Peer Pressure And Loneliness In Mary Shelley's Frankenstein

     Through the exploration of value attached to friendship in Mary Shelley’s “Frankenstein';, it is found that Victor, Walton, and the monster each desire a companion to either fall back on during times of misery, to console with, or to learn from. During various periods throughout the novel, it is found that Victor depends heavily on friendship when tragedy occurs to keep him from going insane. Walton desires the friendship of a man to have someone who he can sympathize with. The sole purpose of the monster is to find a companion to learn from and not be a total outcast to society. None of these characters desire to be isolated and when

Frankenstein puts the monster into a situation that causes him to be one of a kind. The monster had no one to whom he could relate. Victor thrusts the burden of existence upon the monster by creating him, leaving no route for escape from the situation. Frankenstein causes the monster to live a life in solitude, and the monster realizes the contempt others have for him. The monster feels as if he is no different, and believes he “deserved better treatment”(Shelley 114). Through his observations, the fiend ponders whether his existence is truly that of humanity or rather of “a monster, a blot upon the earth from which all men fled and whom all men disowned”(Shelley 119). By creating him, Victor forces these hardships upon the monster.

Throughout time man has been isolated from people and places. One prime example of isolation is Adam, "the man [formed] from the dust of the ground [by the Lord God]" (Teen Study Bible, Gen. 2.7). After committing the first sin he secludes "from the Garden of Eden to work the ground from which he had been taken" (Teen Study Bible, Gen. 3.23). This isolation strips Adam from his protection and wealth the garden provides and also the non-existence of sin. Mary Shelley, the author of Frankenstein, is able to relate to the story of Adam and the first sin to help her character, the Creature, associate with Adam. The Creature is able to relate because "[l]ike Adam, [he is] apparently united by no link to any other being in existence"

The monster asserts,” It was your journal of the four months that preceded my creation… I sickened as I read. ‘Hateful day when I received life!’... ‘Accused creator! Why did you form a monster so hideous that even you turned from me in disgust?” (Shelley 134). The monster discovers Victor’s hatred towards him, sending him into a revengeful attitude. The monster’s first experience of love comes from Victor creating him; although now that it is gone, the monster obtains no concept of love. His absence of love adds to his unethical and lethal terror on Victor and his family. Kim A. Woodbridge writes, “Even though the creature received a moral and intellectual education, the lack of nurturing and loving parent as well as companionship and acceptance from society led him to reject morality and instead destroy”. Victor’s gluttony causes the monster’s immoral turn to violence. Representing another deadly sin, Victor only provides for himself and puts his interest and well-being before the monster’s. In doing this, Victor not only angers the monster, but compels the monster to feel unloveable. The one person the monster wants love from the most deserts him, creating a destructive animal, ready to

Mary Shelley makes us question who really the “monster” is. Is it the creature or Victor? While the creature does commit murder, he does not understand the consequences of his actions. He is like an infant who is unfortunately left to learn about the workings of society, and his place in it, on his own. He has no companions and feels a great sense of loneliness and abandonment. The creature voices his frustration and anger and seems to try to project his feelings of guilt onto Victor, as if to show him that he is the ultimate cause of the creature’s misery while he is simply the victim of Victor’s manic impulse. Shelley utilizes words, phrases, and specific tones when the creature vents his misery to Victor and this evokes, amongst the

One thing made clear by Shelley is that connecting with other humans keeps people mentally sane. While working on the monster, Victor, the creator, isolates himself and even admits that he “forget[s] [his] friends” while building the monster (Shelley 41). He replaces all forms of connection, face to face visits as well as writing letters, with his project. For over two years, he does not leave the house or speak to anyone, and his health directly mirrors this, decreasing steadily. Then, when Victor’s creation does finally come to life, people harshly judge him for his appearance and run away from him in fear. These rude acts cause the monster to accept that he is ugly and unloved. This causes him to try to run and isolate himself from society, as a result of being rejected anywhere he tried to fit in. Living by himself, the monster did not have any guidance or help in knowing right from wrong. For this loneliness and misery, he blames his creator, vowing revenge, making it a priority that

The choices we make set our path to our destination in life. Victor Frankenstein created a monster to heal his own disease of loneliness, obsession, and suffering. By doing so, he designed a monstrosity that spiraled out of control. He was on a journey of self-fulfillment to finding access to the key of life.

