7. Symbolism: Using a person or object to represent an idea
Textual Evidence
Interpretation/Explanation
“If you had known the virtue of the ring,
Or half her worthiness that gave the ring,
Or your own honor to contain the ring,
You would not then have parted with the ring.
What man is there so much unreasonable,
If you had pleased to have defended it
With any terms of zeal, wanted the modesty
To urge the thing held as a ceremony?” (MV 5.1.199-206).
Throughout her monologue, Portia explains why Bassanio should not have given away her ring. Refuting her own previous logic, Portia rebukes Bassanio for giving away her ring. One reason why Portia is angry is because the ring was a symbol of Bassanio’s love for her. Furthermore, one reason why
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Pardon me, good lady,
For by these blessèd candles of the night,
Had you been there I think you would have begged
The ring of me to give the worthy doctor” (MV 5.1.217-222).
In the quote, Bassanio attempts to defend himself from Portia’s wrath. Previously convinced by “Balthazar’s” logic that Portia would understand if Bassanio gave away her ring to him, Bassanio now tries to explain that Bassanio had no other option. The main reason that Bassanio uses for why Bassanio had to give the ring away was his honor. At the time, honor was more significant than today. Not wanting to lose credibility among his peers, Bassanio’s actions are an example of how important honor was to him, being important enough for him to break his vow to his wife.
Term: Definition 10. Pathos: The persuasive appeal to emotion.
Textual Evidence
Interpretation/Explanation
“And suffered him to go displeased away- even he that did uphold the very life of my dear friend. What should I say, sweet lady? I was enforced to send it after him” (MV
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Previously arranged by Antonio, Jessica and Lorenzo now will receive money when Shylock dies. Adding on to all of the previous “loose ends” being tied up, this quote is an example of denouement because the quote is the last instance of resolution in the play. Beforehand, all previous relationships were restored and all of the characters “lived happily ever after”. For example, Antonio and Bassanio were reunited safely, Portia and Bassanio (and Gratiano and Nerissa) reconciled after the husbands’ broken vows, and finally Jessica and Lorenzo receive financial aid as the new couple begins their future
Pride is a boomerang that will eventually come back to hit you. In John Hurst’s short story, “The Scarlet Ibis,” Brother’s pride changes how he sees Doodle as his brother, and negatively affects the outcome of the story. Throughout the story, one learns how the relationship between two brothers can break apart due to one’s pride. Pride can derail one from achieving goals while destroying relationships.
Guilt, a word with some very negative connotations. Things that immediately come to mind may be simple mistakes on an essay, or an eternal grief that you must bear. The narrator in “The Scarlet Ibis” feels an immense guilt for his poor decisions. In James Hurst’s “The Scarlet Ibis” readers learn the dangers of guilt through one man’s tragic loss of his handicapped brother, even after he watched him grow up to defy doctors’ predictions by walking, talking all on his own.
Without money, Bassanio believes himself an unfit suitor for Portia, unable to match any of her other, richer suitors in sexual appeal. It is doubly significant that though he speaks of love and sexual
Beyond the Ibis In the story “The Scarlet Ibis” by James Hurst, the Scarlet Ibis portrays how people must learn to leave those they love alone through representing Doodle and his struggles in life. To begin, in the middle of the story the Scarlet Ibis sits on a tree in Doodle's backyard, and his parents think how “a storm must have brought it [there]” (Hurst 473). First of all, this quote shows how the storm pushes the bird physically since it ends up in a different region from where it typically lives; symbolizing how Brother pushes Doodle out of his comfort zone, which would represent the bird's typical habitat. Furthermore, this push causes Doodle to perish; Brother forces Doodle too much with his teaching, when he should be letting Doodle rejuvenate.
Feelings are emotional reactions that occur in society every day. Guilt is a horrible feeling; a person knows guilt because he or she understands the wrong that was caused. It causes someone to change into a better person. In “The Scarlet Ibis” by James Hurst, Doodle’s Brother feels guilt for the way he treated Doodle which causes him to change into a superior person. Doodle’s disability causes his self-centered Brother to feel embarrassed. Brother acts forcefully over Doodle, setting him to control. Brother changes after Doodle’s death, causing him to become a dynamic character. Doodle’s Brother feels guilt after Doodle dies; ultimately forcing Brother to understand his love for Doodle.
