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Personhood In The Incredibles

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It should be noted that there is one prevalent Pixar film that draws upon the concept of personhood but does not utilize a Human as Partner relationship; in fact, The Incredibles is the only Pixar film that focuses entirely on a population of only human characters. However, the idea remains similar: instead of non-humans, the narrative focuses on super-human characters with powers who regardless retain the struggle of isolation and ostracization from the rest of society. Instead of illustrating the conflict for non-humans to be accepted as human, the film depicts how human enhancement and extraordinariness will still trigger equally strong negative reactions of otherization. Although initially revered as heroes, the main protagonists – Mr. …show more content…

In its basic premise, personhood is defined as granting “rights and moral standing not based on someone merely being human, but based on their cognitive ability and the way they behave” (Munkittrick 38). This collection of behaviors can simply be summed up as “personhood”; but, as a moral concept, it is impossible to explain it entirely objectively. However, on the other hand, “personhood” is also not something that most individuals actively think about. Somehow, human beings can identify persons intuitively based on interaction, observation, and experience. Through comparisons of traits and actions amongst people is how “personhood” is most typically judged in modern society; thus, in the case of Pixar, the intuitive identification of personhood through trait comparisons has served sufficient and practical within their narratives (Munkittrick 38-42). This is evidenced through the previously discussed cases of Ratatouille, WALL-E, and The Incredibles: the themes of talent and ambition, love, and family in the respective films serve as testimonials for the idea of recognition of human traits even in non-human …show more content…

The implementation of humane qualities in non-human characters serve as a direct metaphor into real life, proposing the argument that everyone who displays characteristics of a human, regardless of walk of life, deserve the rights and acknowledgement of a person, and that the acceptance of that concept results in compelling benefits for humanity. The stories Pixar has crafted act as stand-in visual illustrations of personhood where worded descriptions fail; implementing relatable characters in non-human forms serve to both address the concept of humaneness while also bringing in qualities familiar to audiences. These films allow society the conceptualized interpretation of how to determine humanism – even without a concrete definition of personhood, it is undeniable to attribute some level of comparison and affirmation to Remy’s talent for the arts, to WALL-E’s compassion towards both human beings and EVE, and to the Incredibles’ idealization of family and moral responsibilities. With their narratives, Pixar has suggested that being human is not necessarily the same as being a person; in acknowledging this concept with the introduction of intellectual and righteous non-human characters, the studio has made a compelling argument that personhood can come from anywhere, and universal inclusivity is an important notion that modern society should

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