Relation Between the Structure of Power and Poverty Essay

The article Being Poor, Black and American: The Impact of Political, Economic, and Cultural Forces written by William Julius Wilson is about the struggles and inequalities African Americans living in poverty encounter. Wilson discussed political, economic and cultural forces that have an impact on American impoverished communities. The author suggested the natural disaster of Hurricane Katrina brought the media and world attention to poverty in the United States. Prior to Katrina, the author believes Americans did not focus or sympathize with poor communities. This unsympathetic attitude stems from the belief that people are poor because they did not work hard enough, or are not doing anything to get out of that situation. After Katrina, Americans started to notice and care about the impoverished communities because the hurricane was a natural disaster and out of their control. Overall, the author explains how politics, economics and cultures forced many families into poverty, and diminishes the idea that people live in poverty because of their own shortcomings.

In Bell Hooks, Seeing and Making Culture: Representing the Poor, Hooks writes about what she considers to be hazardous in dispositions towards neediness in the United States, and in proposing arrangements. Hooks starts the essay off by saying, “Americans today rarely talk about the poor” (Bell Hooks). She explains that Americans acknowledge the existence of four groups: the poor, the working class, those who worked and have extra money, and the rich.

    In her writing, George examines how certain organizations, such as the “Habitat for Humanity” that aim to eliminate poverty may be working against themselves by the way they choose to show the problem. The visual representation that the organization gives reflect the understanding that most Americans have when it comes to what poverty really is. Showing the typical shacks, dirt, and black and white photos will alter a person’s mindset on poverty and cause them to not be able to recognize themselves in that situation. In reality, the poverty in countries like Africa are no different than the poverty we have in America. Georges writing gives examples of how Americans within our society are not motivated to help people as compared to other countries. All the sources she uses in her analysis are representing

Many movie companies and industries have made millions of dollars off of movies that portray poor people, because many individuals prefer to relive the times when they were either poor, or disliked by the society as a whole. There are many movies such as Pretty Woman which “is a perfect example of a film that made huge sums of money portraying the poor in this light” (Hooks, 486). Hooks perceives this as a very good way of making profit, but does mention that the poor should not be devalued by the society this way, and should be treated differently with respect. The way the companies portray the poor in the movies is the way the higher and middle class

Linda Tirado, author of Hand to Mouth Living in Bootstrap America, tells her story of what it’s like to be working poor in America, as well as what poverty is truly like on many levels. With a thought-provoking voice, Tirado discusses her journey from lower class, to sometimes middle class, to poor, and everything in between. Throughout the read, Tirado goes on to reveal why poor people make the decisions they do in a very powerful way.

In professor and editor Diana George’s article, “Changing the Face of Poverty: Nonprofits and the Problem of Representation,” published in the printed book Popular Literacy: Studies in Cultural Practices and Poetics, in 2001, she insists that representations of poverty in the media, only reveal of a small percentile of everyone impoverished, which makes them counterproductive. Opening with a brief anecdote about donation appeals made by nonprofit organizations, George directs her article towards the organizations themselves offering a suggestion to maximize the impact of their work. That suggestion is that representing poverty in a wider light, helping to display the more complex ways individuals are considered to be in poverty. The examples that George provides, become a pillar for her thesis that these current representations of poverty, while emotionally capturing, work against themselves.

In “Changing the Face of Poverty”, the author Diana George shows different ways poverty is advertised and displayed. She disagrees with the way poverty is addressed and visually represented, in a limited way. I agree with the way she wants people to acknowledge how poverty is being misunderstood.

In ‘Seeing and Making Culture: Representing the Poor’ by Bell Hooks, issues involving the poor and the rich in the society are brought to light. Hooks addresses issues such as how the poor are viewed in the community, common assumptions about the poor, and how the poor are represented in the media. In her analysis, it is evident that those living in poverty are grossly misrepresented. This misrepresentation affects these people’s daily lives.

Ethos, pathos, and logos are all devices that Barbara Ehrenreich effectively uses throughout her novel Nickel and Dimed to prove that America needs to address the commonly overlooked issue of poverty within every community. It is important that she uses all three devices because they help support her argument by increasing her credibility, connecting to the readers’ emotions, and appealing to their sense of logic. The combination of these devices puts a sense of urgency on the problem Ehrenreich is addressing and therefore creates an effective argument.

