Power of the Mind Revealed in Albert Camus' The Guest Essay

In this society not everyone is equal and, for this essay in particular, it is important to know that the different ethnic races aren’t equal as well. In The Kite Runner, there are two different ethnic groups: the Hazaras and the Pushtans. The Hazaras originate from Asia and for this reason, the general conception is that Hazaras don’t have the true Afghan blood in their veins. They are often seen as servants in households. This plays a role in Amir’s conception of the world around him and, in particular, in Amir’s view on Hassan, his best

1) Review the elements of literature (pages) found in the contents page under "Elements of Literature"

My purpose on earth is to bring peace and happiness. As of 2015, this world is the opposite of peaceful. Many people are being killed just to get education, kids are in poverty, and a plethora of international terrorism’s Martin

The Guest is a short story written by Albert Camus and first published as a part of the collection Exile and the Kingdom in 1957. The main character of the story is a teacher in a remote school Daru. The man was alone because of the snowfall, until gendarme Balducci with the apprehended Arabic person appeared. Daru was asked to take prisoner to a nearby town Tinguit where he would be tried for relative’s murder. The teacher did not want to take part in these events, but Balducci still left Arab in the school. Daru did not treat the man like a prisoner. In the morning he took Arab outside, gave him money with food, explained how to reach Tinguit or nomads and gave him an opportunity to choose his own fate. The teacher

In his novel, The Stranger by Albert Camus, translated by Matthew Ward, irony within the protagonist’s ( Meursault ) contrasting perception of the human condition is used to illustrate and invoke the reader to question the contradictory nature of societal expectations. His indifferent and unprecedented reactions to experiences - relative to the characters that Camus laid before him - aid in displaying the absurdity of a world constrained by the chains of conventional wisdom. The contrasting nature of Meursault's demeanor in defying conventional wisdom in experiences such as love and death not only reveals the underlying hypocrisy of the human condition but further illustrates the arbitrary essence of defining a human life.

At the start of this realization, Camus displays how the French whites, have a racially segregated perspective towards the Arabs and blacks. Camus first starts of this differentiation by having Meursault dehumanize “ the Arabs” as they were “backing away” from the colonists (56). By not giving the arab men names, Camus demonstrates the idea of “othering” them to reduce the impact of their being from the impressions of their brain. In describing the nameless men, Camus goes further to only express how the Arab men were “ lying down in greasy overalls;” demonstrating the classist view in society between races, and how the only description of the Arab men is to

Dog meat for the dogs” (277). Viewing the Hazaras as subhuman, allows Assef and the Taliban, the group he identifies with, to easily attempt to annihilate them, in the ways Hitler, “a man with a vision,” attempted to rid Germany of the Jews (40). Moreover, wealthy Pashtuns are privy to an education while Hazaras are mostly prone to menial and simple household chores. As a Pashtun living in the wealthy neighborhood known as Wazir Akbar Khan district of Kabul, Amir has the privilege of receiving an education and gaining literacy, while Hassan remains illiterate, cooking and cleaning with his father Ali, in Baba’s home. In spite of illiteracy, Hassan’s shrewdness can be seen when he finds a plot hole in one of Amir’s short stories. Amir himself acknowledges, however, the superior and cold voice within which states, “What does he know, that illiterate Hazara? He’ll never be anything but a cook. How dare he criticize you” (34)? The discrimination between Pashtuns and Hazaras is a strong undertone which advertently and inadvertently affects the relationship between Amir and Hassan.

Flat characters play a significant role in all novels. For instance, the brother of Raymond’s mistress is a key flat character. The Arab never grows throughout the novel; rather, he remains a stalker, stalking his prey, tempting a fight. Without the role of the Arab, Meursault, would never have gone to prison, and never be tried for murder.

In The Stranger, author Albert Camus involves the sun throughout the novel in order to display mans vulnerability. He presents the sun as a powerful, unfortunate influence on main character, Meursault and describes him as a simple minded, easily influenced, mellow individual. The Main influence in Meursaults’ life is the sun. Meursault is bothered by it however he does not make much of an attempt to stop or ignore it. He simply permits the suns heat, accepting it and affirms his personality. Becoming vulnerable is basic however with a more vigorous charisma, persuasion can be avoided. However an able source such as the sun, Camus establishes is a little more difficult to avoid.

