Photography is verse. Complex, open-ended, and layered with meaning. With photography, one goes beyond words to convey a message. A single image often transmits multiple intentions - leaving itself open to the viewer to decipher them. In many ways this question begets easy answers. I make pictures because I must. It is rather difficult to describe why. I have always been enchanted by the power of a singular image. As a child I would sit with family albums and make up stories about the photographs I found inside. The older and less relevant to my own existence they were the better - the more open-ended, the more fantastical my stories became. Growing up I would absorb great big books (mostly encyclopedias and other non fiction) with hours spent in the library spellbound by the pictures and the stories they told. Making pictures inflames this childhood thirst for knowledge. I make pictures from the everyday, however I am not concerned with representing life authentically. It has been discussed (just about ad nauseum) that the photograph has gone through a 'crisis of the real. ' Photographs are subjective. And it is just that manipulation of the real which excites me about the medium. It is the power of recategorizing reality to communicate an alternate story. It is this subversive act that keeps me making pictures. The real is simply my drawing board. I make pictures to trigger dialogue. At the moment every corner of the world seems to be going under
Photographs are special because you can tell an entire story with them without using a single word, it can convey emotions, and feelings. Photographs make connections, photographs can show challenges in our world along with celebrating the greatness in the world.
After a steady progression, pictorial photography as a movement emerged. Pictorial photographers believed that their field is more than just an objective, mechanical media. Photography was not just about capturing the documentation and information contained by an image, but rather, about the effect and the mood they translate. The images began to have meaning and a reason for their capture, completely transforming the images produced.
It is said that “The true content of a photograph is invisible, for it derives from a play not with form but with time”. This makes me think that the real content of a picture, which is what the photographer tried to express, is not evident to perceive unless an explanatory text is provided. In fact, I believe that our perceptions of pictures changes over time as the historical context do. In addition, our opinions are never fixed as they are influenced by our environment. Therefore, when looking at a particular picture at a given time, it is certain that our perception of it will be different in the future based on what happen between the first time and second time we saw it.
Photography gives you a small sample of reality, but these realities have been changed to what the photographer wants to present. However as Sontag stated, “Of course, photographs fill in the blanks in our mental pictures of the present and the past.” Pictures show proof that all of the history that we learn is true, but although it confirms that, pictures does not show us the entire picture of how people felt about the situation. For example, one might have a picture from WWII and show us the setting, but does that picture really show the feeling of the people? That is why we say that photography only goes as far as to how the photographer wants to show the
First, taking pictures is a form of expressiveness that helps liberate the mind from any good or bad emotion. The ability to take pictures can be used as a way to meditate in order to release any anxiety caused by life experiences. Such is the way that I, myself, have used photography as a way to express my anger or my happiness in ways that only a single picture can capture the emotion transmitted through facial expressions. Therefore, photography can serve as a median between emotions and liberation, letting the liberation of emotions express themselves through a lens. Liberation is capable of bringing individuals to
The reader is able to construct his or her thoughts by observing the small keys in each photo. Some of these keys are the use of color, setting, expression and focus in the scenery and objects around.
Photos can be an illustrative material object to shape a story. But photos just reflect upon our memories and try to relate to the overall useless piece of paper. Photos may have value but they are essentially paper and just that. Photos are meaningless because each person just brings his own mental state of mind to the picture.
No matter it’s effect, photography was and is very pivotal throughout society. Photography can be a beautiful but yet haunting form of art. It displays an image which is characterizing
The photograph is a very powerful medium. The French painter Paul Delaroche exclaimed upon seeing an early photograph “from now on, painting is dead!” (Sayre, 2000). Many critics did not take photography seriously as a legitimate art form until the 20th century. With the
Taryn Simon is a photographer who was shot down by Walt Disney because he believes that photography shuts down the fantasy that guests are expected to uphold while visiting his theme parks. He went on the say that what is in the parks allow the guests to fantasize and escape reality. I suppose somehow a real image takes away the instinct mentally to create one's own. I feel that for business he has a point because Disneyland is supposed to mesmerize a person and take them on a journey that can not be taken anywhere else. If that image were to change to the public, it would not be as popular or profitable. On the other hand, I do think photography can have that same effect on one’s mind.
Our memories often time embellish the memories we once had of such great people, places, times, and etc. We live these times up to standard that makes us reminisce, hurt, contemplate and so much more. The power of a photograph has been described to have worth a thousand words, metaphorically meaning of course, that what an image can capture in one instance, something that may not ever be captured through words. For too many centuries we have been without, what many of us now take for granted, the photograph. What we capture in a picture, has much more value than we often time see in our commercials, people, places, they tell a story to the ignorant, paint a picture for blind, give the deaf something to listen to, and so much more.
The photo can stir something within us; make us look within our being. The photo should not frighten or stigmatize, rather it should be reflective to cause a revolution (Barthes, Camera Lucida, 38). For the contemplation component of examining photography begins only after it executes a feeling within us (Brown, 29). There are photos that we view that make us say “this one is saying something for me” or “this exists for me”. Diana Markosian, photographer of the project 1915 did exactly this in her work. Markosian is a photojournalist who captures photos by immersing herself into the community in which she is photographing. Her photos are very intimate and bring in a mystery of past times, the place between the dimensions of memory and place
Photography is a very interesting career choice. It can take people to places they only ever dreamt of going. Although it is a lot of fun, it is also a lot of work. There is many different types of equipment, lighting, cameras, and photographers. You must learn about it all in order to choose the perfect type of photography you want to do. Photography, is not just about capturing photos of objects, it is about how photographers see the world. Being a photographer, there are many responsibilities you must have. For starters, photographers have to be able to market and/or advertis. This will help them to attract customers or clients. On top of being able to market and advertise, they must also be able to analyze and plan compositions of
What is a photograph? The simplicity of taking a photograph leads many to ponder its artistic value. Yet, it is undeniable that there are some photos that cause an emotional reaction deeper than simply observing a recorded point in time. Surely, there are photographs that cause more reaction than some modern art pieces. There seems to be two types of photographs. The first classification is the ‘time capture’ photo – an image with the sole purpose of recording a particular event or point in time. The second nature of a photo carries a ‘deeper meaning,’ which has the ability to change the observer’s mood and cause a reaction. But what distinguishes these two varieties? There are a
Have you ever taken a picture or been looking through a photo album and felt a sudden rush of emotion? Do you wonder what caused that emotion? Many find themselves captivated by a photograph and overwhelmed by the emotions that the photograph arouses. Believe it or not the arousal of emotion from those photographs was not caused by the content of the picture but by certain elements within the photograph. When a photograph is viewed it is not only the subject that triggers the overwhelming emotional response, it is the length of time that the film was exposed to sunlight, the way lighting is used and played with, and the strong detail of colors or lack thereof. While many believe that the subject acts as the primary stimuli to emotions, the