As far as she describes, she just enjoyed living with grandparents and she says that the lure of life was everywhere and in everything, but no one in the crowded house had a regular job or social security number, and no one talked about class even if they were open about money. Hooks' personal memories tell me that poor people are afraid to talk about class because to be poor in the U.S. was to be an object of shame and ridicule, and because they were afraid to face the reality that makes them feel miserable, unpleasant, and unsecured. And the most importantly, most of them are not really conscious about how classism affects and exploits them. On the other hand, according to Hooks privileged (mostly white) people do not want to talk about class because they do not really want to change. Hooks says "Citizens in the middle who live comfortable lives, luxurious lives in relation to the rest of the world, often fear that challenging classism will be their downfall, that simply by expressing concern for the poor they will end up like them, lacking the necessities of life". We can see the widening gap between rich and poor and more and more class-segregated society in the U.S. today, but this appears rather favorable circumstance for the privileged people with class power. I came to realize that whites of all class backgrounds seek to keep underprivileged non-white people in subordination to maintain their own class status. Hooks interprets it "the victims

What is your perception of the poor and less fortunate in society? Would you say that you have a low perception of them or do you regard them in the highest? Would you do your social duty to reach out to the poor and impoverished to assist them, or help assist, in establishing programs that would aid in leading them to a brighter future? These are the questions that I ask of myself as I read, “Seeing and Making Culture: Representing the Poor,” by bell hooks. My paper examines the perception that pop culture, society, and media have of the poor, as well as, the expectations and responsibilities of society to ensure a response to

Go to Chicago, New York, Paris or Madrid, on every street corner you see a person less advantaged, poor, and desperate. Then go in a store, see others carrying expensive bags, swiping their credit card left and right. We live in a world of extreme poverty, balance seems nonexistent. Poverty can result in broken homes and in turn, broken lives. In the book Just Mercy by Bryan Stevenson, Walter Mcmillian’s adult life, Trina Garnett’s childhood and Antonio Nuñez’s domestic life show that poverty was the cause of their incarceration and determined the success of their lives.

In the article, Hooks focuses on the issue involving lower and higher class and comparing them in poverty by giving her own personal experiences to illustrate her argument. While addressing the assumptions made about the poor and the view in America culture in the U.S. usually portrays the poor in ways that radiate negative stereotypes according to Hooks. The way that the poor are being represented on television. Hooks clarifies that the misinterpretations of those in poverty can affect their daily lives. Popular culture in the U.S. usually portrays the poor in ways that radiate

I liked bell hook’s essay “Seeing and Making Culture: Representing the Poor”. Bell assesses the light in which higher class people view the poor or lower class. Bell hooks, also known as Gloria Watkins grew up in a small Kentucky town where her father worked as a janitor for the local post office. As one of seven children she was taught that money and material possessions did not make her a better person but hard-work honesty and selflessness determined character. Her hard work landed her acceptance into Stanford University. Although she received various scholarships and loans, her parents worried that she would not have enough for books and supplies or emergency funds. Regardless of this, belle went on to earn a Ph.D. Her experiences and education earned her a very good reputation and even an authority writing critiques on popular culture and diversity (hooks 431-432). She uses ideas in her essay “Seeing and Making Culture: Representing the Poor”, that stem from her own personal experiences with poverty to add credibility to her writing, as well as examples from pop culture and mass media to demonstrate how these representations portray the lower class in ways that radiate negative stereotypes. She wrote the essay because she saw how the poor had many assumptions made about them. It wasn’t until college thought that she made that discovery. She discovered how unjustly they were represented due to the

Words provoke preconceived ideas and images in the mind, when it comes to a situation like poverty these preconceived notions can have undesirable and unintended consequences. Diana George examines the semantics and the imagery of the word poverty in her article titled “Changing the Face of Poverty; Nonprofits and the Problem of Representation. While also addressing the issue of the perception poverty and what someone in poverty truly looks like (676). Prof. George is arguing that organizations like Habitat for Humanity, which are created to help people in poverty actually perpetuate the wrong image of what someone in poverty looks like (678). Most organizations created to help those in need, especially those in the US tend to portray poverty as what is seen and thought of as living conditions in Third World countries (683). In reality, poverty is all around each and every one of us in this country on a daily basis, and people might not always recognize it for what it is (681,682). Furthermore, the majority of people living in poverty in the United States do not live like or look like someone living in a Third World country. But in reality they are still living in poverty nonetheless (682,683). Organizations that portray people living in poverty here in the US as totally devastated and completely impoverished are doing a disservice to the people they are attempting to help. Consequently, by doing this they are giving a limiting idea of what someone living in poverty