The French philosopher Roland Barthes once said, “Literature is the question minus the answer” (Barthes 2). This statement hold true for most works of literature that explore a central question. According to Barthes, literature often raises a question, but leaves it up to the reader to determine the answer. The Stranger by Albert Camus is an excellent example of how a central question, “Is there value and meaning to human life?” is raised and left unanswered, resulting in different interpretations of the answer, depending on the viewpoint of the reader. Although the question is never explicitly answered, Camus offers perspectives on what French society regarded the answers to be, such as connections with others, elusion to freedom, and faith in religion and God.

In the novel, The Stranger, author Albert Camus confronts some important issues of the time, and uses the singular viewpoint of the narrator Meursault to develop his philosophy and effectively weave together themes of absurdity, colonialism, and free will. Through the progressive disruption of Meursault’s life and his characterization, Camus presents the absurdity of the human condition along with the understanding that a person can actually be happy in the face of the absurd. Camus also intentionally sets the story in the colonized country of Algeria, and hints at the racial tensions that exist between French-Algerians and Arabs.

As a further means of separating the population into distinct groups, religion acts as a divisionary force between characters and cultures. There are two primary conflicting cultures represented in the novel that are the cause of religious differences: Sunnis versus Shi’ites and secularism versus religious fundamentalism. Similar to the discrimination based on ethnicity, the conflict based on religion is primarily exemplified through Assef and Hassan, who are Sunni and Shi’ite, respectively. As such, any justification for inclusion and exclusion of people not based solely on ethnicity could just be rationalized through differences of religion. With this prevalent culture present, the importance is in the author’s depiction of the “bleak hypocrisies of the Taliban period--the disgusting cruelties performed in the name of righteousness” as stated by David Denby in “Hard Life.” Through the

this by his refusal to turn the Arab in, and the conflict he goes through when

Many people often base their opinions on a person by judging his whole life in general and his attitude towards life without caring about who the person really is deep down inside. This unfair reasoning can occur in the courtroom when people are put on trial and the judge and the jury must delve into the life of the accused and determine if he is a hazard to society. Occasionally, the judge and jury are too concerned with the accused’s past that they become too biased and give an unfair conviction and sentencing. In his novel, The Stranger, Albert Camus uses the courtroom as a symbol to represent society that judges the main character, Meursalt, unfairly to illustrate how society forms opinions based on one’s past.

Widely recognized for philosophical writings as a French essayist and playwright, Albert Camus is a major contributor to exploring the absurd in modern Western literature. Characterized by highlighting the human condition, Camus’ writing style focuses on the everyday lives and inner psyche of individuals in both ordinary and extraordinary circumstances. Such a character-driven writing style is most notably displayed in his 1946 work, The Stranger, a tale of an emotionally-detached man known as Meursault, who lives in French-colonized Algiers during the intermission of the two World Wars. Consisting of two parts—The Stranger first explores his daily life as a free man, and in the second, delves more into the character’s own philosophy as Meursault contemplates during his remaining time in jail. At its core, the story explores the relationships and interactions of the odd Meursault through the character’s inner monologue and dialogue with those around him. The story itself is very ambiguous in its’ nature, and the idea of contemplating the meaning of life and purpose is prevalent throughout The Stranger. Evidently, Camus writes Meursault as a man who believes that life has no meaning, and therefore people are free to do as they please. To supplement the protagonist’s view, the author also presents Meursault alongside various personalities of key supporting characters, each with their own unique personality, and differing outlooks on life. Doing so thus enables Camus to get readers to contemplate about meaning through multiple perspectives. Stylistically, through many devices that emphasize diction, imagery, and story themes. Ultimately, The Stranger is a way for Camus to convey that there are multiple ways to perceive the meaning of life, using Meursault to directly project a different view than what readers are used to. Surely, with the intent of crafting a protagonist so strange, that Meursault becomes comparable to other characters; less so as a reflection of what the author personally believes the meaning of life is, but more of what such exploration of the idea could be.