Percival Bartlebooth is an English millionaire who realizes as a young man that his wealth has doomed him to a life of boredom. He decides to study watercolor with Serge Valene for 10 years, although he has no talent for painting. Accompanied by a servant, he sets out on a 20 year voyage around the world with the intention of painting watercolors of 500 different harbors. The entire book is constructed like a jigsaw puzzle. Perec uses an apartment building in Paris as the background and writes 99 short chapters, in addition to a preamble that is repeated twice, and an epilogue, to detail each room as well as the lives of all the buildings’ residents, past and present.
When he finishes a painting, he sends it to a man who also lives in the apartment building, Gaspard Winckler. He is a puzzle maker who Bartlebooth hires to turn the paintings into 750-piece puzzles. When Bartlebooth returns from his travels he puts the puzzles back together in chronological order. The painting is then sent to the place where it was originally painted. There it is dipped into chemicals that eliminate every trace of the painting. However, Winckler made the puzzles too difficult, and Bartlebooth does not live long enough to finish all 500. As Perec writes in the last paragraph of the 99th chapter: “The black hole of the sole piece not yet filled in has the almost perfect shape of an X. But the ironical thing, which could have been foreseen long ago, is that the piece the dead man holds between
people in his life. Each situation in the book represents a difficulty or conflict in his life. The
This excerpt is the first time the reader sees Stephen thinking through his painting, which is very important to his character development. It also highlights
Jack a bright young man with a future at this point in the reading knew that he was off to no goood, by coming to New York City and thinking that it would be a big opportunity for him. Although he didn’t realize the consequences he would face, he had set high goals but since he was surrounded by negative influences, his goals soon were vanishing and his life going downhill. Jack spoke of his writing and his passion for writing showed quite a lot throughout his book, he wrote wherever he went. Jack said “The remaining pages were wrinkled and stained from water damage. It smelled salty, and bit like diesel fuel. I loved it, and immediately thought it was up to me to record my boat’s history, like so many other sea writers had done. I turned the page, smoothed it out with my hands and got started” page 81. Jack had positives intentions but since he was money hungry he accepted to help negative people that would put him into trouble and his life goals down the drain. It’s interesting to read about Jack Gantos life mistakes because through the mistakes and consequences you learn to redeem yourself, while on the other hand, there is no redemption without
Richard Wagamese’ expertise in the realm of story telling unlocks a dream world where he has the ability to accurately portray the protagonist’s emotions directly to the reader. Wagamese is able to flip in between current events and past stories to ultimately immerse the reader into a world of imagination. Additionally, he perfects the order in which these stories are being told. By doing so, it allows the reader to take pity upon the protagonists at hand in an utmost flawless succession. Lastly, through effective and clever story telling, Wagamese is able to engage the reader by placing them in both the shoes and minds of his protagonist. It is the profound ability of story telling Wagemse possesses that allows him to create intriguing protagonists who drive the plot of the novel through the stories told.
As I looked at other illuminations from this book of hours, I noticed that the foreground of each usually appeared to be very small and limited in space while I found that many of the background spaces were filled with some type of pattern. This folio is a perfect representation of this style that the Limbourg Brothers implemented in their manuscript work which I kept in mind to include as I did my own recreation of the folio.
Andrew Carnegie, known for his wealth amassed from the steel industries, introduces his views of an "inevitable" wealth gap, as well as his opinion as to how philanthropists should distribute their money. Carnegie himself, distributed 90 percent of his own wealth before his death in the early 20th century. The man's capital was donated to universities, standing behind Carnegie's assertion that money should be given to causes that alleviate the "burden" of the wealth gap between the rich and the poor. However, Carnegie does explain that whatever the American people do, the gap is "inevitable," as a just consequence of capitalism. Throughout his article, the philanthropists explains that in a capitalist America, while wealth inequality is prone
From the walls, ceiling, and floors, art consumed their whole apartment with files jammed, white bathroom wall with red, yellow, and blue pencil marks, trunk loads of artwork under their bed which elevated it every time they’ve collected more. The Vogels even covered certain art pieces in blankets to preserve their quality and prevent it from fading from light sources. They used every space available in their small apartment to cover in art and didn’t have any room for a couch or more tables and chairs for comfortable and safe conditions. They had over 2,000 works of art holed up in their
He put the finishing touches on the masterpiece in
Divided into five chapters, this book follows Stephen's life from childhood through adolescence to manhood. We are essentially given a window into Stephen's consciousness, and the whole world is unveiled to us through that single aperture. According to Sydney Bolt, no novel written before A Portrait of the Artist as a Young Man can match its variety in styles This indicates Joyce's originality. A Portrait of the Artist as a Young Man is told in characteristic dialogue and ironically sympathetic
was looking at the painting. I could sense a certain limit of my understanding due to the previous
In Herman Melville’s “Bartleby, the Scrivener,” the title character, Bartleby fits in Lennard Davis’s “disabled body” he refers to in regards of deflecting off of the norm and such deviances from the norm that cause people such as Bartleby to be seen as defective. As Davis pointed out in his paper, “the disabled body…was formulated as by definition excluded from culture, society, the norm” (Davis 4). Bartleby is excluded from his co-workers in a relationship standpoint because of Bartleby’s lack of working as well as physically removed from them when he is sent away too because of his deviance from the work place caused by his preference not to work. The narrator in the story did not know how to react to Bartleby: “Not a wrinkle of agitation
"Bartleby the Scrivener," is one of the most complicated stories Melville has ever written, perhaps by any American writer of that period. It id a deep and symbolic work, its make you think of every little detail differently. It makes you realize that a little detail actually make a difference and give a meaning to the story analysis.
The statue was dismantled and labeled to prevent confusion when it reached New York. It was separated into almost 300 pieces and put in over 200 crates. The French ship Isere
After he turned in the painting to the boss of the gallery, the boss wanted to show
The author has skillfully constructed the characters to assist young readers to connect with them. The main character, Griet, is a quiet, lonely, innocent and vulnerable young lady. When Van Ruijven cornered Griet in the hallway and grabbed her chin, she did not feel at all comfortable: “I did not like the way he looked at me”. Griet had some artistic talent and vision and wanted this to be recognized by her master, but was too shy to say anything. She was looking for love and security, which she found in Vermeer. Vermeer’s remarkable character draws young readers in as he was portrayed as a very gentle, caring and loyal man – the type of man you would want to marry. Vermeer never forgot her and