Polonius Literary Devices

Hamlet also shows anger towards the female character, Ophelia as they interact with each other on a daily basis. He tells her that he has “heard of [her] paintings too, well enough; God hath given [her] one face, and [she] make[s] [herself] another. [She] jig[s] and amble[s], and [she] lisp[s], and nickname[s] God’s creature, and make[s] [her] wantonness [her] ignorance…to a nunnery, go” (3.1.153-157,161). As a result of this quote, Hamlet demonstrates strong anger as he insults Ophelia for her cosmetics and tells her that her flirtatious affections is her excuse for her stupid behaviour. Not only does Hamlet insult her because of his anger, but she does not defend herself either, which makes the situation worse. In addition, Hamlet not only undergoes his father’s death, but no one seems to grief over the death which is surprising, as he was the King of Denmark. The new King, Claudius asks Hamlet, “How is it that the clouds still hang on you?” (1.2.67). This quote shows King Claudius’ lack of grief towards King Hamlet’s death, oppose to when Polonius dies, he immediately tells Laertes, Polonius’ son, “I must commune with your grief” (4.5.213), Which again leads for Hamlet through the anger stage.

Polonius teams up with King Claudius and once again places demands on Ophelia which require her to disregard her own self to fulfill their wishes of deceiving Hamlet into revealing the cause of his erratic behavior. And once again, it is Ophelia’s duty to her father and this time to the king to be obedient. Disobedience to the king and his advisor are not an option. Polonius wants the king to look on him in good favor and he is willing to step on his daughter to get this admiration. He neglects Ophelia’s feelings by not even thinking of how his requests will affect her. He feels at liberty to request whatever he would like. He is purely worried about himself. Polonius holds a position of unquestioning authority over his daughter. He treats her as though she is not intelligent enough to make her own decisions and he knows that she will inherently obey him. To him her feelings are irrelevant and immature which he states when saying “Affection, puh, you speak like a green girl.”(1.3.101) Following her fathers instructions, she loses her lover and a piece of her happiness.

Laertes voices his concern of Hamlet's true intentions towards Ophelia and advises her to be wary of Hamlet's love. Laertes impresses upon Ophelia that Hamlet is a prince who, most likely, will have an arranged marriage. Hamlet's strong love for Ophelia withers after she rejects his affinity. Hamlet's extensive love for Ophelia resulted in grave suffering for Hamlet once his affection was rejected. Hamlet's appearance decays due to the rejection of his love for Ophelia "Pale as his shirt, his knees knocking each other" (Act 2, Scene 1, line 82). The loss of Ophelia's love for Hamlet causes Polonius to believe it has caused Hamlet to revert to antic disposition. Once Laertes learns of the death of his sister, he is afflicted with sadness. In the same way, Hamlet is shocked and enraged over Ophelia's demise. Both Hamlet and Laertes are so profoundly distressed at the death of Ophelia, they jump into her grave and fight each other.

When individuals lack the ability to defend their ideas and personal preferences to others, with confidence they will lose their identity and sense of self as they allow others to control their opinions and thoughts. Ophelia’s lack of confidence in herself solidifies both Laertes and Polonius into occupying a dominant role expected of men in the 16th century. Polonius assures Ophelia that her obedience is the best thing for her, and creates this illusion of himself as a crutch she needs to respond to competing demands. Subsequently, when Ophelia finds herself torn between two loyalties – her love for Hamlet, and her father’s expectations, Polonius sways her to compliance with his ideas. “I shall obey, my lord.” (I, iv, 145 )This complete obedience of her father ultimately eliminates Ophelia’s self-preservation that would ensure her best outcome. It is clear her father’s requests of her are not out of love and concern for Ophelia but for his own issues of vanity and securing his status. This can be seen in misalignments in Polonius’ claims, and the condescension in his words to Ophelia. As Laertes prepares to leave, Polonius grants him with advice, “This above all: to thine own self be true.” (I, iii, 84). He contradicts

When Ophelia tells Polonius, her father, what she and Laertes were talking about, Polonius reiterates exactly what Laertes said and forbids her from seeing Hamlet, saying later that the prince is “out of [her] star (II.2.150).” Yet, Gertrude later, at Ophelia’s funeral, says that she had hoped that Hamlet and Ophelia would marry, which shows that whether Hamlet, Ophelia, and her family knew it or not, Ophelia would have been approved by the King and Queen for Hamlet and was not considered beneath him, at least not by the Queen (V.1.255). Though, there may be some indication that the Queen was beneath Hamlet’s father’s station as well, so she would be more excepting and sympathetic to Ophelia and her feelings (I.5.55-59). But, when the ‘adults’ discuss the cause of Hamlet’s madness, no one listens to the Queen’s astute understanding that her son is unhappy about her marriage, and the King listens instead to the other man in the discussion, Polonius and Polonius’s idea that Hamlet is mad for love. When Ophelia is sent to talk to Hamlet in Act III, both the King and Polonius hide behind a tapestry instead of trusting her to tell them what was actually said. Perhaps the reason Hamlet is so horrible to her after his soliloquy is because he realizes that the King and Polonius are listening in on them and he feels betrayed.

