Theme Of Propriety In Joseph Conrad's Heart Of Darkness

In the first parts of the book most of the characters Marlow meets tell him all good things about Kurtz. When Marlow inquires about who Kurtz is he is told by the chief account of the company that Kurtz is, "a first class agent...he is a very remarkable person." (p. 33). Another person tells Marlow that Kurtz

The truth seems to be apart of everyday life, or at least that's the way people want it to be. Life is never full of truth, there are going to be lies and deceit amongst everyone, everywhere. Whether it be the rich of England or the poor in Africa. Some lies are to try to protect the feelings of others, some are to protect the survival of the one telling the lie. In Joseph Conrad’s Heart of Darkness, the truth is avoided in order to protect the wellbeing of others through the examples of Marlow, painting of the woman, and Kurtz.

    Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story.

Joseph Conrad's novella, Heart of Darkness, describes a life-altering journey that the protagonist, Marlow, experiences in the African Congo.  The story explores the historical period of colonialism in Africa to exemplify Marlow's struggles.  Marlow, like other Europeans of his time, is brought up to believe certain things about colonialism, but his views change as he experiences colonialism first hand. This essay will explore Marlow's view of colonialism, which is shaped through his experiences and also from his relation to Kurtz.  Marlow's understanding of Kurtz's experiences show him the effects colonialism can have on a man's soul.

In Joseph Conrad's Heart of Darkness we see various attitudes toward morality. It is extremely difficult, maybe impossible, to deduce the exact endorsement of morality that Conrad intended. Conrad provides his readers with several instances where the interpretation of morality is circumstantial, relative, and even "indeterminable." One finds many situations in the novel that lie somewhere between morality, immorality, and amorality. A few examples from the novel that illustrate this idea are: the depiction of Kurtz as revealed through Marlowe, Marlowe's own actions and thoughts, and the Kurtz' death scene.

There is an abundance of literature in which characters become caught between colliding cultures. Often, these characters experience a period of growth from their exposure to a culture that’s dissimilar to their own. Such is the case with Marlow, Joseph Conrad’s infamous protagonist from ‘Heart of Darkness’. Marlow sets off to Africa on an ivory conquest and promptly found himself sailing into the heart of the Congo River. Along the way he is faced with disgruntled natives, cannibals, and the ominous and foreboding landscape. Marlow’s response to these tribulations is an introspective one, in which he calls into question his identity. This transcending of his former self renders the work as a whole a

Joseph Conrad 's Heart of Darkness is both a dramatic tale of an arduous trek into the Belgian Congo at the turn of the twentieth century and a symbolic journey into the deepest recesses of human nature. On a literal level, through Marlow 's narration, Conrad provides a searing indictment of European colonial exploitation inflicted upon African natives. By employing several allegoric symbols this account depicts the futility of the European presence in Africa.

At the end of his journey he realized the reason that everyone who went on this expedition was trying to make their fortune and that is how Kurtz eventually died. His “appetite for more ivory had got the better” of him. No matter what the cost to himself and the people around him, he was going to be the best and get the most money. His selfishness eventually caused his death when the manager downstream would not send food because he hoarded all of the ivory all to himself. Marlow knew that Kurtz was very serious about his job when he saw “heads on the stakes” in front of his house. Which could have been a warning to other people who try to come get his ivory. But the interesting part was most of the heads are faced toward his house. Kurtz wanted attention and loved to have power. These heads could be there to adore him just like the natives when he was with them. Kurtz search for power and wealth left in its wake death and destruction, showing that humanities quest for wealth leads to destruction.

What makes Joseph Conrad’s Heart of Darkness more than the run of the mill adventure tale, is its moral complexity. By the end of the novel, we find a protagonist who has immense appreciation for a man who lacks honest redemption, the mysterious Mr. Kurtz. It is the literal vivaciousness and unyielding spirit of this man, his pure intentionality, which Marlow finds so entrancing and which leaves the reader with larger questions regarding the human capacity. Therefore, Heart of Darkness is profoundly different given its character complexity and ambiguous narrative technique which ultimately deliver home a message of the complex motivations and capabilities of mankind.

In Joseph Conrad’s Heart of Darkness, the author fiercely challenges imperialism. Through this challenge, he demonstrates the internal battles of good and evil. In his work, he also displays issues of personal morals and alienation. At the time the novella was written, Europe had established territories across the map. It holds true that power corrupts and absolute power corrupts absolutely, especially when said power reigns over the fate of humans in society. Conrad illustrates the corruption of power through the books’ motif of darkness and the renegade of Kurtz.

"Restraint! I would have just as soon expected restraint from a hyena prowling amongst the corpses of a battle," comments Marlow as he questions why the hungry cannibals aboard his steamer hadn't gone for the white crew members (Conrad 43). "The glimpse of the steamboat . . . filled those savages with unrestrained grief," Marlow explains after recalling the cries of the natives seeing the steamer amidst a brief fog lift (Conrad 44). "Poor fool! He had no restraint, no restraint . . .a tree swayed by the wind," speaks Marlow of a slain helmsman amidst an attack by tribal savages (Conrad 52). "Mr. Kurtz lacked restraint in the gratification of his various lusts," says Marlow a few moments after he tells of his first glimpse of

Mr. Kurtz was the "chief of the inner station" (Conrad, pg. 28). He was "in charge of a trading post, a very important one, in the true ivory country." Kurtz sent in "as much ivory as all the others put together" (Conrad, pg. 22). The company described him as the "best agent, an exceptional man, of the greatest importance to the company" (Conrad, pg. 25). Kurtz went to the jungle for many reasons, but mostly to make money to return to Europe and marry his intended. Marlow "heard that her engagement with Kurtz had been disapproved by her people. He wasn't rich enough or something." He had given Marlow "some reason to infer that it was his impatience of comparative poverty that drove him out there" (Conrad, pg. 74). He had been driven into the jungle to procure money for the company and for himself and for his life with his intended. Greed is what kept him out there so long and clouded his mind regarding thoughts of nobility.

 Marlow's journey leads him in an urgent search for Kurtz, the one man who can provide him with the truth about himself. Like Marlow, Kurtz came to the Congo in hopes to bring "light" and civilization to a backwards society. He is a highly-educated, refined gentlemen; yet, in the end, the brutal nature of the Congo forces him to resort to the life of a murderer and pilferer. The name Kurtz itself has symbolic meaning. "The physical shortness in Kurtz implies a shortness of character and spirit" (Heart of Darkness: A systematic evaluation). Marlow and Kurtz both symbolize the two conditions of human nature. "Kurtz represents what man could become if left to his own intrinsic devices outside protective society. Marlow represents a pure untainted civilized soul who has not been drawn to savagery by a dark, alienated jungle." (Heart of Darkness: A systematic evaluation). When the two come face to face, each man sees a reflection of what he might have become in the other. In Kurtz, Marlow sees the potential

Heart of Darkness is written by Joseph Conrad and published in 1899. It is a novella written in the early modernism literary period.

It has been said that although Conrad may not have been 'the greatest novelist, he was certainly the greatest artist every to write a novel';. I feel that this is an apt description of Conrad's writing style in Heart of Darkness (1902), as he paints many verbal pictures by using expressive words and many figurative descriptions of places and people. An extensive use of words relating to colour, is evident throughout the novella. The idea of darkness (and light) is emphasized from the title of the novella, and continues to play an important role throughout in the story .