Personal Narrative: The Day I Created A Multiplane Camera

Most people are all grown up when they finally figure out what they want to do with their life. I was 4. I realized what I wanted to be when I attended my very first Rodeo. Even though it was so long ago I can remember that day like it was yesturday. That day got me on the path to my future.

If the tree in the foreground were the only thing that appeared in the painting, the viewer wouldn’t know if he was looking at a tree, a branch, or a twig. Likewise, if just the water were visible, it would be hard to determine if the water was to represent a pond, a stream, or a river. The same goes for the mountains in the background. Without them, the painting would not seem nearly as vast.

To do this I placed the squirrel in the bottom left corner, not to far away from the middle then and I put the chopped up logs near the top right corner in the middle ground. The rest of the picture it shows smoke and dead trees for the background. My goal was to balance out the three concepts but to have the squirrel and the bindle be the main focus. I also included vector lines using the pathway so that the audience will look at the squirrel, the bindle and then the background. My intended message is to exhibit the disaster of deforestation in a mellow and melancholy way.

Edward laughed. “It was a way for us to really immerse our audience. Make it feel like they were there.” He takes out a second cigarette. “That’s what I always tried to do with my work.”

Skipping the last week of school to fly in a plane for the first time across the ocean to another country was a thrill. Frankfurt, Germany was my first plane stop. From there I would board another plane that would take me to Budapest, Hungary, then finally to my last destination, Romania. This was the first time my siblings and I flew on an airplane and it was fascinating because every seat had a mini T.V. behind them and the food was delivered right to our seats. This was a different but exciting experience because we could watch movies whenever we wanted, we got to order whatever food we desired, we didn’t have to sit next to our parents, and sitting next to old people came with a major perk. My siblings and I always got seats next to

After the the first shot I took my mind went blank. The adrenaline that flowed throughout my body, the feelings of rush, excitement, and success all in one combination of emotions. These were the feelings I had no idea excited until after that moment. Although I had a slight ache in my shoulder due to the force of the 12 gauge shotgun pushing against my shoulder. I was at a lost of words my only reactions was to run, run as fast as I could to get to the dying turkey. Once there the turkey was not fully dead yet It was still flopping around and blood camp oozing out splattering me. Looking at the suffering bird I places my boot on it head to the ground, then grabbed the turkey's body pulling it so its

Throughout the course of our lives, we must collaborate with people who may have completely different upbringings and have vastly different belief systems than what we may hold ourselves. One scenario in my life in which I had to collaborate with someone different than me was when I had to work with an overly aggressive football player who was a year younger. He started on the freshmen team but soon became the starting quarterback of the varsity team when he was a sophomore. I was on the JV team and was the backup quarterback both my junior and sophomore year. We came from different social groups, and I worried that we would not get along on or off of the field.

The texture of the canvas works very well with the subject matter portrayed in the painting. The grassy hill side and the leaves of the trees are especially complimented by the canvas. It makes the leaves feel like they are slightly moving, this combined with the lack of detail itself the leaves. This is contrasted nicely with the very detailed renderings of the trunks and branches of the trees, the

The artist used vertical perspective, overlapping, diminishing size, and atmospheric perspective to achieve the perceptual style. The vertical perspective means that the foreground is at the bottom of the painting, and middle ground is in the middle, and the background is on the top. In this painting, the carriage is the closest to the audience, so it is located on the bottom. The mountain is the farthest, so it is on the top. Meanwhile, the artist made objects overlap with each other to creates an illusion of near and far. The trees on the left side of this painting overlaps with the houses in the back. Thus, the audiences can feel that the trees are nearer than house. At the same time, when the tree overlaps with the houses, which also create an illusion to the audiences that the trees are in the front of the house. The author also used diminishing size to illustrate the distant between the objects on this work and the observer. Diminishing size means that objects come smaller as they go farther away. In the painting, the horses are much “bigger” than the kids. It does not mean that the horses are literally much bigger but means that the horses are closer to the audience. Atmospheric perspective means that the objects in the foreground is clear and crisp, and the things in the background is less clarity, and become hazy. In this painting, the color is vibrant in the foreground, and the color becomes bluish-gray in the background. The mountain looks vague, and the horses and the houses are really clear. The artist used all those methods to create the illusion of space and depth and used space and depth to create

“Remember we were looking for something pretty for me to work on. I came up with another idea.”

They complement the dark colors but do not over power them. While the yellows and oranges are easy to look at, the dark greenish black pine trees are not hard to miss. The leaves are warm colors while the dark trees are cool, opposite colors that clash and draw your focus toward them. Then at the bottom quarter of the piece is the rocks, which are not jagged like most rocks are, they sort of blend in with the dirt and overlap each other. The lines in this painting are unsymmetrical and have to prediction as to which way they are going to go next. All the lines in this painting are actual lines, none of which are implied lines. They draw the viewers attention down a path area and lose focus around a turn in the leaves. This painting exemplifies great harmony and rhythm. Nothing is overdone and never follows the same pattern. That is a great quality in this piece of artwork because nothing in the forest is the same. The proportion is to scale as nothing is too small or overly

What do I want to do here? What would I like to accomplish? What are the goals?’ I tend to almost sketch an idea sometimes with text” (Public Affairs Television

Lamont argues about how begin writing our thoughts for an assignment as a “shitty first draft”. She explains that even good writers go through the same process. Sitting down, thinking for at least 10 minutes, breathing deeply and they start typing. One of the fear that she mentioned was that if she ever desired for a car to run over her, she would worry that what she wrote as her shitty first draft, someone else would read it and believe that the accident was a suicide. Lamont suggest that each person starts by writing something down on paper because she explains all good writing begins with terrible first efforts. Lamont says that one of her friend said that the first draft us the down draft. The second draft the one you fix up. And the third

During October of last year, my sister-in-law contacted me to provide a photo shoot for her family, including my oldest brother and their newborn. The photos were special because they only had few of them together from a tripod, but none of them were professionally done by another photographer. We arranged on a date and time, aimed for the morning, to be in the backyard of my parents’ house. Once they arrived, I was rushed because they told me they could only be there for an hour. My goal was to provide long lasting photos that did not look forced, but I was unable to undertake the unintended pressure that occurred.

The first thing I notice in The Starry Night is the sky in the background because it stands out the most. There are many shining stars, the big bright crescent moon and wind swirls painted throughout the blue sky using contrasting colours like orange, yellow and white. Through the swirling wind, thick curve lines are flowing across the sky to form this spiral-like formation. Eleven yellow stars which look like huge fireballs lighten the whole art piece by contrasting with the cool blue, dark night sky that contains a variety of shades of blue and grey. There is also the crescent moon at the top right-hand corner that is bigger and emits an even brighter light compared to the rest of the stars. Next, I notice the giant cypress tree on the left side because of how its proportion is a lot bigger than everything else in the rest of the painting. It blocks out part of the sky and the village located at the bottom. The village houses are tiny and painted in the shade. It is compact and is close to the hills and its surrounding objects which makes the houses blend in and become unnoticeable.