As with many plays, actors in Shakespeare’s, The Tragedy of Hamlet, Prince of Denmark, are at liberty to alter the portrayal of their characters. Because of this, the significance and subtleties of various characters can be lost in varying adaptations of the play. This holds true for the character Polonius, who is often incorrectly portrayed as a oblivious and foolish yet caring father. Rather, Shakespeare implicitly and explicitly establishes Polonius as a character in full control of his wits. Polonius’ interaction with other characters throughout the play highlights his cunning, wit, and selfishness.

Ophelia’s father, Polonius, wishes to keep his family’s honor in tact, and fears that Ophelia’s open regard for Hamlet will diminish his honor. Both Polonius and Laertes, Ophelia’s brother, believe that Ophelia’s preference for Hamlet will only end in disgrace for their family, as Hamlet would never marry her due to her lower social standing, therefore, they counsel her to break off any understanding with Hamlet. As a woman, Ophelia realizes her duty to her father and her brother, and therefore decides to disregard her own feelings about Hamlet and do as her father and brother wish.

     From the beginning of the play, in Act I Scene iii, Laertes and Polonius are trying to convince her that Hamlet does not love her and only is interested in her so he can sleep with her. Laertes says "Perhaps he loves you now, ...... His greatness weighed, his will is not his own." He is telling Ophelia that she is likely to have her heart broken because of Hamlet's high birth. He may not be able to choose who he marries, so although he

In another scene, Polonius orders Ophelia to return the gifts that Hamlet gave her, and to make her rejection of him unmistakable and absolute. Polonius believes that if she is the cause of Hamlet’s madness, this would be the proof. “That Hamlet loses his mental stability is arguable from his behavior toward Ophelia…” (Foster, par.16) In Branagh’s version, we see how terribly this tears Ophelia’s heart. When Hamlet sees her, he walks up to her, telling her how much he loves her. After Hamlet kisses her, she returns the love letters that he wrote back to him. She sees how crushed he is, which makes her feel even worse; but she also believes she has to do this because her father ordered her to. Hamlet tells her “Get thee to a nunnery” (William

While Laertes and Ophelia are talking, their father, Polonius, enters the room, and after some words of advice to his son, not the least of which is to be true to himself, Polonius bids him farewell. Polonius then turns to Ophelia and asks what it is that Laertes has said to her (1.3.57-89). Ophelia tells her father that Laertes has spoken to her of Hamlet, and Polonius responds that he has been informed of the time she spends

Polonius’s relationship with his children is far worse that Hamlets relationship with his biological parents. In the first act, Laertes warns Ophelia not to fall for Hamlet because he simply cannot marry outside of royalty. Polonius overheard their conversation and chipped in, “Tender yourself more dearly, / or you’ll tender me a fool”. (I.iii.107-109) As an unmarried daughter, Ophelia has no choice but to be obedient to her father. This means that Polonius is free to force Ophelia to break up with Hamlet. He’s also free to use his daughter as bait to spy on

In Hamlet, the female characters can be seen as being subservient to men. This goes on to show how Shakespeare, goes against the feminist theory by not creating equality between all the characters. One of the main character’s Ophelia can be seen as being weak and undermined in the play. She spends most of her time following the actions of her father, Polonius and boyfriend, Hamlet, with little to no say in her own opinion on topics. Polonius displays his dominance over Ophelia when he expresses his opinion on her relationship with Hamlet. He informs Ophelia on exactly what her next actions need to be when dealing with Hamlet. He even goes as far as warning her to not go against his wishes because it will “ tender [him] a fool”, showing his superiority over Ophelia’s actions (I . iii. 109). The inequality can also be shown when comparing Laertes’s life with Ophelia's. Laertes is left alone to travel France, while Ophelia is stuck to follow her father's orders. Hamlet also tries to show his

Ophelia’s interactions with the male characters of the play reveal her limited agency. As Ophelia tells her brother about her relationship with Hamlet, Laertes responds, “For Hamlet, and the trifling of his favor, hold it a fashion and a toy in blood, a violet in the youth of primy nature, forward, not permanent, sweet, not lasting, the perfume and suppliance of a minute, no more” (1.3.5-10). By instructing Ophelia on how to behave in her relationship with Hamlet, Laertes implies that he does not trust Ophelia’s judgement and she needs guidance with her personal affairs.

Hamlet's surrounding are increasingly affected by his flaw. Hamlet begins to forget all important obligations in his life and neglects his responsibilities, causing other problems. One very important commitment Hamlet has which he lets go is his relationship with Ophelia. Ophelia becomes very confused and hurt. Hamlet hurts her in a couple of ways. First, he neglects her, and second, he insults her. "Ha, ha! Are you honest??Are you fair??That if you be honest and fair, your honesty should admit no discourse to your beauty. ?I loved you not? Get thee to a nunnery." Then Hamlet kills Polonius, Ophelia's father, which in turn makes her go mad and in her madness she commits suicide. Hamlet loses objectivity. He does not respect the King nor his mother's feelings. Hamlet meets with his mother and insults her. He calls her a whore and a sinner for marrying a murderer. Since he knows that the King is a murderer, he attempts

Polonius refuses to allow Ophelia to pursue a relationship with Hamlet nor does he allow her to continue any relationship. “Tis told me, he hath very oft of late / Given private time to you, and you yourself / Have of your audience been most free and bounteous” (1.3.91-93). Laertes and Polonius justify the importance of the social reputation of their family, and how if something goes wrong with Hamlet,