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Recording Techniques for Pink Floyd's Dark Side of the Moon

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Recording techniques for Pink Floyd’s Dark Side of the Moon

The album The Dark Side of the Moon, by Pink Floyd was an album that pushed the boundaries on multi-tracking and tape looping, as well as mixing in1973. The engineer, Alan Parsons, use many unusual techniques to help create the sound that we know and love. Which landed the album on the charts for 750 weeks. Dark side of the moon was first lead engineering job Alan had with Pink Floyd and only took a year to record.
To record this album an EMI console, a 16-track tape machine, a Fairchild limiters, and an EMT plate reverb were used. There were also up to five or six tape machines doing various delays, reverb delays, ect. at one time. Alan remembers “on the mix having to …show more content…

The first song I will talk about is “ Speak to Me” in the opening of the song there is a heartbeat this was done with a heavy gated bass drum. Alan used Kepex noise gates, which were new technology at the time. The band also thought it was a nice idea to have some speech throughout the record. So they recorded people answering questions off a stack note cards. Then Alan placed the voices in later where the band felt it appropriate. (Classic Albums: The Making of The Dark Side of the Moon)
The next song I will talk about “Time”. When recording this song many unique techniques were used for the time. Alan suggested to the band the idea of using real clocks. He made stereo recordings in an antique clock shop. Using a portable tape machine he record each clock one at a time. Then he put them together on the multitrack tape by back-timeing the quarter inch originals that he had and starting that next one on time until they were all layer together. (Classic Albums: The Making of The Dark Side of the Moon)
I think the clocks are a very important component to the song. It was surprising to me to find out that it was Alan’s suggestion. This just goes to show that the band trusted his creativity and engineering skills.
The song opens with a heavily gated bass line, this was done live many times before the recording, but it was the new gating technology that was mentioned earlier that allowed them to get the tick tock

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