Reflecting The Viewpoints of Time in Art Essay

“David Slaying Goliath” by Peter Paul Rubens is an example of Renaissance art. This painting depicts a well-known Bible story of a young Israelite boy named David who kills the giant, Goliath, with a slingshot, and chops off his head with a sword. Rubens has chosen to illustrate this Bible story at the moment when David is about to hack off Goliath’s head with the giant’s sword. In addition, we see armor-clad soldiers rushing into battle in the background. In “David Slaying Goliath,” Peter Paul Rubens uses color, value, and line to illustrate the dynamism and energy within the painting that makes it look realistic. In addition, these elements contribute to the sense of excitement and anticipation of the event depicted.

Also, the painting lets us see the ideal of sacrificing. Sacrificing is not meant in the context of the Antiquity where it can mean actually sacrificing a human life, but as to bring a sacrifice. Everything must be sacrificed for the main ideal and in this case, that is the French Revolution. It is about the personal sacrifice for a ideological political situation. The Horatii brothers are willing to sacrifice their lives for the victory of Rome. Eventually, two brother sacrifice themselves for the greater good that is the city of Rome. Publius Horatio fights on and beats the Curatii, he fights for the ideal of the city of Rome. That same reasoning and interpretation can be made in relation with France and the French Revolution. The French people needs to sacrifice themselves for the greater good, according to David. The most important thing is that the ideals of the French Revolution keep existing and that there is no monarchy in France. (Khan Academy)

The statue of David, completed by Michelangelo in 1504, is an easily recognizable symbol to people not only in Florence, but from all around the world. The David has a special meaning for Florentines, and is a symbol of what the city strives to be; strong, courageous, and youthful. The sculpture tells the tale of the battle between David and Goliath. David, a young boy at the time, was angered at the way Goliath was treating the Israelis and stood up to the giant feat of taking on Goliath. With a simple slingshot and stone, he defeated the angry giant, and became a symbol of liberty. The story shows that anything can be done with the help of God. David is not only the most well-known sculpture in the world, but is housed in one of the

how beautiful ideals were painted for our boys who were sent out to die. In War is a Racket, the

Christ Hedges, war correspondent and Pulitzer Prize winner, in a chapter titled “The Destruction of Culture” from the book War is a Force That Gives Us Meaning, asserts that in war a state’s interest is in the extermination of discordant peacetime culture. Hedges asserts his claims that war transforms art, writing, and literature, that people, in disbelief of the consequences of war, favor a myth, and that the state manipulates education and media to reinforce their narrative. Meanwhile, he uses first-hand personal experiences and historical evidence to demonstrate these effects of war. Hedge’s goal is to expose that ugly nature of war in contrast to our natural glorification of it in our perceptions of history in order to propel the cause

The city of Florence has gone through many invaders, illnesses and many other deaths not related to the battlefield. They had survived it all they believed that they had God on their side and have always come out on top, much like the biblical story of David in battle against Goliath. This influenced Florence to take on David as their symbol and used it to portray the success of Florence. Many artists have created sculptures portraying works of David. It has been depicting it in so many different manners, that there is at least one surviving example from each major art periods. Although there are many we will only be focusing on two works of David. First is Donatello’s classically inspired youthful boy depiction of David, and the second is Bernini’s heroic warrior.

An artist's job is to interpret, and express the aspects of life in a creative fashion. War has played a big part in shaping our human history, and many artists have portrayed their feelings about art through paintings, and even monuments. Whether it be to show; the joy of victory, the sorrow of defeat, or to educate the public on the gory realities of war. Art about war can also show us a great amount of history of the kinds of weapons that were used at the time. It is necessary for artists to interpret, and criticize all aspects of life; even ones as tragic as war, It can make the public more aware of what goes on in times of war.

