Pablo Picasso is easily considered one of the best and most influential artists of the 20th Century and perhaps of all time, with his unique style and being one of the innovators of cubism and surrealism. When it come the personal life of Picasso, it was anything but stable. Reflecting in this work, Picasso was cursed with an almost unmanageable sex drive that caused him to have multiple wives and mistresses, keeping Picasso on a constant search for new women as he lost interest with his former lovers. Having such womanizing qualities within his personality and the constant struggle to find a balance between his sexual desires has had a great effect on his art. A large number of his works have a sexual component to them, whether is nudity, sexual activities, complete exposure of breast and vaginal areas, and men genitalia. Furthermore, it becomes apparent that Picasso dehumanized women in his art, turning them into sexual objects rather than human beings. The multiple “periods” (blue, rose, cubist, classical, and surrealist) dividing his artistic life are often a direct result of his sexual life. To get a true understanding of Picasso’s pieces are to understand the underlining sexual motive deeper within. To know Picasso and his state of mind while completing each one of his works, we must compare the sexual imagery to his personal life and see how they correlate to each other. At the age of 46, Picasso began an affair with Marie-Therese Walter, who was 17 at the time.
I never painted dreams. I painted my own reality.” What makes Kahlo’s work so unprecedented is her fusion of traditional Mexican art design and the Surrealist juxtaposition style. One artistic element that prevails through all of her paintings is her use of symbolism. “Concurrently, two failed pregnancies in the early 1930s, in addition to the revival of Mexican folkloric expression such as the ex-voto, contributed to Kahlo's simultaneously harsh and beautiful representation of the female experience through symbolism and autobiography” (Beaver, 2017). Kahlo’s works served as a testimony for a variety of feminine themes. From womanly poise to marital challenges, Kahlo embodied an array of these subjects.
Most of Picasso’s art revolves around his relations with his various mistresses and wives. Artist model Fernande Olivier was Picasso’s first long term relationship and subject of many of Picasso’s Rose Period paintings from 1905-1907. Although Fernande was
Born to on October 25, 1881 to Jose Ruiz Blaso, Pablo Picasso did not know that he would become one of the most influential artists of the 20th century. Displaying an extraordinary talent for art at a young age, Picasso’s father (a professor of art) decided to mentor Picasso’s passion for the lapiz. With the death of his sister at age thirteen, his family moved to Barcelona, where his father took a position in the School of Fine Arts. Pablo’s father successfully
With this ability, Picasso seized this opportunity of adaptation, and thus expanded his clientele. By tailoring his works to the customer’s wants and needs, Picasso experimented with new styles of art to satisfy such needs of dealers and collectors. This came to fruition when Picasso gained one of his earliest patrons and close friend, Gertrude Stein. Picasso’s relationship with Stein developed when Stein moved to Paris with her brother where she hoped to pursue and art career. With the acquisition of a Matisse and Picasso’s own Young Girl with a Basket of Flowers. This contribution to her collection of Cubism, may not have been the largest towards Picasso, this greatly increased Picasso’s ability to network as well as brand himself.
There are very few things that appreciate with time. Many people love to bank on a rookie baseball player, in hopes his card will be worth thousands. Many invest in land, praying they hit a gold mine like land in Frisco or Prosper, Texas. One of these rare items is art. Art is a luxury, that many high income people love to invest in. Pablo Picasso’s art is some of the most if not the most prominent, pieces of artwork in the world. Picasso was a trendsetter of sorts, helping start many movements including introducing the idea of a collage in his later paintings. Picasso had a habit of drawing his lovers in his paintings. For some of his mistresses, he created lots of art with them as the main subjects of the paintings, as those were the stronger influences. Many of his paintings were centered around one of his mistresses, Marie-Therese Walter. Picasso met the 17-year-old Walter while he was married to his wife, Olga Khokhlova. Throughout their relationship, which spanned nine years, she was the centerpiece of his work. Depending on the depiction of the subject, Picasso showed his emotion toward Walter. The painting, ‘Seated Woman’ of Walter by Picasso portrays a unique style, a powerful use of colors, and a different view of Walter in comparison to paintings of his other mistresses.
The artwork I chose for this discussion is Pablo Picasso’s oil painting, The Kiss. Pablo Picasso was born in Malaga, Spain in 1881 and passed away on April 8, 1973, in Mougins, France. Pablo’s love for drawing started at a young age. His passion was so strong he lost all desire to complete schoolwork. At the age of young age of fourteen, Picasso was enrolled at the Academy of Fine Arts in Barcelona and by sixteen owned his owned studio. Pablo went through certain periods where he incorporated a specific color that dominated in each of his paintings. From 1901 – 1904, Picasso went through his “Blue Period” while the years of 1905 – 1907 were called his “Rose Period. The Kiss was produced in 1969 during Picasso’s later works and the time where his obsession with couples became evident. This special oil on canvas painting of a couple can be viewed on display in Paris at the Picasso Museum.
Pablo Ruiz Picasso was born October 25, 1881 in the city of Málaga, Spain on the Mediterranean Sea. His parents, José Ruiz Blasco and Maria Picasso, were both from Spain. His father from northern Spain and his mother from Picasso’s birthplace. It was not unusual for people to take both parents family names. At the time of Picasso’s birth, his was was an art teacher in Málaga, which obviously greatly influenced Picasso. It was when the family moved to Barcelona when Picasso was 15 years old and his father took a job as a professor at the Academy of Fine Arts that really blossomed his interest in painting. He was an exceptional artist at a very young age, as displayed in A Man In a Cap, 1895 (Picasso, Pg. 14). He painted this painting when he was only 14 years old, and it depicts a beggar on the street. I particularly like this because he painted something that caught his eye as a young boy.
