All relationships reach points of turbulence, in which the strength of their bond is put to test. Most relationships are able to overcome said turbulences however, the most troubling relationships are those who allow themselves to be influenced by outside sources. Desdemona and Othello’s relationship begins to turn to a breaking point when Othello’s “so called” right hand man, Iago, traduces about Desdemona. Their marriage is constantly being put to test. Desdemona and Othello have the most troubling relationship due to the influences of outside forces.
To begin with, Othello and Desdemona’s relationship is troubled due to Iago’s manipulation. Firstly, Iago wants to get retribution against Othello because Othello does not give him the
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This foreshadows Desdemona and Othello’s marriage which makes Iago satisfied with Othello’s sorrow. Iago is manipulating everybody including, Brabantio and Othello in order to subjugate their mindsets in order to gain power in the city of Venice.
Furthermore, Desdemona’s honesty is being challenged by Iago’s false accusations about her behavior in her marriage. Firstly, Iago brings up Desdemona’s truthfulness in her marriage directly to Othello when he stages the conversation he has with Cassio. In Iago’s words, “Bade him anon return and here speak with me, The which he promised. Do but enclave yourself, And mark the fleers, the gibes, and notable scorns That dwell in every region of his face” (IV.i.70-73). Iago is twisting the truth about Desdemona’s relationship with Cassio so Othello can hear it and assume the conversation is about Desdemona’s “affair” with Cassio, causing him to become psychotic out of jealousy. Secondly, Desdemona is being accused by Othello of losing the handkerchief. When Othello asks Desdemona for the handkerchief, she changes the topic of their conversation and ignores his question on its whereabouts. Othello speaks aggressively towards Desdemona because he knows she is lying about having the handkerchief. Desdemona says, “I never saw him like this before. There must be some magic in that handkerchief. I’m miserable that I lost it” (III.iv.89-91). Iago, with mastery of deception, is able to set Desdemona up
In Shakespeare's Othello, Othello's pride prevents him from finding the truth, eventually leading to his demise. Initially, Othello and Desdemona are deeply in love, despite her father's disapproval of their marriage. However, when Othello promotes Cassio instead of Iago to Lieutenant, Iago has his revenge by convincing Othello that Desdemona cheats on him with Cassio, destroying the marriage between Othello and Desdemona. Othello grows to meet his downfall when his trusted friend Iago causes him to think that his wife Desdemona is unfaithful.
Identity is a part of everyone and it changes as they grow, but how it changes varies depending on aspects of the person’s life. In the play Othello by William Shakespeare, and Desdemona is an influential character who is married to Othello. Her identity changes as the play progresses, but the characteristics in her life change her identity. Desdemona has many factors influencing her identity, but three of them are family, gender and sexuality, and race and culture. Family includes her father’s treatment of her, and how he feels when Desdemona betrays him. Race and culture influence the way her community sees her relationship with Othello, and also how her community sees her. Finally, gender and sexuality forces her to take on gender roles in her relationship with Othello, in being the weaker sex, and also how people view her because she is a woman (they see her as property). Desdemona from Shakespeare’s play Othello, changes her identity through her family, gender and sexuality, and race and culture.
Somehow Iago manages to manipulate Othello into thinking that Desdemona cheated on him. When he demands that she show him the handkerchief he had given her, and she does not, he is convinced that she is being unfaithful. This is when he decides that he must kill her. Later in the novel Othello suffocates Desdemona out of jealousy.
Othello is an easy target in this drama, because Iago already knows that he is a very insecure person. With that stated, it will be easy for Iago to use Othello’s jealousy to trick him into thinking that Desdemona is an unfaithful wife. Iago will manipulate the way Othello sees things in order to convince him that what he sees is innocent acts between Desdemona and Casillo. Iago’s starts to plant the idea in Othello’s head of an affair after Othello sees Casillo rush leaving Desdemona in a manner that looked as though he is guilty (1223). Alone with Othello, Iago begins to make Othello feel threatened by Casillo and Desdemona’s apparent relationship by bringing up the fact that Casillo served as Desdemona’s and Othello’s go-between during the time of their courtship. The conversation ends with Iago asking Othello to watch carefully of Desdemona and Casillo, and Iago exits giving Othello time to question the accusation of Iago (1225-1228).
