Psychoanalysis In Hamlet

Several emotions engulf Shakespeare’s Hamlet throughout the play, the most famous being Hamlet’s own emotional state. His madness, triggered by his incestuous uncle, has led several scholars to explore the psychological causes of his madness. This research into Hamlet’s madness will explore his madness in comparison to other characters, the psychoanalytical studies behind his madness, and defining whether his madness is genuine or another play within the play.

Some explain Hamlet 's mysterious hesitancy as a result of the Oedipus complex. One might think that Hamlet continually postpones the act of vengeance against Claudius because of the overly confused psychodynamic situation in which he finds himself. Although he hates his uncle, at the same time he unconsciously identifies with him, for having killed his father and having married his mother. Claudius has fulfilled the frustrated desires of Hamlet. However, from the beginning of the play there is an essential element that marks an important difference between Hamlet and Oedipus, which brings with it certain effects in the clinical analysis.

According to Ernest Jones, Hamlet has the “Oedipus-Complex” while others might just call him a momma’s boy. The “Oedipus-Complex” from Freud is expressed through Diderot statement of, “If we were left to ourselves and if our bodily strength only came up to that of our phantasy we would wring our fathers’ neck and sleep with our mothers.” In

Hamlet had a lot of things in his life gone wrong. For an example his father (the king at the time) was murdered by his own brother the new king. At the end of the book his mother and ophelia end up dead to. Hamlet was obsessed with his father being murdered and tried to seek revenge upon his murderer. At the end of the book hamlet ended up killing polonius because he thought it was Claudius (the new king). He was putting other people in harm's way too make claudius too confess. Hamlet has Post Traumatic Stress Disorder (PTSD) because of depression, self-destructive behavior, and unwanted memories of the trauma.

Throughout the years, there have been many interpretations of Sophocles’ Oedipus Tyrannus. However, one of the most interesting interpretations of the play would have to be one that uses the theories of Sigmund Freud to analyze the actions of the characters. The use of various aspects of Freudian theory such as the id, ego, superego, and the Oedipus Complex reveals Oedipus and his behaviors throughout the course of the play.

Hamlet has been praised and revered for centuries as one of William Shakespeare's best known and most popular tragedies. Based on its popularity, critics alike have taken various viewpoints and theories in order to explain Hamlet's actions throughout the play. The psychoanalytic point of view is one of the most famous positions taken on Hamlet.

Rothman expresses that “Freud thought that prudery and denial had for centuries prevented critics from acknowledging the play’s propulsive undercurrent, which, he believed, the new psychoanalytic vocabulary made it possible to acknowledge. “The conflict in ‘Hamlet’ is so effectively concealed,” he wrote, “that it was left to me to unearth it” (Rothman 5). However, it is important to note that although this literary analysis and theology is a valid breakthrough in how one views and acknowledges Hamlet, it is by no means an all-explanatory guide to the soul existence that is Hamlet. Rothman mistakes the Oedipus Complex (Freud theology regarding Hamlet) as the root of the play, arguing “the Oedipus complex provides the definitive interpretation of ‘Hamlet”. It is naive and arrogant to assume one definitive analysis technique (in this case psychoanalysis) as the majority of the play; in reality, it is the infinite number of analyzations spoken about by an infinite number of critics that make up the true meaning of Hamlet. In simpler terms, the true meaning is the decades of diversely collective thoughts, analysis, and ideas presented as the play’s

Hamlet, the eponymous hero of Shakespeare’s greatest work, descends swiftly into madness and paranoia after the murder of his father and the realization of his mother’s true, morally reprehensible, nature. As a result of these new responsibilities and extreme circumstances, Hamlet diverges from his usual, logical thinking into paranoia and over analysis, a condition that prevents him from trusting anyone. Hamlet, having been born a prince, is, for the first time, forced to make his own decisions after he learns of the true means of his father’s death. Another contributing factor to his madness is the constant probing of others into Hamlet’s sanity. These factors all contribute to Hamlets delay, and that delay contributes to the tragic

His diminishing outlook on women is, in fact, not the only attribute that affects Hamlet throughout the play. There are various conclusions in academic journals regarding Hamlet's mental state, all of them agreeing or refuting the theory that Hamlet is mad throughout the play. Despite having sufficient evidence, the analyzation of this play is subjective and no definitive conclusion has been made. Nonetheless, one opinion remains to be the most popular: Hamlet is not mad, yet encounters various feelings regarding mental and emotional health.

