Secure the corners; you can only win if you secure at least one corner.
Seventeen years old: the faded 8x8 green board sits in its usual place, with Mom as my rival. We engage in our millionth game of Othello. A high school senior still playing board games with her mom; everyone has a guilty pleasure, right? Each with thirty-two double-sided disks, I’m always black and she’s always white, indicating that I go first.
Hovering over the board, contemplating my first move, I strategize. Placing my black piece anywhere around the stationary middle four disks will grant me the same chance of winning. Consciously, I lay my first piece on the diagonal and flip one of Mom’s white disks. I’m winning. For the following moves, I hustle through my turns to flank Mom’s pieces, disregarding the
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How could Mom win when I have the corners?
As I continue to play, the thought strikes me: maybe these corners, what I’ve always thought to be the best positions in the game, might just be misconceptions.
After a lifetime of Othello, after years of aiming solely for the corners, I’ve finally discerned the game’s true strategy. It’s not about these corners. It’s the patience, foreseeing the next move. The wariness of the entire board, as other strategies might outshine.
Without realizing, I’ve embraced this childhood game strategy and implemented it into my life and work ethic. While others aim to be superior with a desirable position, I keep advancing for my own benefit, looking for the other strategy. I’ve discovered the advantages of remaining patient and prepared for my next move, my next action, assignment, or any challenge thrown at me, despite any adversity.
Spring sophomore year: dedicating endless hours on voice lessons and skipping lunches, I practice for the audition. Acceptance into a select choral group means that you made it; you secure the corner and will succeed, or so I
Shakespeare is prominent in his use of recurring themes throughout his works, particularly those of love, death, and betrayal. All these themes are present in Othello. Most dominant, however, are manipulation and jealousy. Jealousy runs the characters’ lives in Othello from the beginning of the play, when Roderigo is jealous of Othello because he wishes to be with Desdemona, and to the end of the play, when Othello is furious with jealousy because he believes Cassio and Desdemona have been engaging in an affair, but manipulation the prominent action that fuels the jealousy within Othello. Some characters’ jealousy is fashioned by other characters. Iago is involved in much of this, creating lies and implementing confusing situations.
The ability of passion to bring destruction upon the lives of the unsuspecting is illustrated in Shakespeare’s Othello with the use of both manipulation and deceit. The curse of fierce passion fell namely on Othello as he transitioned from a respected general to an unstable murderer. His downfall is demonstrated through his increasing self-doubt, lack of ability to articulate, and violence. In the start of the play, he is an accomplished general and happy newlywed, and has yet to be significantly held back due to his being a Moor and outsider in Venetian society. As passion overtakes him, however, Othello truly ingrains the idea that he is less than, and those around him begin to blame his actions on the nature of his ethnicity. He has completely lost his identity to his desires and is unable to think rationally. Shakespeare juxtaposes this version of Othello with his initial composed self in Venice to demonstrate the damage of ignorance to logic and heighten the sense of tragedy. The effects of an overwhelming passion involving love, jealousy, and revenge are shown through Othello’s degradation and loss of stability.
Set in 16th century Venice, Othello, by William Shakespeare, explores the idea of an outsider from the very beginning of the play. Shakespeare uses Othello, a black army general, to explore the relationship of an outsider in high Venetian society using a variety of approaches. The reader sees characters consistently referring to Othello in derogatory and demeaning terms, as well as frequent implications that Othello is scarcely human. Further exploration of an outsider in society comes from Othello himself, as he outlines a few of the major differences that set him and the community apart.
In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character
Othello is a tragic hero because of his greatnesses and his weaknesses. He is a noble man who possesses all the qualities of a military leader, which he is. He has control over himself and shows courage as well as dignity. Just as Othello is a virtuous man there are some flaws within him, these flaws complete him ff as a tragic hero. Othello is often blinded by trust and can not see a person for who they really are. He trusts the people around him even when they mean to afflict harm upon him. Through this, it can be seen why Othello is one of the most tragic hero out of all the characters from Shakespeare’s many plays.
