Raymond Carver What We Talk About When We Talk About Love Summary

The short story What We Talk About When We Talk About Love, by Raymond Carver, is about two married couples drinking gin and having a talk about the nature of love. The conversation is a little sloppy, and the characters make some comments which could either be meaningless because of excessive alcohol in the bloodstream, or could be the characters' true feelings because of excessive alcohol in the bloodstream. Overall, the author uses this conversation to show that when a relationship first begins, the people involved may have misconceptions about their love, but this love will eventually die off or develop into something much more meaningful.

Carver’s short story “Cathedral” is about a man and a woman who are married. The woman’s blind friend Robert, whose wife just died is coming to stay with them because he plans on visiting his dead wife’s relatives nearby. Robert knew the man’s wife because she worked for him one summer, reading to Robert. The wife and Robert stayed in touch over the years by sending tapes to each other, and letting each other know about what was going on in their lives. When the man hears Robert is coming over he makes idiotic comments about Robert’s wife and felt that Robert would be a burden on them because he is blind. The man and the woman proceed to argue over the situation. The wife tells her husband, “If you had a friend, any friend, and the friend came to visit, I’d make him feel comfortable” (Carver, “Cathedral” 34). The man responds to this by stating, “I don’t have any blind friends” (Carver, “Cathedral” 34). When Robert finally arrives, they converse, drink, and eat together. After, the wife goes upstairs, the man and Robert begin to smoke some weed together. While the wife was sleeping, they start watching TV together and talking. Robert asks the man to explain to him what a cathedral looks like because cathedrals came up on the TV. The man has trouble explaining it and cannot describe to Robert what a cathedral looks like. Then Robert asks the man to draw a cathedral with him. Robert request that the man close his eyes, and they begin to draw. This is where the story ends and it seems that this is when the man became aware of the difficult lives blind people live as he could not explain what a cathedral looked like, and he could not see his drawing.

In this global era of evolving civilization, it is increasingly difficult to ignore the fascinating fact about love. Love is a feeling of intimacy, warmth, and attachment. Love is inevitable and it plays a vital role in human life as Janie uses her experience with the pear tree to compare each of her relationships, but it is not until Tea Cake that she finds “a bee to her bloom.” (106).

Carver uses foreshadowing as a prominent element in this story. There are many examples of foreshadowing throughout the story. The first time the reader gets to see obvious foreshadowing is when the woman picks up the picture of the baby off the bed where the man is packing his belongings. “Then she noticed the baby’s picture on the bed and picked it up. He looked at her and she wiped her eyes and stared at him before turning and going back to the living room” (277). This small detail foreshadows that physical altercation that the couple will go through with the baby. The last big foreshadow that the reader gets is when the couple knocks over the flower pot. “The baby was red-faced and screaming. In the scuffle they knocked own a flowerpot that hung behind the stove” (277). This is very brief and only mentioned in this sentence. But this is the foreshadowing of the relationship that is broken, or even worse the baby being broken along with the relationship. While there are details at the beginning on the story, there are smaller things that can easily be looked over but are very important. The characters in this story, since it is minimalist fiction, are not ever given names. The characters are always just referred to as; the man, the woman, and the baby. The audience never finds out why the couple is breaking

In a social setting where the presence of God is absent, love simply cannot exist. It is a common-truth that human beings require love; in a society where love cannot and does not exist, the void where that “love” would have existed becomes filled with deluded misconceptions of what love truly is. In Marie-Claire Blais’ Mad Shadows, Blais clearly illustrates what happens genuine love cannot exist and is replaced by misinterpretations, with the use of well developed character relationships. In many of the relationships (romantic and otherwise) displayed

Raymond Carver wrote "What We Talk About When We Talk About Love" in 1981, by doing this Carver also created the character Mel. This short story is written in first person narration from Nick, one of Mel's friends. Both of their wives, Terri (Mel) and Laura (Nick) are also in the kitchen having the love conversation with Mel and Nick. Mel is a forty five year old, tall, curly headed cardiologist. Mel also has an ex-wife with whom he had children with. Mel is related to the theme of Love being undefinable by bringing up the conversation of love, talking about several examples of what love is or is not, trying to prove his point even though he does not completely understand what love is, and being an example of undefinable love himself.

