Public ritual in Renaissance Florence involved many actors and took many forms. They could be civic rituals performed by the citizens of the city, or popular rituals where anyone could participate. They could also originate in the private sphere and were made available to the public. Public rituals had various purposes, but most importantly they reproduced hierarchies which conditioned the organisation of power within the Florentine polity, and ensured civil peace and harmony. This was particularly important in Renaissance Florence as no one monarch ruled the city, and therefore no singular figure embodying authority and morality could be looked up to by the people. Keeping law and order was the ruling class' major concern, and public rituals …show more content…
Because of its political organisation, Renaissance Florence was particularly subject to political instability. The city was ruled by the Signoria, composed of nine members chosen from the city's twenty-one guilds to serve for two-month-long terms. These men's interests were often unclear, as they had to rule objectively, whilst remaining loyal to their friends, patrons and clients. These alliances based on clientele and patronage were the symptom of a paranoid society, obsessed with conspiracy and where distrust dominated the political scene. Public rituals therefore had two functions: legitimise a political order which at first appeared as illegitimate, and encourage trust between …show more content…
The portrait of Giuliano de Medici by Raphael, a tempera and oil on canvas, can be dated back to around 1515 (Fig. 2). The portrait includes a background depiction of Florence, which is revealed behind a green curtain. As part of a marriage arrangement with Philiberte of Savoy, it is not surprising that Florence would be depicted as an asset of Giuliano's. However, the picture was painted shortly after the carnival of 1513, and it highlights the sort of relationship that the Medici family wanted to re-establish with the city and its people, using public rituals to achieve this. Giuliano's gaze is directed to the part of the curtain revealing the city, thus asserting his status as legimate ruler, watching over the people of Florence. This painting and the carnival of 1513 convey similar messages. When Girolamo Macchietti executed a portrait of Lorenzo the Magnificent, he used a similar device (Fig. 3). Lorenzo stands tall with Florence in the background, and he looks forward benevolently. What the Medicis attempted to achieve with public rituals, they successfully managed to reflect in their portraiture. With their backs turned to the city, they would have appeared to contemporaries as larger-than-life leaders protecting Florence's interests and history. The link between the two portraits is interesting because the carnival of 1513 was a clear attempt at
The Italian Renaissance was one of the most colorful, vital, and exciting times in history. Renaissance eventually comes from the French word "Renaistre," meaning "to be born again." The Renaissance was a revival or a rebirth of cultural awareness and learning among art, law, language, literature, philosophy, science, and mathematics. This period took place between the fourteenth and sixteenth centuries. The Renaissance in Italy flourished in the 15th century and spread throughout most of Europe in the 16th century.
First, 14th century Florence was governed by a guild regime. The Florentine commune was led by priors elected from upper guilds for two month terms. The short term limits and election from higher guilds meant every citizen of rank in Florence had a chance to hold office. Those worthy of being elected would have belonged to an upper guild and had the respect of peers. Also, public office was important for reputation and social standing. The desire for election was not limited to Florence but applied abroad as well, “Florentines yearned to go abroad as foreign rectors both because of need of added income and in the avid quest for honor and reputation.” The many communes of the Italian peninsula made repeated office holding possible for many citizens. Moreover, events such as the black plague starting in 1348 allowed more than just nobleman to become officials. The sudden change had, “temporarily reshuffled the deck of social rank and entitlements.” Men who had enough ambition and effort could become high standing members of Florence no matter their station at birth. The desire to be recognized by society at large would shape the lives of Pitti, Dati and Alfani.
* Oligarchies, or a small group of wealthy elites, hired strongmen, or despots, known as podesta to maintain law and order
The Renaissance period is known for the revival of the classical art and intellect born in ancient Greece and Rome. The Renaissance is also a time that is marked by growth, exploration, and rebirth. The Italian Renaissance started in Florence and progressively made its way into Venice and then into the great city of Rome. During the Renaissance, Rome was home to some of the most renowned works of art and the finest architectural masterpieces in the world - too many that still holds true today. Along with the delicate architecture and grand artistry, Rome was also home to a mixture of people and cultures. It is in this cultural context and through the book A Street Life in Renaissance Rome: A Brief History with Documents, that understanding how men, woman, and specifically Jews and Christians lived in Rome becomes important to better understand this period of renewal.
Florence is arguably the starting place of the renaissance. With many different artists there, the Medici Family in control and a very strong trading system, it was a very powerful city-state during the renaissance. During this time, the feudal system was no more. The people in
Florence was exposed to the principles and ideologies of foreign regions and immersed them into the art and literature produced thereafter. That then percolated to the rest of the other European nations and the rest of Italy itself. The Medici maintained these connections rooted and stable by way of finance and politics and guaranteed that Florence, throughout the Renaissance, was an advocate of the arts. Furthermore, had it not been for the establishment of a connection between the Medici and the Papacy, Florence and Rome, it seems, may have actually been rivals grown under the essence of partnership and collaboration during the Renaissance. Rome supplied many Florentine artists with a harbor, and, in turn, Florence took advantage of the administration of the papal funds.
