Religious Connotation In Life Cycle By Bruce Dawe

Always have compassion, be humble in what my assigned duties are, give respect and reverence unto God, and continue to equip myself for mission work unto God. Keep up with my prayer life, daily devotion and meditational times.

Our knowledge of the generic conventions used in poetry influences our understanding of the text. “The Firstborn”, a poem by Aboriginal author Jack Davis, enables the reader to determine the poem as a graphic protest about the extinction of and discrimination against the Australian Indigenous people, and the loss of their ethnicity, as their world collides with the Western culture. By focussing on my understanding of both generic conventions and author’s context, I am able to conclude that the poem concerns a tragedy within the Aboriginal community.

Australia is filled with many different aspects in which makes it the country it is today. I believe it is important to study texts that explore aspects of Australia by studying texts such as ‘The Club’, by David Williamson, a play written in 1977 about an Australian football club and movies such as “The Castle”, directed by Rob Stitch in 1997, about the daily life of an Australian family when their happiness is threatened when developers attempt to buy their house to expand the neighboring airport. Both these texts show us what Australian life was like in the past. By us looking at themes such as language, tradition and the mateship shown we are able to explore different aspects of Australia that make it what it is today.

In a series of verse paragraphs, Dawe focuses on the 1950’s society with an emphasis on the consumerism, materialism and lack of individualism. He seeks to convince an important issue in the Australian Society-Our consumer driven culture; a culture that defines us through what we buy and consume. The focus of Dawe’s criticism of the consumerism is the family that bought home the baby from the hospital. Dawe portrays it in a satirical way; the family life and the individual lives of the family members who have been dehumanized by such a mercantile society. He instills strong commands when describing his family commodities: “One economy-size Mum, One Anthony Squires-Coolstream-Summerweight Dad along with two other kids straight off the junior department rack.” The warmth of the mum, dad and kids, contrast with the advertising language which describes them. It is as if his mum is the size of a washing machine, the father is summed up by the suit he wears, and the baby siblings have been bought like goodies in an apartment place. Dawe is not saying that this is actually true; he is using metaphors and exaggeration.

Charlie articulates how he “never understood why you would ever feel the need to shoot the fish in the barrel… (if) they’re in a barrel, you’ve already caught them… they can’t escape... why bring guns into it?” Silvey’s use of characterisation and first person point of view portrays Charlie’s realisation of the community’s racial prejudice towards ‘the other’. The “fish” is symbolic of Charlie and how he is different to the people of Corrigan; who are like vultures – constantly seeking the chance to attack those that are considered the ‘minority’. Charlie’s close friend, Jeffrey Lu, is a gifted and committed cricket player who persistently tries to get himself in the local team, however, due to his Vietnamese background, “he’s ruthlessly bullied and belted about by the boys at school.” The emotive imagery and alliteration of “bullied” and “belted” further depict Charlie’s internal conflict in addition to his realisation of the community’s racial prejudice towards the peripheral of society. The use of emotive imagery positions readers to realise the extent to which powerful words can have; causing readers to recognise how crude and harrowing humankind can be towards the marginalised. Thus, Silvey effectively conveys to the reader how the indigenous race were isolated from ‘white Australian’ society; how intelligent individuals were ostracised; and, how groups of people with racially different backgrounds were isolated from mainstream Australian society.

Through the use of poetic devices, the author has successfully encouraged the audience to explore their thoughts on Australian identity and to reflect on our nation’s history.

In addition to this, the poem uses auditory imagery to shatter the dream-like atmosphere that has been created surrounding the suburb, with the “howl of the twin-cam war party” and the “techno pulse” destroying the tranquillity, and emanating the “invasion” of Australia by the Europeans over 200 years ago. This further works to evoke feelings of empathy from the reader by allowing them to observe “eye for an eye” philosophy, present throughout the poem, in phrases such as “areas we treat with the same contempt laid upon us”. These ideologies are present throughout Samuel Wagan Watson’s body of work, with many poems throughout the anthology displaying similar attitudes towards the colonisation of Australia, and the degradation of the spirituality of the land that followed.

