Performance versus reality in Shakespeare's Hamlet William Shakespeare's tragedy Hamlet has often been described as a play about a man who cannot make up his mind. Yet it could just as easily be described as play about a man putting on a play. Hamlet is obsessed with the discrepancy between what is real and what is performed. Hamlet's despair at the difficulty of understanding what is 'the truth' motivates him to put on a play to 'test' his uncle Claudius, to see if Claudius is really the murderer of his father. It also motivates him to question his own role as an avenger. Given the fact that no one in the play, even Hamlet, is who he seems to be, Hamlet's delay in killing Claudius seems less like indecisiveness than an acknowledgement of the inability to know what is 'truth' at all. It is because of the paradoxes inherent in the play that Hamlet remains so essential to study today and should remain a topic for a research paper in English 1302 class, At the beginning of the play, when Gertrude reproaches her son for continuing to wear black in mourning of his father, unlike the rest of the court, Hamlet responds: "Seems, madam! nay it is; I know not 'seems'" (I.2). Hamlet states that his mourning is not a state of show and merely scratches the surface of his real feelings. "But I have that within which passeth show; / These but the trappings and the suits of woe" (I.2). In contrast, Claudius has an entirely false, constructed persona. After Hamlet is told by his father's
Many people have seen Hamlet as a play about uncertainty and about Hamlet's failure to act appropriately. It is very interesting to consider that the play shows many uncertainties that lives are built upon, or how many unknown quantities are taken for granted when people act or when they evaluate one another's actions. Hamlet is an especially intriguing production, both on the set and on the screen because of its uniqueness to be different from what most people expect to be in a revenge themed play. Hamlet's cynicism and insane like behavior cause him to seem indecisive, but in reality he is always judging and contemplating his actions in the back of his mind in order to seek revenge for the murder of
Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was
Throughout the play, Hamlet’s character is characterized both by periods of extreme caution and moments of impulsivity. One of the best examples of Hamlet’s heed can be found in Act 2, Scene 2 where he decides to have his theatre troupe perform his play, The Mousetrap. With this, Hamlet hopes that he will be able to “catch the conscience of the King,” by monitoring Claudius during the performance, that heavily mimics his murder of his brother, for signs of stress and guilt. While Hamlet was fully capable of bypassing this step by simply adhering to what he believes is the ghost of his father, Hamlet’s decision to unearth some sort of evidence that supports his father’s accusations is just one example of his cautious ways and need for certainty before action. However, such displays of caution find themselves juxtaposed with Hamlet’s bouts of impulsivity. One of the most telling illustrations of Hamlet’s rashness can be found in Act One, Scene Five, where he first conversing with the ghost of his father. Here, when the Ghost asks Hamlet to “revenge his foul and most unnatural murder,” Hamlet immediately agrees. In fact, within the next few lines Hamlet pledges he will “sweep to my revenge” with “wings as swift as meditation or the thoughts of love”. The fact that Hamlet coins this commitment to avenge his father’s murder without making much of any consideration of the possible repercussions of such an undertaking is one of the best representations of Hamlet’s impulsivity. This rash action, marked by a lack of extended over-analysis and internal debate, contrasts with the excessive caution Hamlet exhibits at many other points throughout the play. Ultimately, the interplay between Hamlet’s caution and impulsivity is one of the most notable juxtapositions of the play and serves to strongly steer the development, not only of
Shakespeare's drama Hamlet has become a central piece of literature of Western culture. It is the story of a prince named Hamlet, who lost his father. Soon after that he has to confront multiple obstacles and devises a series of situations to defend the new king's royalty. Furthermore, he had to prove that King Claudius, who was the prince's uncle, had killed Hamlet's father. This story has remained among the most popular and the most controversial plays around the world. It generates controversy for all the doubts that this play leaves with the readers. One of the most questioning situations in the play is the delay of Hamlet in avenging Claudius' for his father's death. As a reader this
“To be, or not to be, that is the question,” (3.1.64). This famous line in William Shakespeare's Hamlet perfectly encapsulates Hamlet’s internal struggle throughout the play. Hamlet tells the story of the young prince of Denmark and his desire for revenge on the uncle, Claudius, who murdered his father. As is the case in many works of literature, Hamlet changes greatly throughout the play. However, because of his attempts to act insane, it can be difficult to precisely map the changes in Hamlet’s character. By carefully investigating his seven soliloquies, where he is alone and has no need to “put on an antic disposition,” one can understand and interpret how Hamlet’s character develops throughout the play.
A lot of people would see insanity and corruption to play the most important role in Hamlet. However, other people may argue that the main theme in Hamlet is Shakespeare’s use of actors and acting and the way it is used as framework on which insanity and corruption are built. Shakespeare demonstrates the theme of actors and acting in his characters, the illusion that the individuals assume and the introduction of the ‘play within a play’. This connection allows certain characters to wield the actions and thoughts of others.
