Raul Baryshnikov Research Paper

Her student dance company was founded in 1931, “Ballet Negre” and awarded a Rosenwald Travel Fellowship in 1936 for her combined expertise in dance and anthropology. While studying with Ludmilla Speranzeva and Mark

Born in 1863 to a wealthy family in Moscow, Constantin Stanislavski was originally born Constantin Sergeievich Alekseiev (1). At the time, actors and other theatrical performers were viewed in Russia as low-class citizens given that many of them were recently freed from slavery and were trained as actors to entertain the nobility. Due to his family’s high social status and financial success, Stanislavski often attended theatrical performances and other performing arts shows as entertainment. As a result, Stanislavski discovered his passion for the performing arts, specifically the circus, the ballet, and puppetry (1). However, it was not until Stanislavski’s father, Sergei, was elected as head of the merchant class in 1877 (1) that Stanislavski truly began his passion and career in theatre.

Which choreographer created several famous full length ballets, including Sleeping Beauty, Swan Lake, and The Nutcracker?

As world has changed over the last century or so, the ballet world has been changing with it. There are many people who have helped shape that change. The changes in style were mainly influenced by George Balanchine. George Balanchine, a Russian choreographer and ballet dancer, also known as the father of American ballet, was the man who was said to have changed the style of ballet forever. Along with these changes in style came changes in visual design elements, inspirational figures, and changes in what the ballets themselves tend to rely on. Many of the features given to ballet in Russia in the 15th and 16th century still remain to this day, but many features have been altered to fit . Let’s take a closer look at what features truly

Many people seek to find passion in their life, something they feel gives them drive or purpose. Many only find one, if any at all. Eli Gershkovitch, however, has found three, all while making a booming business in the process. Eli Gershkovitch's interests run the gamut from brewing to aviation to Law and all seem to inextricably intertwine themselves. His interest in craft brewing tied itself greatly to his legal knowledge, experience and landmarks in life. Following his graduation from the University of Toronto's law school in 1987 Eli Gershkovitch began a European tour kicked off a series of events that would bud into a brewing empire.

Tchaikovsky’s “The Nutcracker” and Stravinsky’s “Rite of Spring “ are two of the most influential ballets to ever be recorded. Their ballets have been played and duplicated for many years. I will start this paper with a summary of each composer which will include where they are from culturally, geographically and musically. Then I talk about each ballet. Where it was written, the story behind each piece, and its reception now and its reception at the time it was published. I will also include the popularity of each ballet in other forms such as Disney. Finally, I will provide a detailed concert report of each ballet.

Herschel Schmoeckel Pinchas Yerucham Krustofsky is the cynical, burnt out, addiction-riddled smoking clown host of Bart and Lisa's favorite TV show, The Krusty the Clown Show.

After the Romantic-era ballet had died out in Paris and Russia became the new focus. In 1738, the opening of the Imperial Ballet School in St. Petersburg attracted many great dancers and choreographers such as Marie Taglioni. This school was controlled by an aristocrat named Czar. The most well known 19th century choreographer, Marius Petipa, became the ballet master of the entire school, shaping imperial and classical ballet. Ideas such as increased focus on technique, formulaic choreography, mime and gesture, and lengthy ballets can be seen in Petipa 's most famous ballets. These famous ballets include The Sleeping Beauty, The Nutcracker, and Swan Lake. In the 20th century, Sergei Diaghilev introduced a traveling ballet company called Ballet Russes. Starting out in Paris, this company brings together Russian and Western ideas with a spark of modernism. This company brought together revolutionary collaborations between choreographers, dancers, composers, artists, and fashion designers. Through the development of Russian ballet, there has been rejection and embracement as well as changes in structure and choreography.

Balanchine garnered attention for staging a production of the Stravinsky ballet, Le Chant de Rossignol. He was one of four dancers who had left the Soviet Union for a tour of Western

He brought educational brilliance and quality performance to the American ballet therefore he was the one who gave significance to American ballet. After his death his school, The School of American ballet, remains in operation to this day, training dancers for the New York City Ballet and companies global. The first

To prove everyone wrong, an interest was sparked in supporting ballet to show the world that American artists are just as competence as its foreign competitors. Unlike the Russians who have already established their mark in the ballet world, Americans were not commonly associated as talented ballet dancers. Thus, in 1954, President Dwight Eisenhower set aside $2,250,00 to fund dance, theatre, music, and sports tours to showcase American talents around the world. One of the funded dance tours was a ballet tour by New York City Ballet’s in Western Europe and the Soviet Union in 1962 (Croft, p. 425). New York City Ballet was a company founded by Balanchine and Kristen so their ballet performances reflected the innovation style of American ballet while maintaining its classical grace. Before their tour in the Soviet Union, the dancers were prepared for criticism and even booing during the performance due to the tensions between the two countries. However, all political differences were pushed aside, as “three thousand Soviet ballet fans rose to their feet to celebrate

While with the Ballet Russes de Monte Carlo, Balanchine choreographed three ballets, Cotillon, La Concurrence, and Le Bourgeois Gentilhomme, all of which were centered around principal dancer Tamara Toumanova (“Biography” 2002). He later created the company Les Ballets in 1933 with Boris Kochno, a former private secretary of Diaghilev’s, as artistic director (“George Balanchine Biography” 2014). For the troupe’s opening season, Balanchine choreographed six works, collaborating with Bertolt Brecht and Kurt Weill for The Seven Deadly Sins, Pavel Tchelitchew for Errante, and composers Darius Milhaud for Les Songes and Henri Sauget for Fastes. Unfortunately, the company dissolved within a few months of its inception. As devastating as this was for Balanchine, the company’s sudden collapse would result in one of the most revolutionary meetings in the history of 20th-century dance (“Biography”

“But first a school” said Balanchine when he arrived in New York City. Together they produced the School of American Ballet in 1934. Balanchine did not strictly work with Kirstein, and in 1948, the New York City Ballet came into existence. George Balanchine worked as the schools ballet master and principal choreographer from 1948 to his death in 1983. Balanchine pushed the body’s limits.

Each year, it is a tradition within my family to see “The Nutcracker” at Christmastime. “The Nutcracker” is a ballet about a young German girl, Clara, who dreams of a Nutcracker Prince and a battle with a Mouse King, that was helped to be made famous by a Russian composer, Peter Ilyich Tchaikovsky. Along with “The Nutcracker”, Tchaikovsky composed the works from two other popular ballets, “Swan Lake” and “Sleeping Beauty”. Tchaikovsky and his compositions played a major role in changing and shaping the face of ballet.

Instead, he created something, which possibly is greater than the Ballet Russe was, the New York City Ballet and the America School of Ballet. At the time we covered this information I did not see a possible connection that had with my life. It was just a simply fact of life, he left the Ballet Russe and created his own world renowned ballet company, but looking back in a way all of the students in this class along with thousands of others are Balanchine in a way. After all, we all left what we were accustomed to, our homes, families, friends, and high school. To come to a university. No one know what the outcome will be, but if we all have the vision and innovation that Balanchine had there is not a doubt in my mind that we too, all the freshman on campus, will be able to achieve success. Of course, our form of success will probably fade with the years, unlike Balanchine’s, but we can all enjoy the accomplishment like Balanchine had to feel with the New York City Ballet. Like mentioned earlier, Balanchine’s name will forever be tied to ballet, even the contemporary styles that we studied later in the semester.