Jessica Lonon
FREN 0868-701
Moliere Essay
Tartuffe is Moliere’s most famous play. It was originally written in 1664 as a three-act comedy, however the final version – which is what has survived to today – is composed of five acts. Many have said that Tartuffe was written in response to hypocritical religious situations of the age. Religious hypocrisy was an issue that plagued many upper class Frenchmen and this play subtly targets them and their folly. Tartuffe centers on a rich bourgeois by the name of Orgon and the arrangement of his daughter Mariane’s marriage. Mariane is originally promised to marry a local man, Valere, who she is in love with. Madame Pernelle, Orgon’s mother, visits and praises a man, Tartuffe. Tartuffe has been staying with Orgon and his family for some time and seems to be a holy and morally decent man. Madame Pernelle praises Tartuffe to no end, despite the rest of her family denying his zeal and maintaining that he is not as true as he seems. After giving what his mother had to say some thought, Orgon decided that he ought to “join Tartuffe to his house” by making Mariane marry him instead of Valere.
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Damis confides in Elmire, Orgon’s wife, about his plans when he hears Tartuffe approach, Damis to hide in the closet. Tartuffe expresses his secret love for Elmire, suggesting they become lovers. Shortly after, Orgon arrives and Damis reveals all that he has recently learned about Tartuffe. Orgon is blind to this and stubborn in his love for Tartuffe and thus so disinherits Damis. Orgon tells Tartuffe and makes it known that he intends to make Tartuffe his sole heir. Mariane’s uncle, Cleante, confronts Tartuffe to try and dissuade him from their intended marriage. Tartuffe excuses himself from the room as soon as he can, only responding to Cleante’s reasoning with religious
In Tartuffe, Moliere's use's plot to defend and oppose characters that symbolize and ridicule habitual behavior's that was imposed during the neo-classical time period. His work, known as a comedy of manners, consists of flat characters, with few and similar traits and that always restore some kind of peace in the end. He down plays society as a whole by creating a microseism, where everyone in the family has to be obedient, respectful, and mindful of the head of the home, which is played by the father Orgon. Mariane shows her obedience when she replies "To please you, sir, is what delights me best." (Moliere 324,11) Shortly afterwards, Orgon commands Mariane to take Tartuffe as her husband even though she is not interested in him at all.
Tartuffe is a story written in the enlightenment period. It’s about a religious hypocrite named Tartuffe. Jean-Baptiste Moliere he was one of the great writers on the enlightenment period. Author Calandra said “Moliere was a master of the neoclassical comedy. He possessed a wide knowledge of the society in which he lived” (Calandra 8). When he wrote Tartuffe he applied his sense of society to the play and it is shown threw reasoning by the characters.
Orgon is the type of man that is easily impressed because he does not have a strong personality. Once Tartuffe gains his trust, Orgon seems to be willing to act under hypocrite’s guidance: “Under his tutelage my soul’s been freed/ From earthly loves, and every human tie;/ My mother, children, brother, and my wife could die,/ And I’d not feel a single moment’s pain” (Moliere 32).
"There's lately been a rumor going about- Based on some hunch or chance remark, no doubt- That you mean Mariane to wed Tartuffe. I've laughed it off, of course, as just a spoof" (Tartuffe 2.2.5-7).
Tartuffe is the ultimate hypocrite in this play due to his immoral actions that go against the Catholic ethics, which he preaches. Though he asserts to be religious, righteous, generous, he is in fact, deceitful, avaricious, and immoral (Cashman 80). Tartuffe hypocrisy is contagious, dangerous, and has a negative impact to those surrounding him; it affects Orgon by destabilizing his entire family and making them believe him as a supposedly spiritual man. Furthermore, those who result in believing him grow into pretenders. For example, Madame Pernelle who preaches Christian kindness, assaults her house help, whereas, Orgon commits wickedness against his household. Notably, some characters, such as Elmire, Dorine, and Cleante are strongly against Tartuffe’s hypocrisy. Both Dorine and Cleante employ rhetoric linguistic to attempt to contradict Tartuffe, and although their opinions are coherent, it is hard to triumph against him. Elmire notes, “You see him as a saint. I’m far less awed…in fact, I see right through him. He is fraud” (1.1.23). This aims to expose Tartuffe for what he truly is, by exploiting his lust for her to attest his insincerity to his spouse Orgon.
