How Does Shakespeare Present Orsino's Feelings For Olivia

Orsino's love, however, is a courtly love. He claims to be in love with Olivia but seems rather to be in love with the idea of love and the behavior of a lover. Orsino is a Petrachan lover who chooses an object that will not return his love. Because he is not ready for commitment, he courts Olivia in a formal way. By sending his messengers to her house instead of going himself, he does not have to speak to her directly. Early in the play, Viola realises that Orsino's love for Olivia is denied and that she would also reject all men for a period of seven years. Viola believes that Orsino might not be rejected if he visited Olivia himself and says to him: "I think not so, my lord," but Orsino, not wanting to see Olivia himself and wanting to keep up the role of the disappointed lover, insists that Cesario woo her.

The play opens with Orsino, the Duke of Illyria, expressing his deep love for the Countess Olivia. Meanwhile, the shipwrecked Viola disguises herself as a man and endeavors to enter the Duke’s service. Although she has rejected his suit, the Duke then employs Viola, who takes the name of Cesario, to woo Olivia for him. As the

From the difference in character and personality between Viola and Orsino, we can see that Viola is displayed as a rational, witty, yet manipulative woman, who loves deeply and sincerely. This is shown from, “If I did love you in my master’s flame/With such a suff’ring/such a deadly life”, as it implies that Viola’s love towards Orsino, is true, and has depth, and other-centred. This is in comparison to Orsino’s love towards Olivia, displayed in his portrayal of love towards her. This can be seen from, “With adorations, fertile tears/With

He is one who is supposedly love-struck from the elegant and beautiful Olivia, yet she does not feel the same way. Instead, someone else feels the same regarding Duke Orsino: Viola (Cesario). Throughout the play, it is clear Duke Orsino is all about himself, as he places himself at the center of all situations, constantly repeating personal pronouns (Me, my, I) This complicated love triangle egotist Orsino encounters with his lavish lifestyle makes him a perfect form of communication for Shakespeare to share ideas about love and marriage. Some simple themes that Shakespeare communicates are that love is indeed something that occurs first sight, as with Viola, Orsino, and Olivia, but also that it is something one must learn that they cannot control. Viola, Orsino, and Olivia all realize this to a degree, and Orsino ends up changing his love for Olivia to love for Viola (other factors contribute as

The fantasy of Olivia he “unconditionally loves” is not about Olivia, but all about himself. Not only this, but Orsino is easily convinced to return the deep affection of Viola, possibly because the Duke focuses entirely on his success and desires in love rather than genuine affection. Perhaps, Orsino only developed these feelings for Olivia because he wanted more luxurious things in life. Orsino had great food, servants, and a giant castle. The one thing he lacks is love. Therefore, the Duke wished to have the most beautiful countess in all of the land: Olivia, to continue owning more and more luxurious things. Through this, Shakespeare conveys that an egotist and wealthy man cannot genuinely love if only fixates on the gain of love for himself. Shakespeare is also demonstrating superficial love versus genuine love, and he illustrates the notion that a man who is too narcissistic cannot think about love beyond his erotic fantasies. Instead, Shakespeare conveys through Viola, wherein she genuinely loves Orsino for who he is and does not love for the sake of love's desire itself. She stays committed to Orsino over Countess

It stands as Olivia loves Cesario/Viola, who loves Duke Orsino who loves Olivia. Each character suffers in sorrow as they cannot have who they desire, because of status, gender or love for another.

