died. His “appetite for more ivory had got the better” of him. No matter what the cost to himself and the people around him, he was going to be the best and get the most money. His selfishness eventually caused his death when the manager downstream would not send food because he hoarded all of the ivory all to himself. Marlow knew that Kurtz was very serious about his job when he saw “heads on the stakes” in front of his house. Which could have been a warning to other people who try to come get his ivory. But the interesting part was most of the heads are faced toward his house. Kurtz wanted attention and loved to have power. These heads could be there to adore him just like the natives when he was with them. Kurtz search for power and wealth left in its wake death and destruction, showing that humanities quest for wealth leads to destruction.

     Heart of Darkness by Joseph Conrad is a story about a man named Marlow and his Journey into the African Congo. By reading the novel and understanding all the imagery Conrad has inserted, we can get a better understanding of the

The mysteriousness of the title is the first indicator of the mysteriousness of Marlow's journey into Africa. Seemingly no one--Marlow, Kurtz, the reader--is quite certain if any conclusions he draws over the course of the story are completely accurate.

Marlow tells us about the Ivory that Kurtz kept as his own, and that he had no restraint, and was  " a tree swayed by the wind” (Conrad, 209). Marlow mentions the human heads displayed on posts that “showed that Mr. Kurtz lacked restraint in the gratification of his various lusts” (Conrad, 220). Conrad also tells us "his... nerves went wrong, and caused him to preside at certain midnight dances ending with unspeakable rights, which... were offered up to him” (Conrad, 208), meaning that Kurtz went insane and allowed himself to be worshipped as a god. It appears that while Kurtz had been isolated from his culture, he had become corrupted by this violent native culture, and allowed his evil side to control him.

Marlow's hates lies and the people who lie. His loyalty to Kurtz strengthens because Kurtz doesn't hide his actions. Marlow respects this blunt honesty and refusal to lie even though Kurtz's actions are terrible. The manager and the others likely commit many similarly vivious acts, however they hide it behind the curtain of "civilization." Because of this, Marlow cannot stand the manager and the pilgrims but he still respects Kurtz. Kurtz also seems to realize a personal truth at the moment of his death, similar to a stage of enlightenment. This moment of realization causes him to utter "the horror! the horror!"==conrad== This last minute awareness of truth impresses Marlow and causes him to feel even more loyal to Kurtz. Marlow sees Kurtz

Kurtz’s fiancé was the last one who thought positively about Kurtz. She said how his death was a loss to the world and how she had been very happy, fortunate, and proud (75). She was the last one to speak positively about Kurtz because everyone else he knew from Africa knew the horrible things that went one. Marlow describes his heart as “…barren darkness…,” but his fiancé said that it was impossible to not love him (68, 74). Everyone else knew how evil he was. The Manager even wanted to have him killed because of his actions. That is why Marlow could not tell her the truth. His fiancé was such a positive person who spoke so highly of Kurtz. Marlow could not take away the last good aspect about

Mr. Kurtz was the "chief of the inner station" (Conrad, pg. 28). He was "in charge of a trading post, a very important one, in the true ivory country." Kurtz sent in "as much ivory as all the others put together" (Conrad, pg. 22). The company described him as the "best agent, an exceptional man, of the greatest importance to the company" (Conrad, pg. 25). Kurtz went to the jungle for many reasons, but mostly to make money to return to Europe and marry his intended. Marlow "heard that her engagement with Kurtz had been disapproved by her people. He wasn't rich enough or something." He had given Marlow "some reason to infer that it was his impatience of comparative poverty that drove him out there" (Conrad, pg. 74). He had been driven into the jungle to procure money for the company and for himself and for his life with his intended. Greed is what kept him out there so long and clouded his mind regarding thoughts of nobility.

 Marlow's journey leads him in an urgent search for Kurtz, the one man who can provide him with the truth about himself. Like Marlow, Kurtz came to the Congo in hopes to bring "light" and civilization to a backwards society. He is a highly-educated, refined gentlemen; yet, in the end, the brutal nature of the Congo forces him to resort to the life of a murderer and pilferer. The name Kurtz itself has symbolic meaning. "The physical shortness in Kurtz implies a shortness of character and spirit" (Heart of Darkness: A systematic evaluation). Marlow and Kurtz both symbolize the two conditions of human nature. "Kurtz represents what man could become if left to his own intrinsic devices outside protective society. Marlow represents a pure untainted civilized soul who has not been drawn to savagery by a dark, alienated jungle." (Heart of Darkness: A systematic evaluation). When the two come face to face, each man sees a reflection of what he might have become in the other. In Kurtz, Marlow sees the potential

The two major themes of Heart of Darkness are the conflict between “reality” and “darkness,” and the idea of restraint and whether or not it is necessary. Conrad’s passage describing the restraint of the hungry cannibals exemplifies both themes:  It describes how reality shapes human behavior, and contrasts the characters of Kurtz and Marlow.  “Reality,” as it is used here, is defined as “that which is civilized.”