Ozymandias and the Grecian Urn Paper

Both initially poems follow a strict structure, which presents the idea of power and control immediately. For example, in Ozymandias, the fourteen-line poem has a similar form to that of a Shakespearean sonnet, a form of poetry that could represent strict tradition. However, as the poem continues, the rhyme scheme breaks down into more of a free verse, with less structured rhyme and the introduction of caesura, for example “Nothing beside remains. Round the decay” in line twelve. The crumbling of a traditional structure could mimic the destruction of the “colossal wreck” that is the statue, or more metaphorically the breakdown of Ozymandias’s

Ozymandias by Percy Bysshe Shelley and London by William Blake both explore the theme of power, and how nothing is permanent since time can destroy anything. Both poems relate to the romantic era because romantic writers believed in the idea of nature, and the poem Ozymandias is a reminder that all man-made things will lose to time and the earth. But in comparison London contrasts this reminder, as the industrialization in London is destroying nature, but yet it reinforces the idea that time can change anything.

Both the poems have the theme of love, written from a man’s point of view, and explores the way men treat woman in relationships. The former does this by a male narrator writing a poem to a female, using imagery to entice her. The latter by using a duke, explaining the story of what happened to his previous wife whilst looking at her picture. Both the poems use imagery and other poetic devices but in different ways. The first uses them more often to impress her. The second uses them in a

The similarities between the poems lie in their abilities to utilize imagery as a means to enhance the concept of the fleeting nature that life ultimately has and to also help further elaborate the speaker’s opinion towards their own situation. In Keats’ poem, dark and imaginative images are used to help match with the speaker’s belief that both love and death arise from fate itself. Here, Keats describes the beauty and mystery of love with images of “shadows” and “huge cloudy symbols of a high romance” to illustrate his belief that love comes from fate, and that he is sad to miss out on such an opportunity when it comes time for his own death.

Each of the poems relies heavily on imagery to convey their respective messages. Often throughout each of the poems, the imagery is that of people. However, each uses similar imagery to very different, yet effective ways to explore the same

Romanticism is composed of several different themes, all of which are definitive of what Romanticism entails; one of the most prevalent and important of these themes is that of alienation, whether it be from oneself or from the world. Several poets in the Romantic period wrote on this theme, but one who imparted the most meaning in the fewest amount of words is Percy Bysshe Shelley in “Ozymandias.” Shelley tackles the idea of separate existence from yourself in a unique way: as opposed to the way William Wordsworth would tell his audience what they needed to do in order to avoid alienation, Shelley presents to his audience an example of alienation causing a person to fade into past. In telling the story of Ozymandias, King of Kings, Shelley

The first overarching theme of all of these poems is that man-made things eventually die. In “Ozymandias”, the statue of Ramses II gradually decays until he is forgotten. The king being lost in memory is shown in the very beginning before the statue is even mentioned when a traveller tells the story of Ozymandias, which adds another level of obscurity to the statue: “I met a traveller from an antique land / Who said” (lines 1 - 2). In other words, rather than seeing the statue for oneself, one hears about it from someone who heard about it from someone who has seen it. This conveys the impermanence of the king’s power, a man-made concept, as time erodes at the statue until the king is no longer remembered. “Stand” (3) is an example of the personification of the statue. This gives it life, showing that man-made things start out alive but are always approaching death, as even the “trunkless legs” (2), diction that conveys the already dilapidated state of the statue,

The life of a dominant king who got lost in the things of the world, resulted in him losing focus on his destiny through power and time. It is a battle between man and the natural world he faced. Percy Shelley’s poem, Ozymandias, demonstrates that no matter the position one holds, in time, power can be arrogant and ruling, but cannot ultimately last for an eternity.

In the poem Percy Bysshe Shelley “Ozymandias” there are several different sound devices portrayed. The author demonstrates use of rhyme and meter. In the beginning of the poem the author used rhyming words to give a description of the mans journey through the dessert, and informing that he found a statue. It states, " Two vast and trunk less legs of stone stand in the dessert." Although, the statue is destroyed and seems to be smashed, considering the 2 legs. Towards the end of the poem the author demonstrates irony, when it says," a colossal wreck, boundless and bare." It was once said to be mighty and powerful, but reveals there is nothing but sand on the desert. "Which yet survive, stamped on these lifeless things" references that the

The poem "Ozymandias" is one of the best sonnets of Percy Bysshe Shelley. In this poem Shelley described a mighty king who was striving in his whole life for his possessions and got involved in worldly assignments so much that he forgot his ultimate destiny. Beside this, Shelley reminds the readers of their mortality through the realization that our earthly accomplishments, so important to us now, will one day be finished. By drawing these vivid and ironic pictures in readers minds, with different symbols, Shelley was trying to illustrate that no one lives forever in the

Percy Bysshe Shelley wrote this poem "Ozymandias" to express to us that possessions do not mean immortality. He used very strong imagery and irony to get his point across throughout the poem. In drawing these vivid and ironic pictures in our minds, Shelley was trying to explain that no one lives forever, and nor do their possessions. Shelley expresses this poem’s moral through a vivid and ironic picture. A shattered stone statue with only the legs and head remaining, standing in the desert, the face is proud and arrogant, "Half sunk, a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read"(lines, 4-6).

The twenty-four old romantic poet John Keats, “Ode on a Grecian Urn” written in the spring of 1819 was one of his last of six odes. That he ever wrote for he died of tuberculosis a year later. Although, his time as a poet was short he was an essential part of The Romantic period (1789-1832). His groundbreaking poetry created a paradigm shift in the way poetry was composed and comprehended. Indeed, the Romantic period provided a shift from reason to belief in the senses and intuition. “Keats’s poem is able to address some of the most common assumptions and valorizations in the study of Romantic poetry, such as the opposition between “organic culture” and the alienation of modernity”. (O’Rourke, 53) The irony of Keats’s Urn is he likens

The poem “Ozymandias” is considered one of Percy Bysshe Shelley’s best sonnets. It was written in 1817 and is still recognized today as its meaning still holds true. “Ozymandias” illustrates the fall of power and mortality through a once powerful king. This is shown through the pride of the king, the tyranny that the king ruled by, and the transience of his ruling and empire.

Although both “Kubla Khan,” by Samuel Coleridge and “Ode on Grecian Urn,” by John Keats are poems originating from the poets’ inspiration from historical figure, the two poems convey different messages through their respective metaphors. While Coleridge emphasizes on the process of creating a Romantic poem, Keats expresses his opinion about art by carefully examining the details of the Grecian urn.

John Keats’s “Ode on a Grecian Urn” is written through the power of eternity, beauty and truth regardless of existence, as Wordsworth showed likewise. Keats illustrated his poem through love in its sublime. For example, in the first stanza he says, “What wild ecstasy?” (Keats 930). If ecstasy is a huge feeling of