Pathos is the rhetorical device where the speaker emotionally motivates their audience. Henry uses pathos as a way to arouse fear and hatred of the British, but also to spark a devotion and willingness to fight for their “country.” The use of pathos allows for the colonists to feel Henry’s patriotism and his sense of pride to fight against the British
Wealth, therefore, has a flimsy grasp on romance that can easily be overcome with genuine affection. The same is true for Jessica, who steals her father’s gold before she elopes with Lorenzo. After discovering this, Shylock cries out, "My daughter, O my ducats, O my daughter!" (II.viii.15). By associating the antagonist with twisted ideals, Shakespeare creates a stark contrast between the corruption of wealth and the genuineness of love. This contrast reiterates the superficiality of wealth and suggests that its overemphasis can lead to corruption and decay in a relationship.
Trimalchio ends the night by kissing a good looking slave causing a fight between him and Fortunata. Trimalchio says some really rude and hurtful things about Forunata over such a little incident. Trimalchio makes it difficult for anyone to get close to him or trust him because he can change his whole in just a moment. Trimalchio then tells his whole life story and then lays on the couch and told his guests to pretend he’s dead.
Portia is describing to Brutus that by excluding her from his secret, that she has been reduced to his concubine. Brutus responds to Portia's statement by stating, "You are my true and honorable wife, /As dear to me as are the ruddy drops/That visit my sad heart,"(II, I, 311-313). Brutus shows that despite, his depressed state, he still loves and cares for his wife showing the mutual relationship Brutus and Portia share that is based on love.
They unlawfully use authority to facilitate a morally depraved transaction. Shylock pursues religious revenge by using the legality of a mutually sealed bond to commodify a pound of Antonio’s flesh; whereas Angelo seeks sexual satisfaction by using his position as Deputy to take Isabella’s commodified virtue. By disregarding the moral and spiritual responsibility to their commodity, Angelo and Shylock face retribution at the hands of Vincentio and Portia respectively, who subvert the economic hierarchies that were previously imposed by commodification. Angelo must marry and Shylock must convert to Christianity, both forced into a position they abhor. Angelo and Shylock are reduced to powerless figures: their property confiscated and their wealth diminished under the legal interpretation of a law they wished to
This shows how Shylock is shrewd, by playfully suggesting the forfeiture of the bond which is actually a cunning plan to murder Antonio with the law on his side.
Jessica is Shylock’s only daughter. She leaves her father heart broken when she decides to run off with a Christian, Lorenzo, and steals to her father’s ducats and some family treasures. Jessica is ashamed to be Shylock's daughter and she absolutely detests living in her father’s house commenting that, ‘What heinous sin it in me to be ashamed to be my father’s child.’ (II, iv, 16-17). When Jessica gives Lancelot a letter for
For Antonio it was his love of Bassanio and his strong desire to see him prosper, (Merchant I,i) "... My purse, my person, my extremist means, Lie all unlock'd to your occasions.". Cladio too acted out of love and devotion to the woman he meant for his wife, yet didn't hold the papers for.
In Act 2 Scene 4 Jessica decides to leave her father and her home to elope with a Christian man Lorenzo. This strengthens the concept of Shylock being a heartless villain because his child feels she must leave without a word of her desires. This shows that Jessica knows that her father would not listen to or consider her feelings for Lorenzo so she must steal and run away from him. On the night she leaves she says with little remorse ‘Farewell; and if my fortune be not crost, I have a father, you a daughter, lost.’ This shows that her childhood was not happy and that she was ‘ashamed to be her father’s daughter’. This is further evidence of Shylocks heartlessness.
Portia: Portia, being one of the main characters and the romantic heroine of the play, must be presented to the audience as a graceful, beautiful and intelligent person. We all know she’s beautiful, that needs no convincing. Portia is usually a fairly self-controlled person who likes to keep problems between her and her trustworthy lady-in-waiting, Nerissa. However there are certain times when she lets slip that she is an anxious person for example when Bassanio arrives at her mansion and is about to choose a casket. She has fallen in love with him and is having great difficulty in trying to conceal that fact. Her anxiety and confusion is what makes her lose her composure. Portia’s other appealing characteristic- probably one of the most apparent- is her graciousness, her amazing way of handling a situation with tact and