Research Paper On Salvador Dal

Salvador Dali was an artist who was almost more notorious for his colorful personality as for his artistic talents. He took an apolitical outlook on world politics, but often dabbled in anti-establishment movements. This essay explores the life of Salvador Dali, the historical and political time he lived in, and how these influenced his work.

The painting lays a scene of a landscape of an Island territory and several different people and animals. In the eye catching foreground “we see a farmer herding a large amount of animals” their focus is darted to the left of the painting. we will come to learn that all mentioned figures and objects in the painting have a visual focus to facing to the left, as our eyes draw towards the right and farther out we notice off in the “distance you see an image of the fisherman off to the coast (a pair of legs submersed in water as well not too far off). In the north you see a ship that seems to dwarf them both in size and space.” With this we can draw the connection that this relates to the idea that time

Salvador Dali was a pioneer. Few pages are not enough to tell the story of an eccentric, hardworking, disturbed and misunderstood master. Born in Figueras, Spain on May 11, 1904 near France into a middle class family. Childhood was turbulent, difficult, and abusive. Raised full of indulgences by his mother that resulted in the known eccentricities he had. (Dali, Secret Life, 115). Bright, extreme intelligent and fast learner child that created highly sophisticated drawings by age 6. In 1916 went to study drawing at College de Hermanos in Figueres, starting to show eccentric behavior for the first time.

When the painting first was completed by Dali, experts tried to explain what did it mean, why these watches are melting and why they are in the middle of the desert.

Art History is the study of objects of art in their historical development and stylistic contexts. The history of art, we feel, can sometimes be confused with art criticism. However, Art History is concerned with finding the value of the artistic piece in respect with others in the same category of art or movement, and art criticism is more of an evaluation of art. The art examined best represents the culture during the time period, visions the artist imagined, and history behind an event. It also represents society in a specific area, beliefs the people may have, writing that tells a story, the natural world and environment, conflict between people and areas, and the human body. With these representations, artwork overall represents the life in which we live (d). Each piece has its own genre, design, format and style to it. This makes each piece extremely different, yet pleasing to the eye. They also vary between paintings, sculptures and architecture. These different types also make a variety of artwork to be seen by all people. The art pieces that I chose, Jar, Bottle and Glass by Juan Gris, The Persistence of Memory by Salvador Dalí, and Starry Night by Vincent Van Gogh, seemed interesting to me and I believe to best represent the context in which they were created, along with the major artistic movements of the time. I went on to research them more thoroughly to better understand the history behind them,

Diego Rivera was born in December of 1886 and first began creating art and murals at the age of three after the death of his twin brother. Young Diego's parents caught him drawing on the walls of their home but rather than punish him for it they instead nurtured his growing creativity. They installed canvas and chalkboard on the walls and let Rivera create as he saw fit. Even in his early years Diego knew what he wanted to be. When Diego Rivera was 10, he attended San Carlos school of fine arts where he furthered his love for art. In 1907, Diego Rivera continued his education in Europe. He there also met a few others who later became famous artistic figures. For example, Pablo Picasso, Marc Chagall, and Piet Mondrian. The world in which Diego

Salvador Dali’s 1931 painting The Persistence of Memory is a hallmark of the surrealist movement. Dali famously described his paintings as “hand-painted dream photographs” and The Persistence of Memory is a prime example of that description. The Persistence of Memory depicts striking and confusing images of melting pocket watches and a mysterious fetus-like structure all sprawled over the dreamscape representation of Dali’s home of Port Lligat, Spain. Dali uses strange images, color, and shadows in The Persistence of Memory to convey an abstract view on dreams, time, and reality.