Throughout William Shakespeare’s classic play, Hamlet, it is very clear that the Prince of Denmark suffers from severe parental problems. These problems bear a stark resemblance to those borne by Oedipus, the classic staple of Greek mythology. The similarities, however, end and begin with an unhealthy obsession towards the mothers of each character and a distinct distaste towards the father that would border on hatred. Oedipus is, due to childhood experiences that were uncontrollable to him, largely unaware of these issues and even takes steps to disprove them. Hamlet, on the other hand, finds himself in this situation due to circumstances that he encounters later in life. While both Hamlet and Oedipus have very unnatural and unusual

Throughout William Shakespeare's Hamlet, Shakespeare portrays Hamlet with the same types of behaviors and frustrations in humans that Sigmund Freud saw at a much later date. When the relationship between Hamlet and his mother is analyzed Freud's oedipal complex theory comes to mind. The oedipal complex is a theory created by Freud that states that "The child takes both of its parents, and more particularly one of them, as the object of its erotic wishes."(51) Because of this desire to be with the parent of the opposite sex, a rivalry is formed with the parent of the same sex. In the play, Hamlet shows great hostility toward his uncle Claudius because his mother's remarriage to him. Hamlet sees his mother's remarriage as disgusting

       The term consciousness refers to "one’s awareness of internal and external stimuli. The unconscious contains thoughts, memories, and desires that are well below the surface of awareness but that nonetheless exert great influence on behavior."(Weiten) The core of the Freudian perspective is centered around Hamlet’s relationship with his mother, and the relationship of Hamlet and King Claudius. According to the Freudian view, Hamlet is driven by unconscious sexual desire and aggravation. This sexual aggression is directed towards his mother and Claudius.

In William Shakespeare’s Hamlet, it appears that something is amiss in the State of Denmark as the protagonist, Hamlet, is approached by the ghost of the deceased King Hamlet. During this encounter, Hamlet discovers vital information about the king’s brother, Claudius, who married the king’s widow, Queen Gertrude. With this information kept in mind, the Ghost advises Hamlet to kill King Claudius, while protecting his mother, in order for the old King Hamlet to escape purgatory. Nonetheless, throughout the play Hamlet’s vendetta is continuously prolonged due to the Oedipus Complex created by Sigmund Freud which states, “in the young male, the Oedipus conflict stems from his natural love for his mother, which progressively may become sexual.

Hamlet is the typical kind of son almost every father and mother would want: intelligent, loving, caring, strong and loyal. Yet, some scholars believe that he is just another emotional character, defying our eyes to think that his acts are innocent, when his real purpose is to take his mother for himself. This gives scholars, like Ernest Jones, the impression that Hamlet’s actions were encouraged by an Oedipus complex, characterized by feelings of intense rivalry with a father figure in regards to a mother’s spousal affection. Even though there are lines that can be interpreted to show that Hamlet may have had such a desire for his mother, when these lines are examined in the full context of the

First we can analyze hamlet being devastated by his fathers death. It is only fair to understand the pain he must have felt, and on top of that he is supposed to be the heir to the throne of Denmark. Instead, his uncle takes it from him by marrying his mother, Gertrude, so quick. By looking through the psychoanalytic lens, we first look at his id or unconscious, which are our most desired dreams or hopes that are deep within our mind, also known as the “pleasure principle: is the