In 1901, his Blue Period began. After was his Rose Period. By now his work had started to gather the attention of collectors. He also met Henri Matisse in 1905, another revolutionary artist who he would have a relationship with for the rest of his life. In 1915, Picasso’s wife, Eva Gouel died at the age of 30. In 1918, he married Olga Khokhlova, who would introduce him to high-end circles, which aided in him later achieving lifetime fame. Over the course of his life, Picasso would end up having four children with three different women. Picasso kept on painting until his death on April 8, 1973.
Pablo Picasso’s transition from severe depression to overflowing joy was a welcome change of events. With an astonishing change to the mind and emotions of Pablo Picasso, it is understandable to expect an astonishing change to the themes, tones, colors and overall feelings of Picasso’s paintings. This set of rapid changes was caused by a beautiful woman by the name of Fernande Olivier and a generous art dealer by the name of Ambroise Vollard (The Art Story). Fernande Olivier was a spectacular model for Picasso. Picasso quickly fell in love her and vise versa. As Picasso had been slowly battling and vanquishing his depression over Carlos, the sudden rush of an emotion such as love was enough of a supplement to cure him of his sadness. Ambroise
During that time, wasn’t it unseen for artists to suggest sexuality in paintings? I know that previous artists’ painting of nude figures were people simply unclothed. There was no sexual meaning behind them. However, the figures Picasso paints are nude, provocative prostitutes. I don’t think they are trying to hide as much as they are allowed to. The way they are position show that they are flaunting their bodies, in a way asking for more sexual liberation. They create an overt sexual display. Picasso is challenging societal norms, maybe pertaining to religious and historical matters. He is depicting something people at the time did not want to see. Prostitutes are not supposed to look frightening or overpowering, but Picasso painted them that
Pablo Picasso has a major impact on the artwork which is produced today and into the future. Although he was a major icon for 20th century art, he had a very interesting personal life as well. He had many relationships with all kinds of women, even though he only married three times in his life. He didn’t think very highly of women and considered them only pieces of art and not actual people.
Artists Pablo Picasso and André Breton were a part of the Surrealists, a group of artists that embodied painting from the imagination by means of subconscious and unconscious art practices. The text, ‘Conversation with Picasso’, which was originally published in English in 1966 is photographer, Brassaï’s intimate documentation of the pairs relationship. It explores Pablo Picasso’s take on surrealist painting, which involves transforming what he sees to create a distinct sense of life into a painting, he does not paint an exact representation of what he sees in reality. In 1928 ‘Surrealism and Painting’ by the prime theorist of surrealism, André Breton was published. believes that painting should attempt to portray something outside our conventional
Breton and Picasso argued that Picasso had showed the way to Surrealist art in his Les Demoiselles d’ Avignon. Picasso liked the idea of Surrealist art because it offered him new directions and possibilities. This initiative really came about in the late 1920’s and early 1930’s. It was mainly shown in structures of vast bonelike figures of Picasso’s mistress, Marie-Thèrèse Walter. He met her when he was 17 years old and led a double life while wedded to Olga
Pablo Picasso was a forerunner of what is acknowledged as “modern art.” He has remained a very influential figure in 20th century art, and his artwork has been highly respected and admired for several years. Now, over one hundred years later, Picasso continues to be a leading figure in the art world, even after his unfortunate passing, and many artists from younger generations are still learning about his highly influential art. His innovations of an anti-realistic style – comprised of unnatural facial and body renditions; dark, dystopian tones and moods that emphasize context; and practices that stray from the norm of the time – allowed Picasso to create unique and outstanding work that nobody has been able to accomplish before. Picasso sparked the beginning of the Cubism movement with Les Demoiselles D’avignon (1907). This monumental piece strayed so far away from the naturalist, impressionist, and post-impressionist styles, that he ultimately set the standard for new possibilities of what art could be – therefore reinventing the language of art.
Many of these were rose tinted. By this time, Picasso overcame depression and was madly in love with Fernande Oliver, a beautiful model, who was his mistress for the next seven years. He lightened his palette and the dominant colors of this period were pink and red. The theme also changed and the characters were harlequins, musicians, actors, and acrobats. This period is known as the Rose Period (1904-1906). This period is of greater art-historical significance, for the first time he developed Picasso style which made him the most imperative artist of the 20th century. It was not the subject or the content that mattered, but the painting itself. The subject was characterized, not portrayed. The type of person was perceptible, but not the person itself. It was one of the features of Picasso’s Rose Period. His painting Family of Acrobats with Monkey (1905) is of classical style and was a contribution to expressionism. Since then, he continued to discover ways to combine classicism with expressionism. Some of the famous artworks of this period are Seated Female Nude (1905), Boy with a Pipe (1905), Girl in a Chemise (1905), Acrobat on a ball (1905), Death of Harlequin (1906), and etc. Real prosperity and popularity came to him after this period in his late twenties. He even complained that people blindly believed in his talent and thus, are not able to evaluate his work