Robert Grey is an imagist who paints with words. Using imagery in his poems, Grey is able to visually communicate emotions and ideas. His poetry is concerned with the urbanisation effects on Australian nature and changes it brought within the lifestyle. This is metaphorically expressed in the poem ‘Journey: The North Coast’ as he dwells on the sheer beauty that can be found in the natural world in contrast to the alienated environments manufactured by men. In contrast to the idea of modernisation, Grey also expresses values of love and respect for the environment and nature through the physical and emotional journey. Additionally, the idea of Australian landscapes and strong sense of

Karen Armstrong, author of “Homo Religiosus,” claimed that without the physical rituals and traditions, religion morphed into a belief. Simply put, Armstrong argued that religion requires not only blind faith but also customs and practices that affect one’s physical and mental behaviors. It is through these rituals and taboos that the religions grows and forms, and yet also changes when deemed necessary. Additionally, Armstrong constantly compares religion to different art forms. She does this to convey the message that much like art, one must focus and study religion for lengthy periods of time to be properly understood. However, this connection also suggests that art and religion can perform an analogous role to humankind when required, as they both evolve and change when a society 's infrastructure does. Throughout her essay “Homo Religiosus,” Armstrong focuses on the similar role that both art and religion play in society to discuss her claim that religion is not just a belief, but rather has to do with changes in physical and mental behaviors that in return create change in society and the religion one needs.

Dawe, born in Fitzroy, Victoria in 1930, became known as the ‘poet of suburbia’ living an unconventionally conventional life. Having been born during the great depression Dawe worked many occupations. This allowed him to develop a great deal of empathy with and give voice to ‘ordinary Australians’ through his poetry. Maguire however, born 1935 in Oklahoma lived an ‘average American life’ and from that perspective was able to compose his song ‘eve of destruction’. Maguire’s song, like Dawe’s poem

Robert Gray is an Australian poet whose work is closely linked with nature. He grew up in the post ww11 era, and lives on the north coast. The poems ‘The Meatworks’, and ‘Flames and Dangling Wire’, express how he feels about life, his experiences and his beliefs. His poetry has such an enduring nature because it can be understood in so many different contexts, and includes universal themes which remain relevant to societies past, present and future.

Bruce Dawe, an Australian known poet, born 1930 is still one of the biggest selling and most highly regarded poets of Australia. His ability to write such influential poems has made an impact on a number of people, as each poem can be related to the ordinary living lives of Australians throughout the years. Bruce Dawe's poems are interesting because they comment on the lives of ordinary people. This statement is agreed on. In relation to the statement, three key poems can be linked being Enter Without So Much as Knocking (1959), Homo Suburbiensis (1964) and Drifters (1968).

Australia is also seen through the contrast of Jim and Ashley’s cultures – Jim living in Australia all his life, and Ashley being educated in England. Ashley is seen as higher class than Jim, because Ashley owns land, received a better education, while Jim is working class, and was educated in a one room school. Ashley’s classical taste in music suggests an education, also.

Many people believe that that the motivation of the Christian church is to radically “change the world”. However, through his book To Change The World, James Davison Hunter explains how this common believe is a misconception. Rather, he shows readers that, from a sociological perspective, while Christians thrive in many areas of life by reaching others individually, they fundamentally components of creating cultural change.

‘The Ballad of Calvary Street’ by James K. Baxter is a poem used effectively in order to develop the key idea of appearance vs.reality. This idea is developed in the poem to reinforce idea of Baxter’s underlying dislike for modern suburbanised society. He struggled throughout his life to understand modernized society. Growing up as a Catholic, he eventually came to an epiphany and realised the New Zealand he knew was filled with hypocritical middle class values that he did not respect. In this poem, we are given an insight into these ideas. This poem is relevant to New Zealanders, as James K. Baxter appeared to evaluate New Zealand society harshly and his judgements were always from the perspective of one intimately involved in the social process. James K. Baxter, who found intolerable ‘depersonalisation, centralisation and decentralisation’ of urban civilisation could still find reason for hope ‘in the hearts of people’. His criticisms of national life and his ultimate decision to step out of the mainstream are admired by many. He incorporates the extensive use of religious