The Joy Luck Club (1985) was written by Amy Tan (1952). The Joy Luck Club is the story of a Chinese mother who leaves everything behind, a mother who leaves her family in China in order to get her children (in this case our protagonist June) a better life. Or as Amy Tan says: “The Joy Luck Club, about a woman whose mother has just died and who regrets that she never knew who she truly was. The stories poured out. They were what I felt and had to say before it was too late. I had found my reason to write.” (http://www.theguardian.com/books/2013/nov/19/amy-tan-joy-luck-club-guardian-book-club)
The Joy Luck Club is the story of a Chinese mother who leaves everything behind but it is also the story of a Chinese-American woman who realises in a
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The story of the swan (we can read it on Feathers from a Thousand LI Away) is very meaningful. The American Dream changes between the generations. For the mothers, it is creating a future full of privilege and success. For the daughters, it is the freedom to take their opportunities and do with them as little or as much as they want. The daughters' American ness is reflected most strongly in their relationships with men. Ted, Harold, and especially Rich, represent the American part of their wives, which for the mothers seems frighteningly disconnected from Chinese thinking. Suyuan wants Jing-Mei to be the perfect American girl like Shirley Temple, but resents how little Jing-Mei understands about Chinese culture. As Lindo Jong explains, these are the perils of being "two-faced." Fitting in one place means not fitting in somewhere else, and the challenge for Chinese-American women is to find a balance that honours both cultures. Another very important subject is that which talks about love and marriages. On the one side we have the mothers who thought that love and marriage are not always holding hands. That is, a wife sometimes has to do things although she doesn’t want to. We come back to role of the submissive woman. On the other hand we have the daughters, who believe that they have the right to find true love and to get married and if they marry, they have the right to be themselves and not what their husbands or the
The Joy Luck Club is the first novel by Amy Tan, published in 1989. The Joy Luck Club is about a group of Chinese women that share family stories while they play Mahjong. When the founder of the club, Suyuan Woo, died, her daughter June replaced her place in the meetings. In her first meeting, she finds out that her lost twin sisters were alive in China. Before the death of Suyuan, the other members of the club located the address of June’s half-sisters. After that, they send June to tell her half-sisters about her mother’s life. In our lives there are events, and situations that mark our existence and somehow determine our life. In this novel, it shows how four mothers and their daughters were impacted by their tradition and beliefs. In the traditional Asian family, parents define the law and the children are expected to follow their requests and demands; respect for one’s parents and elders is critically important. Traditions are very important because they allow us to remember the beliefs that marked a whole culture.
Many women find that their mothers have the greatest influence on their lives and the way their strengths and weaknesses come together. In Amy Tan’s The Joy Luck Club, the lives of four Chinese mothers and their Chinese-American daughters are followed through vignettes about their upbringings and interactions. One of the mothers, An-Mei Hsu, grows up away from her mother who has become the 4th wife of a rich man; An-Mei is forced to live with her grandmother once her mother is banned from the house, but eventually reunites and goes to live in the man’s house with her mother. Her daughter, Rose, has married an American man, Ted, but their marriage begins to end as he files for divorce; Rose becomes depressed and unsure what to do, despite
The Joy Luck Club is Amy Tan's first novel. It consists of four sections with sixteen short stories. One of the main issues of the novel is the relationship between Chinese mothers and their Chinese – American daughters. ‘‘Your mother is in your bones.’’ (Tan 1998, 30) There is a cultural chasm between them because of the difference in the way they were brought up and different influences of the environment.
Amy Tan, who wants to understand and figure out her own affiliation between her another mother, wrote The Joy Luck Club. This book explains and uses words to show the differences between the daughters and their mothers by putting in the Chinese culture and the western culture in the article. The Joy Luck Club has four different sections. And they all have common backgrounds but have different meanings behind them.
The Joy Luck Club portrays strong women. The examples that come across most strikingly to the reader are the women who lived in traditional China. An-Mei Hsu gained her strong will from her mother's weak spirit. In her story, titled "Magpies," An-Mei's mother is forced
Four Chinese mothers have migrated to America. Each hope for their daughter’s success and pray that they will not experience the hardships faced in China. One mother, Suyuan, imparts her knowledge on her daughter through stories. The American culture influences her daughter, Jing Mei, to such a degree that it is hard for Jing Mei to understand her mother's culture and life lessons. Yet it is not until Jing Mei realizes that the key to understanding who her
Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.