Carver’s use of third person objective affects the story by helping his writing technique of extreme simplicity. Because we can’t see into any of the characters minds, less details are presented, leaving the story more plain. “‘I couldn’t wait’ he said. That night they made love again.” This quote shows Carver’s flat prose. There are an abundance of descriptive actions and dialogue

After analyzing Raymond Carver's "What We Talk About When We Talk About Love," it is easy to see that there are several different ideas concerning true love that the characters in the story are in dispute over. Terri's idea of real love is the most valid out of the group at the table. All of the members of the group are rather confused as to what real love is. Terri is included as one of the confused. However, I believe that she is the closest to understanding what love is. A key piece of evidence demonstrating her understanding of love is her remark to Laura and Nick. She scolds the couple for basing their relationship on physical aspects, rather than emotion or passion. Terri, like the rest of the party, is on her second marriage.

Endings can sometimes be a complicated read. The readers are not always given what they think will happen, or the answers to their questions during the story. This is where these stories differ in craft of the endings. Carver’s ending does not necessarily answer the question of “Does he forgive his wife?”. Because the ending of this story is not perfectly clear, it leaves the readers to think what they want. On the

After analyzing Raymond Carver’s “What We Talk About When We Talk About Love,” it is easy to see that there are several different ideas concerning true love that the characters in the story are in dispute over. Terri’s idea of real love is the most valid out of the group at the table. All of the members of the group are rather confused as to what real love is. Terri is included as one of the confused. However, I believe that she is the closest to understanding what love is. A key piece of evidence demonstrating her understanding of love is her remark to Laura and Nick. She scolds the couple for basing their relationship on physical aspects, rather than emotion or passion. Terri, like the rest

In the story “What Do We Talk About When We Talk About Love”, married couple Mel and Teresa tell their friends, Laura and Nick, about their past relationships. Terri was once in an abusive relationship with a man named Ed. While everyone else can see how toxic the relationship was, Terri has a different view and thinks that Ed “loved her so much he tried to kill her”. Ed ends up committing suicide after two attempts. After Terri is done telling her story, Mel begins his.

Love is something we all long to have, but it is among the emotions which subvert our judgement to it’s will. In Jodi Picoult 's The Storyteller the main character Sage falls in love with Adam, a man who is already married. She knows that what she is doing is wrong, but continues due to the fact that she feels so strongly attached to him that it doesn 't faze her.She knows it is wrong, but love is what fuels this affair. She eventually comes to her senses and leaves him, but it took Leo falling in love with her and he grandmother’s story about life during the holocaust to make her realize this. Love is to a thunderstorm as rational judgement is to the light of the sun. One obscures and hides the other.

     On account of Carver's use of the outsider's perspective, the reader is not prepared for the climactic ending: "She would have it, this baby. She grabbed for the baby's other arm. She caught the baby around the wrist and leaned back. But he would not let go. He felt the baby slipping out of his hands and he pulled back very hard. In this manner, the issue was decided.' Here, the reader comes to the point of the story, that two people's own selfishness blinds them to the suffering they cause another. Carver says of this approach. "Almost all the characters is my stories come to the point where they realize that compromise, giving in, plays a major role in their lives. Then one single moment of revelation disrupts the pattern of their daily lives. It's a fleeting moment during which they realize that they don't want to compromise anymore. And afterwards they realize that nothing ever really changes" (Carson). The story ends with the reader guessing at the emotional depth of the characters and why they would stop at nothing to get what they wanted. As the man

Love is one of the most liberating connections two people can hold between each other when it is authentic and sincere. Many find completion and satisfaction when they find this ideal, true love in another. However, when love is turned into a façade in order to create the image of an perfect, fulfilling relationship, it can be alienating and destructive. In Walker Percey’s essay, The Man on the Train, he claims that love is ultimately a source of alienation instead of an escape into wonderful satisfaction. This theory is exemplified in Frank Capra’s It Happened One Night, a story of a woman, Ellie, on a journey to fill her void of true love and escape her feelings of alienation. only exacerbates her sense of alienation instead of

As I tracked the theme of love in The Illusion, I noticed the production team incorporated this theme into the light design. When the lovers in the illusions connected physically, either by touching hands or kissing, the Edison light bulbs hanging from the ceiling twinkled. This change in the lighting indicated that the lovers were not only making a physical connection but that they were also making a psychological connection. Additionally, there is a subtle change in the lighting when the fathers comment on their ideas of love. One specific example of this occurs when Pridamant says to Alcandre, “ Love, yes, but what does love mean? Nothing. Anything can be called love, any sort of emotion” (Kushner 14). Later, Geronte says virtually the same thing to Isabelle,” Love, love, what does love mean? Nothing! Anything can be called love, Any ugly emotion” (Kushner 49). As each of the fathers speaks these lines, the lights brighten and dim, indicating the importance of these words. One final example of how the light design