The highly imaginative reflections appear as elephants’ heads upon closer inspection. He also makes use of surrealistic techniques of producing unnerving and illogical scenes that reveal themselves when one takes a closer look at the painting. This leads to the topic of the varied perceptions of people. How one person sees an object may not be the same for another person. For example, many people do not see the reflection of the swans in the water as elephants upon glancing at the painting, but later come to the realisation upon looking intently at the artwork. It is also very interesting that Salvador Dali decides to portray the trees in the way that he did. The shapes of the branches of the tree are irregular and twisted with no leaves, suggesting that the area is deprived of water since plants need water to grow. This is quite ironic as the land on which the trees are planted on is surrounded by water bodies. This unexpected juxtaposition is a trademark of surrealism. The barks of the tree trunks reflected in the water then make up the rest of the elephant’s body. From the way that the reflection of the tree trunks on the surface of the water are painted, I can tell that the water is very still because there is no distortion in the image of the tree trunk’s reflection as well as the swan’s reflection. This tells me that the atmosphere of the place in the painting is absolutely still. Thus from the way that Salvador Dali painted these details we can decipher what sort of atmosphere he is trying to bring about in his painting. Salvador Dali also painted the clouds in a way that prompts you to imagine a different object in its place; one might imagine the clouds as a horse, a cat or even a dog. The way that he added depth by using different shades of the same colour to the clouds made them look even more realistic though at the same time they do

- P: In the painting there are four clocks, a dead tree, a body of water in the distance, sand, mountains, a white blanket, ants, and a snake. It is definitely day time and parts of the desert are cut. One clock is melted over a dead tree's branch. Another one is melted along the split of the land. Another one is rusted and has a ton of black ants scattering on top of it. Finally,

Persistence of Memory [See Appendix 4] and Edge of the Trees [See Appendix 1] are two examples of artworks that both aim to communicate a social comment that is relevant to the artist’s background and beliefs. Persistence of Memory was painted by Salvador Dali who was a Spanish artist, celebrated for his surrealistic dreamscapes. Since his birth in 1904, Dali was an eccentric individual with limitless creativity. His fiercely technical yet highly unusual paintings, sculptures, films and life-size interactive art pieces were achieved by pouring his boldness and creativity in to each one. Edge of the Trees was collaboratively created by Janet Laurence and Fiona Foley; two Australian artists of completely different backgrounds. Janet Laurence (1947) is a Sydney based artist and architect of more than 25 years. Fiona Foley (1964) is another contemporary Australian painter, printmaker, photographer, sculptor, installation artist, writer and community activist, whose work is greatly influenced by her heritage and history. Foley’s work often discusses the hidden histories of Australia's colonial past and its interface with Aboriginal people.

It was painted to show a reflection between 2 different things, to create one picture. This piece is also known as one of Dali’s most Surreal paintings. “The Persistence of Memory” was a painting done in 1931. This painting many have seen before, all over the world. It shows several meaning between watches and rocks.

This painting has made a major effect on my life and has made my artwork go to a more relaxed level. Instead of just painting a landscape Dali painted a toreador of symbols and some was what he saw on an acid trip. That was not why I picked this painting .

Salvador Dalí is best known as the flamboyant and eccentric poster-boy of the Surrealist Movement. Born in 1904, Dalí spent the majority of his life working on various forms of his art, making him one of the most versatile artists of the twentieth century. While he is notorious for his paintings, he worked with many different mediums, which included sculpting, fashion, photography, and film. He began to show an incredible skill in art from very early on in his life, a skill that was nurtured by both of his parents. He began his formal training at age ten, which he continued until he was twenty two. Dalí was enrolled in the Royal Academy of Fine Arts of San Fernando until he was expelled from the academy for confidently claiming that “none of

This paper will take a look at Salvador Dali’s painting, The Persistence of Memory, painted in 1931. As the viewer can tell, this is a story of time and life. The memories start in the background where all is well and things are straight and calm. Moving on to the cliff, the observer possibly sees a well-behaved teenager. There is nothing horrible here that leads the spectator to gasp, and the viewer knows this person made it through that time in their life. Then the picture moves on to the age of about twenty, the memories are fond but in the distant past. The memories are protected by a white blanket so that they do not just fall into the background. Then something happened where the person had some

Salvador Dali was born into a middle class family on May 11th 1904 in Figures, Spain. During his lifetime, he was an eccentric painter, writer, sculptor and experimental film maker. In Dali’s early years of painting he experimented at first with landscapes, most of which were of his home in Figueres, Spain. Dali also made paintings of the surrounding area of his family’s summer home, in the seaside town of Cadaques. Dali’s transitional period was between 1927 and 1929, these were years of experimentation. In this period gravel, rocks, cork, and other materials can be noted on his canvases. This was more abstract period then others, at this time in Dali’s life he had just been kicked out of the art school he had been attending .