Starting off, Othello allows Iago to tamper with his mind and does nothing to stop it. Othello puts all of his trust in him, but Iago is just hiding behind a mask and only wishes to torment Othello. Othello is not aware of his surroundings and the people there, making him vulnerable. If he paid more attention to Desdemona and not Iago than he would not have thought to kill his loyal wife. Othello jumps to conclusions too quickly
to be weak and naïve in the eyes of her father. We can tell this from
Othello is not hurt because of a failing love, but because of how it makes him look and hurts his pride. This is when things get ugly. Othello puts more trust in Iago than in his own wife. This is due, in part, to Iago's manipulative skills, but mostly to Othello's lack of communication skills, especially with his wife. But Desdemona does not do anything to mediate the situation and lets the condition escalate, and her self-blaming attitude only perpetuates Othello's misgiven notion that she has been falsely accused . After Othello strikes her in front of the whole dinner party, and orders her around like a peasant,
Iago does this because he not only hates Othello but he is jealous of him. He tells him that his wife is unfaithful to him. Othello is in the early stages of his relationship so he believes Iago. Iago makes it seem as if Desdemona is cheating on Othello with someone else. Othello does not even check to see if these things are true. Iago had pushed him so far that he was past all reason and logic. He rages and kills his wife and the man she is allegedly having an affair with.
How is the theme of suffering portrayed in ‘Othello’, ‘Wuthering Heights’ and ‘One flew over the Cuckoo’s Nest’?
Nevertheless, Iago’s manipulation influences Othello and Desdemona’s relationship, and it affects the other characters in the play. One of Iago’s motive
Daringly, Shakespeare opens this tragedy of love not with a direct and sympathetic portrayal of the lovers themselves, but with a scene of vicious insinuation about their marriage. The images employed by Iago to describe the coupling of Othello and Desdemona are revoltingly animalistic, sodomistic. [. . .] This degraded view reduces the marriage to one of utter
Othello, not knowing that Cassio was in fact speaking with Desdemona in hopes of being reinstated as Lieutenant, mistakenly believes that the two are having an affair and that Desdemona has lost her chastity. Iago skillfully capitalizes on the situation by developing his attack further: "She did deceive her father, marrying you" (3.3.220). Othello begins to see Iago's reasoning: if she could deceive her father, she could just as easily deceive her new husband. Once Othello's bliss has been decimated, Iago concentrates on weakening Othello's perception of himself; Iago very carefully and very tactfully chooses words and metaphors that subconsciously pit Othello against the Venetians. Othello begins to perceive himself as an outsider in his own country, "a malignant and turbaned Turk" (5.2.365). A fruitful marriage with a Venetian woman becomes out of the question in Othello's mind. Iago's successful manipulation takes a self-confidant man and reduces him to one at ends with himself and with the woman he loved.
Othello and Desdemona’s manifestly love-filled relationship was somewhat shielded by society’s views of the age, social position and race differences, that would evidently cause implications. In the late sixteenth century, the time in which Othello is based, it was disreputable to do anything that was thought of as abnormal, for example, marrying below your class. Othello and Desdemona’s relationship was quickly looked down upon, simply due to the fact that it was seen as
In Shakespeare’s play “Othello” the main characters Othello and Desdemona suffer a tragic fate due to their actions and unforeseen circumstances. A majority of Desdemona’s suffering is down to Iago’s manipulation. However, it could also be argued that Iago is not completely to blame for the misfortune of Desdemona. We as the readers can see evidence of this at certain points in the play where Iago has planted the seeds of despair and Desdemona and Othello have fallen for his plans. In this essay, I will look at key moments in the play where Desdemona is presented as a tragic victim by the writer and justify why she is a tragic victim using quotes from the play.
Othello and Iago love emotions shows throughout the play that they have certain different view on their wives. Othello is so in love with Desdemona that he can’t imagine the thought of her being unfaithful to him. The aspect of him and his unbreakable love for Desdemona can be seen in these lines: “But that I love the gentle Desdemona, I would not my unhoused free condition, Put into circumscription and confine” (Othello 561;lines 25-28). Othello and Desdemona shows a healthy and genuine love for each other. Othello shows his affection for Desdemona despite their racial differences. Throughout the play Othello reassures us about their love and no one else’s thought can break it.