When the audience first meets Hamlet, he is dressed in black. He is in mourning over the death of his father. When questioned by Gertrude about his attire and his disposition, Hamlet replies 'But I have that within which passeth show—these are but the trappings and the suits of woe.'; (Act 1,
Claudius is not the only fraudulent character in the first two scenes where the theme of appearance verses reality is prevalent. When Hamlet’s mother tries to get Hamlet to accept the fact that all things in nature die she asks him, “If it be, Why seems it so particular to thee?” (I, II, 79) Hamlet responds with, “ “Seems,” madam? Nay, it is I know not “seems.” ” (I, II, 79) Hamlet accepts the fact that all things in nature eventually die, yet he refuses to believe the appearance of how his father dies. The queen is again applied to this theme when she addresses Rosencrantz and Guildenstern to spy on Hamlet:
King claudius gave his speech discussing the matters of his newly marriage. Hamlet attended his speech but was not a supporter of his actions in the least bit. While all the attendees dressed in bright vibrant clothing, Hamlet appeared in all black clothing for the mourning of his father. He believed the clothing was not great enough to show how deep his inner sorrows are. After the king's speech he approached hamlet and asked him why he is still mourning his father's death. Claudius then informed Hamlet
William Shakespeare’s supreme tragic drama Hamlet does not answer fully for many in the audience the pivotal question concerning the sanity of Hamlet – whether it is totally feigned or not. Let us treat this topic in detail, along with critical comment.
Hamlet is not only considered Shakespeare’s greatest works, but also arguably the greatest work in all of English literature. Hamlet is brimming with universal themes concerning women’s sexuality, death of loved ones, and the yearn for revenge, all of which are as relevant to twenty-first century readers as they were with sixteenth-century readers. Ambiguity also plays an important role in the success of Hamlet. Readers are left to make their own decisions on certain matters, which allows them to mold Hamlet and its meaning into their own interpretations. The multitude of interpretations of Hamlet also sparks debates among readers, which hinders the story’s irrelevance.
Around the beginning of the seventeenth century, William Shakespeare introduced a piece of literature that is considered one of the most important plays written. The tragedy, Hamlet, is considered to be Shakespeare’s most famous piece, even over Timon of Athens, and Cymbeline. This theatrical performance is based from “Amleth”, the medieval Scandanavian tale told by Saxo Grammaticus. Both plays consist of elements pertaining to justice, revenge, and rightful place in social order. However, Shakespeare incorporated more Elizabethan qualities due to the fact he was a resident of England. The emphasis of ambiguity throughout the drama is the reason this play has been praised and performed since its debut. Hamlet begins with the protagonist, Hamlet, returning home from graduate school to find many things have changed since his departure. Upon his arrival, he learns about his father’s untimely death and also about his uncle Claudius’s incestuous relationship with his recently widowed mother. After a long, sorrowful soliloquy explaining how he feels, the ghost of his Father appears before him demanding that he seek vengeance for his death. The reasoning for his father’s vengeance is because not only is Claudius is now Gertrude’s new husband, but he is also responsible for the old king Hamlet’s death. In this dramatic performance, Shakespeare animates a quinessential antagonist who creates a disastrous dilemma for Hamlet,
Claudius’ lies are effective enough to persistently deceive to play’s antagonist, Hamlet. Despite Hamlet’s disgust with Claudius for marrying Gertrude, and his view of Claudius as “a king of shreds and patches” (III.iv.104), Hamlet suspicion of Claudius as a murderer is preliminarily nonexistent. The appearance of a spirit claiming to be Hamlet’s dead father first alerts Hamlet to the actions of “that incestuous, that adulterate beast, /With witchcraft of his with, with traitorous gifts” (I.v.42-3). And yet still, Hamlet remains hesitant to believe that Claudius was the murderer, searching for complementary evidence. The play that Hamlet enacts -- designed to “catch the conscience of the king” (II.ii.562) --succeeds in revealing Claudius’ guilt, but does not provoke instant action on Hamlet’s part. So effective is Claudius’ manipulation of the royal circle that he manages to almost permanently stay the revelation of his guilt, and if it weren’t for supernatural intervention against an injustice, he may never have been exposed.
William Shakespeare’s dramatic presentation of disillusionment within Hamlet, to a great measure presents the notion that the quality of a leader is derived from one’s possession of integrity. Hamlet’s disillusionment which emerges from the discovery of Claudius’ regicide and the usurpation of his father’s divine position, produces a plethora of human dilemmas, such as the moral struggle between renaissance and medieval ideologies, the paralysing effect of uncertainty and the defining nature of mortality. Thus by exploring the universal complexity of human condition and its ability withhold integrity, Shakespeare connects to audiences of various historical contexts.
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society,