From this scene, there is clear evidence showing how Tartuffe is a hypocrite. Here, he preaches about the importance of chastity; however, in the scene that follows, he goes against this statement when he tries to pursue Elmire. Tartuffe tries to persuade Elmire to cheat on Orgon, but she comes up with a plan to expose Tartuffe's true personality to Orgon as well as to show him how Tartuffe was trying
In Tartuffe, Moliere's use's plot to defend and oppose characters that symbolize and ridicule habitual behavior's that was imposed during the neo-classical time period. His work, known as a comedy of manners, consists of flat characters, with few and similar traits, and that always restore some kind of peace in the end. He down plays society as a whole by creating a microseism, where everyone in the family has to be obedient, respectful, and mindful of the head of the home, which is played by the father Orgon. Mariane shows her obedience when she replies "To please you, sir, is what delights me best." (Moliere 324,11) Shortly afterwards, Orgon commands Mariane to take Tartuffe as her husband even though she is not interested in him at all. Orgon's command shows how men are dominate
Orgon's family and friends believed by now that there was no hope in helping him realize the deceit that was going on right under his nose. Orgon decided that giving his daughter to Tartuffe would be the ultimate gift, and hearing this Elmire decided that it best to try to reason with Tartuffe to make Orgon keep his promise to Valere with his daughters hand in marriage. Orgon's character is drawn as that of being naive and ignorant, and displays this when he refers to Tartuffe as blood and tells the story of Tartuffe when he first met him with him asking for money, and then saying he only needed a little not the large amount Orgon gave. " nd how austere he is! Why, he can detect a moral sin where you would least suspect."(Moliere 26). In Elmire and Tartuffe's meeting Damis hiding behind the curtains hears the foul confessions of the holy one's love for Elmire and decides to come our and catch him. Damis tells Orgon of Tartuffe's confessions and the manipulator that Tartuffe is convinces Orgon that is just a plot against him. Orgon as angry as he is makes a stupid mistake "This very day, I'll give to you alone Clear deed and title to everything I own"(Moliere 48). This mistake alone cost Orgon his son, and his family's support. Elmire's plan to call out Tartuffe one more time in front of Orgon to show there was a wolf among them worked, and Tartuffe showed his true colors for Elmire by asking for acts of true caring if her feelings were true for him made
What he fails to realize is the way that “Tartuffe deceives others by his gradiosities of mortification and charity; he encourages his victims in their own grandiosities” (Mack 10). By taking Tartuffe in to his household, Orgon gets to feel like the provider and head of the family that he does not truthfully embody.
In Moliere’s “Tartuffe,” although many things and behaviors are satirized, the play focuses mainly on the issue of religious hypocrisy. Whereas Tartuffe is the obvious hypocrite and
At this moment, we see that Tartuffe is two-faced and he knows that Orgon will believe what he has to say considering he is a saint. Orgon confronts Tartuffe and in disbelief Tartuffe admits what he has said and continues to tell Orgon what a bad person he is. Orgon then is disappointed with Damis for telling a "lie" and questioning Tartuffe's purity. Orgon is too blind to see that Damis is telling the truth, because he is so sure that Tartuffe could not commit such a sin. As the play continues, in Act IV Scene III, Elmire offers for Orgon to hear for himself.
The context surrounding the period in which Tartuffe was written in, the 17th Century is remembered as being a time of extreme power for the French Monarchy. King Louis XIV and Cardinal Richelieu transformed France’s feudal monarchy to an absolute monarchy. What must also be noted about this time is the fact that the Catholic Church and Politicians had a great deal of power over authors and playwrights. In this time of social and religious persecution, Molière created Tartuffe , a comedy dealing with hypocrisy and to a great extent, religion and how religion can be used in a negative way, to mask sin. The play is known to be offensive towards the Catholic Church and religion in general. When it was first performed in 1664, it was censored,
Orgon requires submission from all the women in the play and basically, the opinions of the females does not count. The irony of it all is in the fact that these women, Elmire, Dorine and even, Marine, are more reasonable and they could see Tartuffe for the hypocrite that he is. Neither Mariane's opinion nor her agreement is necessary, as Orgon makes his decision about her marriage. His use of the future—"he will be your husband"— vindicates that his statement of a resolution has the power to effect it in reality, while his repetition of the possessive—"my daughter," "my family"—establishes his proprietary rights over his
Second, the value of moderation and reason in all things, as opposed to excess and obsession, is an important theme running throughout Tartuffe. Cleante is the voice of reason also because he promotes moderation and balance throughout the play. After Orgon realizes Tartuffe’s real nature, Orgon becomes emotional and begins to angrily say that he is “through with pious men” (Molière 244). Again, Cleante displays emotional control by questioning Orgon on why he could not be rational (Molière 244). Cleante advises Orgon that the lesson to be learned from his experience with Tartuffe is not to curse all men who appear to be good but rather carefully avoid all extremes of behavior and judgment to act less impulsively
story Tartuffe has not acted out on passion. Then Moliere adds a twist to the story with