One can observe Orsino's love for Olivia as obsessive. Orsino’s first words “If music be the food of love, play on,” introduce him as a love-sick character whose mind revolves around a woman who does not return his feelings (I.i.1). Olivia constantly populates his mind and he does not cease his pursuit for her love, even after she expresses distaste towards him. Shakespeare mocks love-sick individuals for acting like fools and putting themselves through misery. After learning of Olivia’s marriage, Orsino realizes he has lost her and lashes out at Cesario. He threatens him by stating “I’ll sacrifice the lamb I do love to spite a raven’s heart within a dove”(V.i.33-34). Shakespeare uses Orsino’s love for Olivia to differentiate between good and bad love. Unrequited love can cause an individual to pursue violent actions in blind rage. Orsino shows how love is consuming, crippling, and hinders the ability to live out life.Orsino believes his love for Olivia is true, but he is actually in love with the idea of love, and believes he can only obtain it from Olivia. Shakespeare tries to inform the audiences that they could mistakenly believe they are in

perfect she is and how his love is in a very flowery way, “my love,

Yet he still continues to get a “yes” from Olivia. He grows rambunctious and upset when he says.” O’ she hath the heart of a fine frame, to pay the debt of love but to a dead brother” ( Shakespeare page 11 33-34) He lacks sympathy towards Olivia for her problems, but he has time to listen to his own desires. Nonetheless rather grieving with her, he goes and gives her his words of love. Duke Orsino knows that Olivia is unsure and this is an act of selfishness. Furthermore, he craves something he can’t have, Olivia’s love. Love is to crave to the extreme, it’s hunger that lovers hope they can never fully

Dramatic irony encompasses the love triangle between Cesario (Viola), Orsino and Olivia to involve the audience and create humor. After Orsino sees how young and attractive Cesario is, he sends her to win over Olivia without knowing the reality of the situation. In this scene, Cesario feels this task is of “a barful strife” for “whoe'er [she] woo, [she]would be his wife.” (1.4.43) Revealing her true feelings for the Duke and Olivia proves her situation to be awkward and ironic because of her disguise. Providing her confession before Cesario actually talks to Olivia produces suspense and strengthens the dramatic irony towards the trio.

In Act 5, Orsino delivers a speech to Olivia in order to express his broken heart and pine over his unreciprocated feelings. However, by drawing out the speech with allusions, excessive language, and metaphors, Shakespeare portrays Orsino as an overemotional and romance-driven character. Compared to Orsino’s first

Despite knowing that Orsino “loves” Olivia, Viola almost immediately falls in love with Orsino. And because Viola is disguised as a man, she cannot show her true feelings for Orsino. After Orsino asks Viola to speak with Olivia and professes his love to her, Viola lets the reader know what she is truly feeling by saying “Yet a barful strife! Whoe’er I woo, myself would be his wife” (Act 1, Scene 4, Line 40). This shows that even though she is willing to help Orsino pursue Olivia, Viola ultimately wants to marry Orsino. Viola’s love for Orsino is revealed again at the end of Act 2, Scene 4. Orsino is asking Viola to try harder in the quest for Olivia and he basically says that there is no love more noble or great as his, so she must love him. Viola then proceeds to say that maybe Olivia doesn’t love him; however, there is “someone” out there that does. She says:

At first he pleads for the “excess of it, that, surfeiting” (I.i.2). For, music nourishes the soul; therefore he wants more of it. However, later in the soliloquy Orsino says that because of love, music “tis not so sweet now as it is before” (8). Shakespeare is already showing how Orsino tries to force passionate love for Olivia that it is not as sweet and fulfilling as it should be if it was genuine true love. This theme goes throughout the play and even comically plays out in Olivia’s forged love for Malvolio. Any type of false love in Twelfth Night comes to a crash landing at the end.

Shakespear portrays the women as fragile, with the way they act, and the way others act towards them, Viola is seen as a very emotional woman, who is in mourning for the death of her brother in (1.2.4) "My brother he is in Elysium", but at the same time falls in love with duke Orsino as shown in (5.1.130-131) when she says: "After him I love/More than I love these eyes, more than my life,". While Viola is in love with Orsino, Olivia falls in love with Viola who, while masquerading as a man is charged with delivering massages of love to Olivia. Olivia's love becomes obvious when in (2.2.21) Olivia, desperate to spend more time with Cesario/Viola sends Malvolio to return a ring to Cesario/Viola which had never been his/hers to begin with. Viola quickly

In Twelfth Night, Shakespeare was able to embody the perfect love triangle between Olivia, Orsino, and