In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash
Over there nobody will look down on her, because I will make her speak only perfect American English. And over there she will always be too full to swallow any sorrow! She will know my meaning because I will give her this swan- a creature that became more than what was hoped for.” (Tan 1) The culture in China the mothers of Joy Luck dealt with was unlike anything their daughters could ever imagine or appreciate. Between the mothers Lindo, Suyuan, An-mei and Ying-ying, the Chinese culture forced them into being married by a matchmaker, giving up babies, witness desperate attempts to save loved ones, and having an abortion. In many ways the Chinese culture scared each woman, although they were proud of their heritage, their daughters deserved better. These four mothers had very high hopes for the better lives that they wanted to give their daughters by raising them in America. They didn’t like or want to have their daughters looked down upon, just because they were Chinese women. From each of their own experiences, they learned that they wanted to improve the lives of their following generation.
All of the woman who migrated from China all have a curtain pride for their own mothers and cultures cultures respectively. Major acts of pride go into what these woman do while raising their daughters, as they want to push their daughters for success. “What will I say? What can I tell them about my mother? I don’t know anything. . . .” The aunties are looking at me as if I had become crazy right before their eyes. . . . And then it occurs to me. They are frightened. In me, they see their own daughters, just as ignorant. . . . They see daughters who grow impatient when their mothers talk in Chinese . . . who will bear grandchildren born without any connecting hope passed from generation to generation.” The other mothers are flabbergasted that June does not know that much about her mother. The mothers also have their own pride in their daughters, and all the daughters have been together, so this phrase from June scares the other mothers of what their own daughters might think about them. In Chinese tradition, respecting your mother is very important, due to June being raised in America, she does not realise what she has just proclaimed as bad until the other mothers react to it.
To begin with, The Joy Luck Club centers its content around the lives of eight women of Chinese heritage each with their own stories to tell; yet, all striving to satisfy their aspirations in America. A concisive cross is common between the mothers’ hopes compared to those of the American born daughters. Immigrating to America for various reasons, the four mothers all had one goal in mind, to not only construct themselves a better life, but also ensure the finest future for their daughters. For the mothers in the Joy Luck Club, the American dream was to instill Chinese history, heritage, and habit in their daughters while providing American opportunities of growth, gratification, and gallantry. Carrying heavy pasts, the four original American Joy Luck Club members arrived in The United States to start anew, “America was where
The relationship a mother has with her daughter is one of the most significant relationships either person will possess. In Amy Tan’s The Joy Luck Club, the stories of four mothers and their respective daughters are established through vignettes, which reveal the relationships between them. Throughout the novel, the mothers and daughters are revealed to be similar, yet different. Lindo and Waverly Jong can be compared and contrasted through their upbringings, marriages, and personalities.
The four mothers first came to America with nothing, hoping to build better lives. They had difficult lives, each with countless amounts of struggles. The mothers wanted their children to have a perfect American life with a knowledge of Chinese culture. However, they came to realize that this hope of being American and keeping their Chinese heritage fully intact was not plausible. The swan best represents Lena, and her journey to grow from an unassertive, shy, and insecure young girl to a strong and independent woman. Ying-ying had hoped that Lena would eventually stand up for herself, to embrace her inner tiger. Ying-ying always wanted her daughter to have a better life than herself, to be confident and fearless. In the novel, Ying-ying says,
Amy Tan's immensely popular novel, The Joy Luck Club explores the issues faced by first and second generation Chinese immigrants, particularly mothers and daughters. Although Tan's book is a work of fiction, many of the struggles it describes are echoed in Maxine Hong Kingston's autobiographical work, The Woman Warrior: Memoirs of a Girlhood Among Ghosts. The pairs of mothers and daughters in both of these books find themselves separated along both cultural and generational lines. Among the barriers that must be overcome are those of language, beliefs and customs, and geographic loyalty. The gulf between these women is sadly acknowledged by Ying-ying St. Clair when she says of
With all the cultural clashes that the mothers and daughters are facing in The Joy Luck Club, it is hard for the characters to have a sense of identity. The daughters are torn between Chinese and American culture and are trying to figure out who they are. The daughters are also trying to figure out who their mothers are and how that affects them. The mothers have two lives, the ones they live in America and the ones that they left behind in