This is suggested again, when Victor confides, "till death she was to be mine only” (Shelley 36). This exemplifies how Alphonse showed Victor, at an early age, how women were to be treated in society. Victor was displaced twice during his adolescence when his father allowed two nonmembers of the family into the house—first Elizabeth, then Justine. Although Victor was not outwardly agitated, these two displacements instilled within him a feeling of loneliness. In short, Alphonse’s dominating role as father led Victor to feel isolated. Alphonse did not think deeply about the impact that adding more members to the family would have on his son. This dominating role can be seen again when Victor is sent off to Ingolstadt, right after his mother, Caroline, died. Victor idolized his mother and was very attached to her. Instead of letting Victor grieve with the family, Alphonse sends him away, leaving Victor to feel more secluded than ever. Victor is isolated from his family and best friend Clerval, which fuels his obsession with creating the monster.

Shelley explains how Victor has a great mental turmoil after he indirectly caused the death of people who were close to him by the actions he took to create the monster. Shelley’s description of Victor’s feelings show the deprivation of hope and fear in his soul and the emphasises the pain in which he was indirectly the cause of. Victor not only caused his own mental illness, but he also caused his own physical illness. Victor makes himself physically sick by his actions during the creation of his monster. Victor’s work unintentionally causes himself to decline in health and become vulnerable to illnesses. “When Victor is working on his experiment, he cannot love: he ignores his family, even his fiance Elizabeth, and takes no pleasure in the beauties of nature. Moreover, he becomes physically… ill, subject to nervous fevers”(Weiner 83). Victor is shown to focus directly on his work, causing him to forget most of the outside world and not be influenced by forces that usually comfort and heal him. His work makes Victor subject to nervous fevers, causing himself to become sick more often and need help from family and friends more often. Although the process of creating the monster was physically taxing on Victor, the end product caused him even more pain. The creation of the creature impaired

Mary Shelley's Frankenstein examines two phenomena of human nature, scientific curiosity and loneliness; the latter will serve as the focus of this essay. The very manner in which Frankenstein begins, that of the correspondence of an unattached explorer who longs for a companion on his voyage, with no one to write to but his sister, establishes the theme of loneliness immediately.

Mary Shelley’s exemplification of various characters in Frankenstein is a reflection of social norms of the time. This is ever so evident through the character of the creature, as society’s disgust with him reflects society’s aspiration in customs. This rejection of the creature also reflects Shelley’s own society as they start rejecting the Enlightenment’s pursuit of knowledge after the age of Romanticism

The monster believed that Victor would accept him, but after he realized that not only did Victor not want to assume his position in the monster’s life, but society also rejected him, it became a transitory thought, and instead became replaced with his bloodthirst towards Victor and his loved ones, which he knew would hurt way worse than just killing him; making him lonely like himself. Both Victor and the monster partook in horrid acts, in which held horrendous actions; the main one being Victor creating the monster in the first place which in result caused the both of them heartbreak, loneliness, and pain. If Victor wouldn’t have created the monster, then his life would not be filled with so much grief and emptiness; Victor is the true monster, although they are both the primal protagonists as much as they are the antagonists because of the display of the emotions they both portray as lamenting humans/monsters, and the power they give to nature in order to destroy one another. Victor used nature to his advantage, although it was wrong; Victor used nature to create and destroy the monster; he used the

As a child, his only friends are Elizabeth and Clerval, and they are in fact, the only true friends he has throughout his entire life. He isolates himself from society during the time he is creating the monster, claiming that, 'I must absent myself from all I loved whilst thus employed' (page 147). He claims that this is necessary if he is to discover the secret of life. One reason why Victor isolates himself is due to his fear of sexuality. When he creates the monster, he is eliminating the role of women and rejecting normal sexuality. This is also shown when Victor's father suggests that he should marry Elizabeth immediately, and he states 'Alas! To me the idea of an immediate union with my Elizabeth was one of horror and dismay.' (page 147). This shows Victor's problems with relationships and therefore his isolation from others.

Victor’s creation was another character in this story that experienced alienation and isolation. The monster was subjected to alienation his entire life. Unlike his creator, the monster did not choose this life of segregation, he was born into it. It seemed as if from the very first moment that Victor had laid eyes upon his creation he was viewed as being an abomination, and condemned to a life of rejection. The first experience that the monster had in life was upon opening his eyes and seeing the look of terror in his creator’s eyes. After Victor had abandoned his creation the creature is left with only questions and no one to answer them.