Unlike the David of Donatello, Michelangelo's David is not shown after conquering his enemy. Instead, he is portrayed as an extremely athletic and manly character; the sculpture even depicts a worried look cast upon David's face and the carved marble veins seem to pulse with anticipation as he contemplates the upcoming fight. Cast over David's shoulder is his sling, and the stone is clutched in his right hand. Michelangelo's David depicts the ideal youth who has just reached manhood and is capable of great physical and intellectual feats, which is part of the classical tradition. Michelangelo's David portrays one man in a very powerful and intelligent light, and even hinting that this one man may be some

The art piece created by Claude Vignon , “David with the Head of Goliath” has three important elements that are vital towards the piece in order to portray a message of power and authority. Which are the focal point, proportions, and the contrast of this particular piece. The artwork is oil on canvas that was made around in 1593-1670. The subject matter of the artwork is depicting the moment of pride David had with the head of the giant Goliath being laid next to his small body. The portrait of David is seen on the viewers middle left side, while the head of Goliath is in the middle right side next to David’s. David is seen wearing clothes that appear to be a size to big on him, to the point where the shirt is slipping from his shoulder (exposing his left shoulder). The clothes themselves are interpreted as royal clothing, having a big headpiece located in the top half of the painting. With the exposed shoulder being leaned forward on, in his left hand David holds a silver sword that is seen to to take

David paints in the neoclassical style. Neoclassicism was an era in art where artists were inspired by Greek and Roman style. Socrates was of course Greek, so the subject matter in itself can represent the painting era. Another important aspect which is surely presented in this particular painting is the focus on the thought processes rather than sensuality of art. Subject matter was more thought provoking, dark and morally driven than it was an appeal to emotion during this era. Socrates’s calmness while dying represents that clearly. His almost divine like quality also alludes to that.

This painting is about a Roman story about virtue, liberty, and death. The three brothers in the painting can be seen grabbing three swords from their father’s hand. They are ready to go protect their land by defending Rome. Frank described this painting and David as, “... David gave revolutionary leaders and inspiring image of themselves rooted in history”.

Because of the facial features portrayed on the face of the statue of David, it is suggested that Michelangelo sculpted David to portray him after his decision to fight Goliath was made but not before the actual battle took place. Michelangelo kept the Renaissance practice of keeping its subjects in a calm position, by depicting David’s action before the battle in his statue.

Time Time is defined as a measured or measurable period, a continuum that lacks spatial dimensions. This broad definition lacks the simple explanation that humans are searching for. There are many scientists, philosophers, and thinkers who have tried to put time into understanding terms. The aspects of time that we can understand are only based on what we can perceive, observe, and calculate. Every day we look at our watches or clocks.

Not only did David want to do this but his artistic viewpoints wanted him to reflect the use of propaganda to others through art in the Neoclassical era. In other words, he wanted to depict through the painting how politics during the French Revolution were taken sternly and had serious repercussions in a sort of misleading way. In the same way, if you did not fit into the rest of society and you stood out you were labeled as a target. As we see Marat was murdered by Corday who was seen as his political enemy. In the meantime, through the style of David’s painting we see the use of iconography or “the study or description of images and symbols” . Here in this painting of The Death of Marat we see the main image (i.e. Marat) being used as more than just the centerpiece of the work rather, the symbol of the work which means there is more to this work than just The Death of Marat. Strangely enough, we can see the use of iconography when comparing The Death of Marat to an almost political Christ of his people. Meaning that Marat was killed for his religious beliefs/political beliefs and died for his people as that of Christ did with his religious beliefs. Incidentally, we can say that “David’s clear sympathies for Marat and his transformation of the politician into a timeless martyr” or someone who sacrifices their life for not believing in Marat’s case the political beliefs of the others in

Over four hundred years of art ranging from the Early Renaissance and the High Renaissance to the Baroque and the Enlightenment in Europe many people have faced war, conflicts in religion, disease, and new artistic style. Some of the artist during these times changed styles all throughout art history their names are Michelangelo, Leonardo Da Vinci, and Caravaggio.