The Renaissance Era was widely influenced by many of the playwrights and literary geniuses of this time. The way people spoke, acted, or treated others was incredibly different from our societal “norms”. For each citizen there was a certain level of maturity, poise, and etiquette expected of them.The three social classes consisted of the Clergy( or the church), the nobles and ruling class, and the peasants, merchants, and townspeople. People of the Renaissance era valued extremely different ideas of behavior , romantically, at the table, or even just as everyday common courtesy.
The Italian and Northern Europe Renaissances were both an important mark in history by changing the ideals of life, thought, culture, and art of the people’s of this time. In this paper I will explain the motive for change in these cultures, including the similarities and differences of the two cultures.
Without the guidance and support of Lorenzo Medici, a patron of the arts who lived in Florence (1449-1492), the art and architecture of the fifteenth century and its influence on later art would not be as great as it is today. Guided by the way he was raised, those he had around him, and what he did for the art community, even as a young patron, de’ Medici changed the time period itself. Earning the title Lorenzo de’ Magnifico for his success promoting and supporting artists, and not because of his political leadership, Lorenzo Medici made an important contribution to the world of art and architecture as one of the time’s major patrons. Throughout this research paper, I will write about several different aspects of de’ Medici’s life. First
A post Middle Age Italy was afflicted by medieval wars and the bubonic plague. A change was needed to restore the vision of what Italy could become. This change was found within one family: the Medici’s, who helped to return the glory and influence to Florence. The Medici’s saw the value in contributing to the advancement of the greatest minds of the period. This was evident in their patronage of leading Artists such as Michelangelo and of renowned Teachers such as Galileo. The sphere of influence the Medici’s enjoyed also extended to the political arena, which happened to be heavily influenced by the Catholic Church at the time. The Medici’s were able to capitalize on the power of the Church and through this influence and the use of
When the Renaissance began in Florence, there were a lot people who were wanting to separate from this medieval way of thinking that was not allowing any type of growth of the inner-self, and since medieval ideals were heavily based on
“The rebirth.” “The early modern period.” The Renaissance is alluded to by many names, referring to the great artistic renewal period beginning in the 14th century and ending in the 17th century. Occurring after the Medieval Period, it is often considered to be the bridge to modern day history as we know it. It was period of change, revival, and great augmentation for society. With the Middle Ages coming to an end and with the intellectual decline that had followed, scholars and thinkers alike began to study the ideals of ancient philosophers of the classical world, most prominently the Greeks and Romans, a time of great innovation and high human achievement, the likes of Humanism that hadn’t been seen for centuries.
The renaissance was a time of great and immeasurable change within all aspects of European life; so much so that it could be seen as beginnings of our modern western society. Leading this revitalization in culture and society in Europe’s historical development were to the two of the most dominant states of renaissance Italy, Florence and Venice. These small city-states were the powerhouses of the time and assisted speeding up the renaissance and helped spur revolutionary developments along the way being the main hubs of influence in the Italian peninsula during the late 13th and early 16th century. Florence could be characterized as a financial centre, with their banking system considered extraordinarily ahead of time; in addition being the main producers of fine elevated their chances to conduct successful trading ventures. Venice was considered one of the largest centers of trade being a coastal city of the shores of the Adriatic Sea, which allowed for prosperous trade with what was then considered the Eastern world; the city was also well known for their quality in ship building as well which likely contributed to them being a large naval power in the region. Now due to fact that both city-states were two different sovereign parts of Italy meant having two different approaches and views on or about a multitude of ideas. To understand the impact of Florence and Venice, the two very influential and affluent republics in renaissance Italy, it is crucial to analyze their over
The painting was a commissioned work for the Medici Family of Florence, a powerful political and financial family which would later go on to become an influential royal house for centuries. Throughout the painting, there is evidence of movement and a prevailing sense you
The focus of this investigation will be “The Medici family supported the artists of the Renaissance era by providing them financial support, throughout mentorship and because of the prevailing philosophy and humanism.” This investigation will focus on the background of the Medici family and how they supported artists of the Renaissances era. This investigation will use a primary source from an artist's work and a secondary source relating to the Medici family uprising.San Lorenzo (church). Medici chapel. Tomb of Lorenzo de' Medici which held Sculptures by Michelangelo and Adrien, De Roover Raymond. The Rise and Decline of the Medici Bank, 1397-1494. Norton Library, 2012.Both sources provide background to the Renaissance time period and how the Medic family treated artists with their power. The two sources are examples of how the Medicis changed the renaissance era through their money and power to pursue artists for their own benefit and for the time periods.