The cultural perspective allows the reader to perceive the intensity of the character Othello because he is a moor that has Christian beliefs. Since moors are typically considered evil and jealous like Othello showed to be, he was able to use the values of marriage to justify his reasoning for murdering his wife. During the Shakespearian time era it was unacceptable for a moor to marry a Venetian. Although Othello can be perceived in the historical perceptive, the cultural lens is the best because it elaborates the conflicts in the play.
In the play Othello, jealousy is shown to be very evident through the actions of the characters. Jealousy is an emotion that everyone shares, and it is ultimately responsible for the tragic ending of the play. Everyone feels jealous at certain times of their lives, and this feeling can cause people to do irrational things. This human emotion also shows people to be weak in the sense that they are never happy with what they have. Shakespeare shows through Othello, Iago, Roderigo, and Brabantio that jealousy is the most corrupt and destructive emotion.
The language and literary techniques used in William Shakespeare's Othello enrich the settings, plot, characters, and themes. Othello is a complex tragedy about good versus evil, loyalty, love, sexual jealousy, appearance versus reality, and intrigue, told in a first person point of view. The play takes place during the Renaissance in Venice, Italy and in Cyprus over three days. It is written in blank verse, usually unrhymed iambic pentameter. The protagonist, Othello, is a Moor well respected by senators for his valiant service in war and married to Desdemona, a Venetian woman. The play is entitled Othello and the plot and action encompass him, thus supporting his position of
Only by considering a range of perspectives can we truly appreciate the world of Shakespeare’s Othello. It is through my exploration of these perspectives and their relationship with changing morals and values that has enriched my understanding of the play. One such reading of the play challenges the marginalisation and objectification of woman in a patriarchal Venetian society, while taking into account the changing role of women in modern society. Another interpretation of Othello examines its post colonial elements through the protagonist Othello, and his insecurities of being a black man in a white society. My interpretation of the play as a portrayal of the values existing in Shakespeare’s time is filtered through these
1c. The siblings were auguring about who should play with, the marble race track, first. Dianna believed since she picked up the box first, she should play with the track first. Devon’s argument is that he should play with the game first. His homework is completely done and Dianna’s homework is not complete.
Othello’s speech to Brabantio and the Duke in Act 1, Scene 3 is of major importance in describing Othello’s personality. This long speech, found in lines 149 to 196, shows Othello for the first time as a person with depth and less as a soldier. This speech is important to the book as a whole because it is a testimony to the strength of the love between Othello and Desdemona, which will later play a major role in the plot. It is also one of the first times that we see Othello trying to influence his audience with his words. The speech given by Othello is intended to convince Brabantio that Desdemona is with him willfully, and not by “spells and medicines bought of montebanks” (line 74).
1. Thesis Statement: William Shakespeare’s Othello, the Moor of Venice is a tragedy and Othello is considered a tragic hero by the definition of Aristotle's work in "Poetics". Othello’s fatal flaw leads to his uncontrollable jealousy. His high-ranking position and stature in the royal family leaves him feeling suspicious and betrayed and seeks the ultimate revenge.
The Shakespearean tragedy Othello contains a number of themes; their relative importance and priority is debated by literary critics. In this essay let us examine the various themes and determine which are dominant and which subordinate.
In the play Othello written by Shakespeare, the issue of racism is addressed. Othello, the protagonist of the play, is African American or black. “According to Lois Whitney, many of Othello’s specific attributes probably derive from Shakespeare’s reading of Leo Africanus, whose Geographical Historie of Africa which was translated and published in London in 1600”(Berry, 1990). Many critics have different views on this. “If Shakespeare depended upon Leo Africanus for such details, he must have been much more interested in racial psychology than critics such as Bradley or Heilman suggest”(Berry, 1990). One of the most prominent features of this Shakespeare play is the
Far more advanced for his time period, Shakespeare’s talent went unrecognized in the category of not just literature, but psychology as well. During the Elizabethan time period, it was unaware that a human could have psychological defects, let alone have characters who express these faults in a play. Shakespeare’s Othello was produced with two of the main characters having significant behavioral disorders. With a changing motive, the antagonist Iago expresses the symptoms of a narcissist and a sociopath by manipulating the protagonist Othello with lies about his wife. The infected Othello becomes caught up in Iago’s deception which causes him to show the traits of having low serotonin levels and appears to be going